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Image
Published: 01 January 2017
Figure 8 Le Corbusier, “Modulor,” 1955. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 Figure 8. Le Corbusier, “Modulor,” 1955. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 More
Image
Published: 01 January 2017
Figure 10 Le Corbusier, sketch for the Immeuble Clarté, 1928. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 Figure 10. Le Corbusier, sketch for the Immeuble Clarté, 1928. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016 More
Image
Published: 01 January 2019
Figure 2 © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018 Figure 2. © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018 More
Image
Published: 01 January 2017
Figure 1 Carlos Motta, Deseos (2015). HD 16:9, video, color, sound. 32:37. Video still. Courtesy of PPOW Gallery, New York, and Mor Charpentier Galerie, Paris Figure 1. Carlos Motta, Deseos (2015). HD 16:9, video, color, sound. 32:37. Video still. Courtesy of PPOW Gallery, New York, and Mor More
Image
Published: 01 January 2019
Figure 1 This version of the Modulor Man dates to January 6, 1946. © F.L.C./ADAGP, Paris/Artists Rights Society (ARS), New York 2018 Figure 1. This version of the Modulor Man dates to January 6, 1946. © F.L.C./ADAGP, Paris/Artists Rights Society (ARS), New York 2018 More
Image
Published: 01 January 2017
Figure 3 Carlos Motta, Towards a Homoerotic Historiography (2014). Installation of twenty silver-washed gold miniature figures, dimensions variable. Photograph by Hendrik Zeitler. Courtesy of PPOW Gallery, New York, and Mor Charpentier Galerie, Paris Figure 3. Carlos Motta, Towards a More
Image
Published: 01 January 2017
Figure 4 Carlos Motta, Towards a Homoerotic Historiography (2014). Installation of twenty silver-washed gold miniature figures, dimensions variable. Photograph by Hendrik Zeitler. Courtesy of PPOW Gallery, New York, and Mor Charpentier Galerie, Paris Figure 4. Carlos Motta, Towards a More
Journal Article
Public Culture (1 January 2000) 12 (1): 205–206.
Published: 01 January 2000
... and has worked with battered sub-Saharan immigrant women in Paris. On the Predicament of the Sign: The Modern African Woman’s Claim to Locality Fatu Kande Senghor Fatu Kande Senghor is a writer and photographer who is currently Program Specialist for the Cultural Program at the Goree...
Journal Article
Public Culture (1 September 2001) 13 (3): 581–582.
Published: 01 September 2001
... Whitmore is a street photographer Bed of Nails, Paris living...
Journal Article
Public Culture (1 January 2002) 14 (1): 275.
Published: 01 January 2002
..., Nationally Known Paris Bridal Salon: a book on global France, Taipei, Kaohsiung, Beijing, Shanghai, Dalien, Shantou, National Chain” Xi-Dan, Beijing film distribution and...
Journal Article
Public Culture (1 January 2011) 23 (1): 47–54.
Published: 01 January 2011
... Kinshasa, Democratic Republic of the Congo (DRC), and Paris, Mowoso probes the world of Mikilisme. Mowoso [Mo-­woah-­soh; in Lingala (DRC), rustlings of various kinds, from wind in the leaves to the whine of a hard drive preparing to crash]: an experimental network of transdisciplinary...
Journal Article
Public Culture (1 January 2011) 23 (1): 85–119.
Published: 01 January 2011
... coloniale de la modernit L’homme, no. 156 (2000): 161 – 86; and Marie-­Claude Smouts, ed., La situation postcoloniale: Les “postcolonial studies” dans le débat français (Paris: Presses de la Fondation Nationale des Sciences Politiques, 2007). 5. An exception is Mamadou Diouf, L’historiographie...
Journal Article
Public Culture (1 September 2002) 14 (3): 593–598.
Published: 01 September 2002
... Monnoyer. Paris:Gallimard. Certeau, Michel de. 1984 . The practice of everyday life [Arts de faire], translated by Steven F. Rendall. Berkeley: University of California Press. Foucault, Michel. 1994 . L'ecriture de soi [Writing the self]. In Dits et écrits: 1954–1988 , vol. 4 . Paris: Gallimard...
Journal Article
Public Culture (1 January 1994) 7 (1): 186–194.
Published: 01 January 1994
.... Brixton, England. v I I' II One Way? 1' I Paris. i...
Journal Article
Public Culture (1 January 2001) 13 (1): 89–96.
Published: 01 January 2001
..., Caryl Phillips, Daniel Max- imin, Frankétienne, Edouard Glissant, Patrick Chamoiseau, Raphaël Confiant, Jean Bernabé, and Edwidge Danticat. After obtaining university degrees in Paris and London, Condé began a multifaceted career in literature, journalism, criti...
Journal Article
Public Culture (1 January 2011) 23 (1): 121–156.
Published: 01 January 2011
... Contemporary France 16, no. 1 (2008): 67 – 72. 3. André Gide, Voyage au Congo (Paris: Gallimard, 1927). There were many others I do not quote here. For a history of French “anticolonial” writing and the different forms it took, see Jean- ­Pierre Biondi and Gilles Morin, Les anticolonialistes, 1881...
Journal Article
Public Culture (1 May 1996) 8 (2): 355–376.
Published: 01 May 1996
...Etienne Balibar Copyright © 1996 by The University of Chicago 1996 Literature Cited Balibar , Etienne . 1992a. Les frontières de la démocratie. Paris: La Découverte. Balibar , Etienne . 1992b. “Internationalisme ou barbarie.” Lignes 17 ( October ): 21 -42...
Journal Article
Public Culture (1 September 2008) 20 (3): 467–477.
Published: 01 September 2008
..., histoire et doctrines (1865), had written that “in health one does not feel the movements of life; all functions are This translation is based on “La santé, concept vulgaire et question philosophique,” chap. 3 of Écrits sur la médecine (Paris: Seuil, 2000); the essay originally appeared as “La...
Journal Article
Public Culture (1 January 1992) 5 (1): 75–81.
Published: 01 January 1992
...Michel-Rolph Trouillot Copyright © 1992 by the Society For Transnational Cultural Studies 1992 References Apostolidès , Jean-Marie . 1981 Le Roi-machine. Spectacle et politique au temps de Louis XIV . Paris: Editions de Minuit. Arendt , Hannah . 1977(1964) Eichmann in...
Journal Article
Public Culture (1 September 2012) 24 (3 68): v–viii.
Published: 01 September 2012
... corporate collections, from the Museum of Modern Art, New York, to the Bibliothèque nationale de France, Paris. He has been teaching photography for over thirty years in the United States and abroad. In 2011 the Museum of Con- temporary Art San Diego exhibited large-­scale photographs from...