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/10.1215_08992363-9262849/3/s_pcl9262849figure9.png?Expires=2147483647&Signature=WOhjUEGFvzrm8e12tIoW9zWZ~lBr3tTYvXeyH6Mksq02DF3CrdwGYsptO7SrgM33YrL1iOqsoqT9R0w-Szf2AHLik6a19lY~6T~5W-NyFKKhnT95RPgnyNldsXBwS4bVwR~a5i987oUo91wyOcn4LwlrL-CVpnZ1FvySzYWdC-U-zPKPFcIkxdhQ22SMKqcBtdAXJPIin-OFRh~RKRwt6S3Py2wLgrFyTdYqxFJtI9QmLvZbwLY4yyVGlKJ6Xw1sBwEhIUzHqY7Ne85-s-GrBPvFgzcC39lhcShkOsbso0We~HWIb4nyKowxDAv8FyzCSMijFK3qY3Z0RQqiKsbUbg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 9 Rooftop viewing center, Lagos. This is a viewing center erected on top of a roof, with two sides enclosed using old PVC advertisements and the rest of the space open. Photograph by Brian Larkin.
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/10.1215_08992363-9262849/3/s_pcl9262849figure6.png?Expires=2147483647&Signature=34POwghR4~JNWPaOaOnkk10ymw7BY3NC7PNpdBn750BH33on2h3T7HjBXhgURt4QfBWtIE3Uo5s9r9iX~-TsNjV1cU1pjhFDYVmHSJiZxZBavpYTrDtvg56QSo8PmCLZEeq-eAZ53QQItDM5QzX1mYyjyzgU840q47Rv6-6Rm44vwKW-rWwV8NFdVAw-3T~Q3ejjIbnD~wp8NXCsntI7DyBEM1baJt7OmZrQgJ4gCS7qChwXwsmAw7BHPiGh5TsMc8dK5P6YlxUPtUuKe0xcS15YlZvYz98ahxmwGrjT3m8QSzq8KWtie1DfxCpKXkYrKeP70ABTPOeH7pW9y8ccEQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 6 Viewing center, Kano. Photograph by Brian Larkin.
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/10.1215_08992363-9262849/3/s_pcl9262849figure7.png?Expires=2147483647&Signature=Q-E4VkAtFapub5bw3LZyVYS~t-59Pc8CxLQtTQhrnEBMdUzI7CvbjT8M7~e5TKKny0F5SErjB68c1Y~oL5dv-6A5JNBXwT43J7s37j5nP3hb1gvK5~nZ7bTdXK8FFOGMYqpix~A2z3bPNhFyuTlwctOtvIGBqy7c1aN6Mn~5GR4BZjmZoJ9bNAg70xXAHxm-1SNpXd1XWctRupxT2IuBsrQBJhEyQIHn~MjZMsxrbu5HVrhy~GUw~-VnZG648hHaIwyzM~QahmOu0Vi3px5DcrHV6dYz7gTppeXSzsgPYPUCcGRxyTAZuQ6MLMY2SeZ6svFUpa6nUd0ocTow2dDqJA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 7 Viewing center, Kano. Photograph by Brian Larkin.
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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 8 Rooftop viewing center, Lagos. Photograph by Brian Larkin.
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/10.1215_08992363-9262849/3/s_pcl9262849figure10.png?Expires=2147483647&Signature=ow~Bnk1Ilt32~UXtwp1jT5SpK3076JwF~VGNfOX5SN0pZMdAEE5a~scivUreBOiAuE~jbTENPclI2z8bYrSnY35E1NzKDTjlWIgInglZ9s8n7wn~UB3Pj08mMlPcADme7lF6VbR6NeEdbYyQFqImgVET~wSD6zrCHv~2VwZ7N55-oVmDZe1di5TxswfWknEqlx1hGpoLKEb5-i7SYOqTe0XdKUuA2toQz~cbzWPIQC6wgfT-WzebhOZzUaCcYrJUdN0u8A2eVaotsPxpljwgPOpAki1dC2tOSsmbHu8oQNbzwZIePnWZopZKgMMiN72wXWyTELgCc6CO50~cKKhYbQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 10 Viewing Center, Kano old city. Photograph by Brian Larkin.
