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Image
Published: 01 May 2014
Figure 6 “Pare Belo Monte,” New York Times Sunday Review , June 30, 2012. Amazon Watch / Mario Tama / Getty Images Figure 6. “Pare Belo Monte,” New York Times Sunday Review, June 30, 2012. Amazon Watch / Mario Tama / Getty Images More
Image
Published: 01 January 2015
Figure 5 Jay-Z and Marina Abramović at Pace Gallery, New York, July 10, 2013. Courtesy Fairchild Photo Service Figure 5. Jay-Z and Marina Abramović at Pace Gallery, New York, July 10, 2013. Courtesy Fairchild Photo Service More
Image
Published: 01 January 2015
Figure 6 Behind the scenes at the New York Reality TV School. Cruze-arati.com Figure 6. Behind the scenes at the New York Reality TV School. Cruze-arati.com More
Image
Published: 01 January 2017
Figure 14 Aladar and Victor Olgyay, “Bioclimatic Evaluation for New York–New Jersey Area.” From Olgyay and Olgyay, Solar Control and Shading Devices (1957). Reproduced with permission Figure 14. Aladar and Victor Olgyay, “Bioclimatic Evaluation for New York–New Jersey Area.” From Olgyay and More
Image
Published: 01 May 2017
Figure 5 Adbusting with solvent by Spanish artist Vermibus in New York. Photograph by Jaime Rojo. © Brooklyn Street Art Figure 5. Adbusting with solvent by Spanish artist Vermibus in New York. Photograph by Jaime Rojo. © Brooklyn Street Art More
Image
Published: 01 May 2017
Figure 8 Angry Birds on box truck in New York by the Almost Famous crew. Photograph by Virág Molnár Figure 8. Angry Birds on box truck in New York by the Almost Famous crew. Photograph by Virág Molnár More
Image
Published: 01 January 2019
Figure 2 © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018 Figure 2. © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018 More
Journal Article
Public Culture (1 September 2018) 30 (3): 465–482.
Published: 01 September 2018
...Diego Cagüeñas On September 11, 2001, at least two hundred people jumped to their deaths from the top stories of New York City’s World Trade Center. According to the New York Medical Examiner’s Office, they are not “jumpers” because they did not wake up with the intention of committing suicide but...
Journal Article
Public Culture (1 January 2017) 29 (1 (81)): 5–16.
Published: 01 January 2017
... and drones and troops and fighters, but to those sitting in Islamabad or New York or London, these things signified that the territory was “wild” and its people therefore probably faithless. The doubt was unequally distributed, and the judgment was always made against the backdrop of a relentless...
Journal Article
Public Culture (1 May 2017) 29 (2 (82)): 227–234.
Published: 01 May 2017
... draws on current research on the everyday dynamics of social inclusion and exclusion among the parents of a New York City Parent-Teacher Association to highlight everyday practices of social inequality. Uncovering microsociological dynamics of inequality in settings where established structures of...
Journal Article
Public Culture (1 January 2017) 29 (1 (81)): 113–127.
Published: 01 January 2017
...Carlos Motta; Heather Love Heather Love interviews Carlos Motta about his recent show Deviations (April 21–May 21, 2016, PPOW Gallery, New York City). They discuss LGBTQ politics, ephemeral and fugitive evidence, the violence of the archive, and unexpected intimacies with the queer past. Motta...
Journal Article
Public Culture (1 September 2014) 26 (3 (74)): 393–418.
Published: 01 September 2014
...Rachel Sherman This ethnographic essay analyzes This Progress , an interactive artwork by Tino Sehgal, shown at the Guggenheim in New York City. This “constructed situation” violates conventional expectations of interaction and art, with the aim of fostering meaningful conversations among strangers...
Journal Article
Public Culture (1 January 2012) 24 (1 (66)): 55–84.
Published: 01 January 2012
...Fred Turner In 1955 the Museum of Modern Art in New York opened one of the most popular photography exhibitions of all time: The Family of Man . Visitors marveled at images hung over their heads, mounted by their feet, and dangling in midair. This essay shows how The Family of Man and its mode of...
Journal Article
Public Culture (1 September 2012) 24 (3 68): 451–456.
Published: 01 September 2012
...Nicholas Mirzoeff A personal account of why a New York University professor is engaged with Occupy Wall Street. Copyright 2012 by Duke University Press 2012 forum Why I Occupy Nicholas...
Journal Article
Public Culture (1 January 2019) 31 (1): 21–43.
Published: 01 January 2019
...Figure 2 © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018 Figure 2. © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018 ...
Image
Published: 01 January 2017
Figure 7 Carlos Motta, Untitled (1998). 30 × 45 in., archival inkjet print. Courtesy of PPOW Gallery, New York Figure 7. Carlos Motta, Untitled (1998). 30 × 45 in., archival inkjet print. Courtesy of PPOW Gallery, New York More
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Published: 01 January 2017
Figure 8 Le Corbusier, “Modulor,” 1955. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 Figure 8. Le Corbusier, “Modulor,” 1955. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 More
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Published: 01 January 2017
Figure 10 Le Corbusier, sketch for the Immeuble Clarté, 1928. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 Figure 10. Le Corbusier, sketch for the Immeuble Clarté, 1928. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 More
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Published: 01 January 2015
Figures 1 and 2 Marina Abramović, “The Artist Is Present.” Performance, three months, the Museum of Modern Art, New York, 2010. Photography by Marco Anelli. Courtesy Marina Abramović Archives Figures 1 and 2. Marina Abramović, “The Artist Is Present.” Performance, three months, the Museum of More
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Published: 01 January 2015
Figure 3 Marina Abramović, “The Artist is Present.” Performance, three months, the Museum of Modern Art, New York, 2010. Photograph by Marco Anelli. Courtesy Marina Abramović Archives Figure 3. Marina Abramović, “The Artist is Present.” Performance, three months, the Museum of Modern Art, New More