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/10.1215_08992363-9262849/3/s_pcl9262849figure11.png?Expires=2147483647&Signature=HpjlHpBEXsPY0nWJyXnItn7~Twb4pYC5nluM5AYHf47rQKK~pkiXhnB9Ye4C47-kadXFBmjui3NU2zubbtUrWe1LGfGSosiZ3tI9a3uhS1qOFzv8nJ6Rbmi8M4IYc6eKquJrzlIqVoEoDvSidor6vxcKwui4bltG4mKmlGDUvNSfKCrRuDFpUFiqxciEVbyPITPWTzs2nxqIkwqTZi8g2v2lt7vYiE73rEbTTxxsPIV90NbktRmQlsLGS7a5CpBguHzJJa2TlwG870GOnU3OEyAjFDMPsKQ-sRB17EnRY8NX5NwKzxOsGqaZsFpBcW9FhuPXmju9jhmr5I64drgdMw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 11 Viewing center, Kano old city. Photograph by Brian Larkin.
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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space
> Public Culture
Published: 01 September 2021
figure 12 Posters for Indian and Hausa films outside a viewing center, Kano. Photograph by Brian Larkin.
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Published: 01 May 2022
figure 6. Olive grove between visitor parking lot and visitor center. Photograph by the author.
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/10.1215_08992363-9584778/12/s_pcl9584778figure10.png?Expires=2147483647&Signature=rqEwJEUqlapi1WgXMclO9aXDaZ5-xU-1ce2XP6jzgH3vhIU36oTcvdC1i4dy3ajL4iUXH1rFO-OVWgXcuFlbXEfHABQACOGWM~lt3mKe8NMR590QXbEpTtiZMOMzNCKeBQqahVCJr-KVx0tkDdDMTbY0RFwajeHtrh1PZWz7Sr3PaFoQc8iBdZ7heL06cACimd7~C1xUr0TtwlwnIYaQpw4UPC3IYUTqFlRBd6kbGlSKzutaKoyy6mVBO7NCCCqsUso4oQHqpJNfg9DkPQniiSazuADfvWpoeNVuMeItdMn5HjZSN-SPpLUjBLX1Ry97iQ65YfWVSBO5ufKmdfR7hg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
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Published: 01 May 2022
figure 11. Observation deck at Apple Park visitor center. Photograph by the author.
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/10.1215_08992363-2841892/2/s_331_Fig1.jpeg?Expires=2147483647&Signature=ttxi2xQOU17KbB3qGKWiT8HHHAcg7evk58xRxVoTiTeFxijuu9u5bAn0nvLAuGhX7LRKIrQe2peqfepzrZeOO-CTHW5olkz5ZELHxko~Ltnn~pEhwExBShX1Z6tQGv8T5kIPbcxX9-Xhe5Ull-y5ES8QDuLkEvRNYo1mqf6PYbC~C7mKDtWjxyUC0g8qarKQIfKYs3cwx~2l1vrQb3TqBMasRXZsPsoVwB44Y9MmCVAm-xaBTkPWdmquUf2i8EUNcZ43hjv~UozFkBg9VnTfmaXxHgvWO0PyA7xSAVCbekMV56w~yzVWjnwD0b7CrdAjvgoLlaP9c75PNW8Z3znh5w__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 May 2015
Figure 1 A call center car with tinted windows and no decorations waits to pick up passengers in Pune.
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/10.1215_08992363-3325016/2/s_PC28_1_05CobbFIG1_COLOR.jpeg?Expires=2147483647&Signature=sPMJUjj~2Uci5GwE1qJa~Vauq7FJFdx5z8mq-osyJj4WPUc2-MjFnh~Y3DOVkZPQVmInsRvsFgEaM8YDDSO2Gc37xiBgeSpboCpFjTwrZWQIwocVTsnbs5gGPqBKyrPP5wsZj8Ld5cM0cWoG7-R0MzDw~wELuwURcOMiRMxyE1tAh5lL86ony68WbIObYwmJnMTikpnxGbcBG~KJ-svfETalxeNbs2-NNLT6LIMrDlzh47xtVTC-SroqFB-Ox~Kn6--YW4VC6fl-YRgMNt7lgRp~oKAOVY3ezolDIWXXckQ8bYaQ8VJhjpekp6h3FyXuZMbpkBBP8KHmB~W1v1UUsw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2016
Figure 1 Vues d’Amérique du Nord . Source: John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University
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/10.1215_08992363-2683693/2/s_378_Fig2.jpeg?Expires=2147483647&Signature=mYKj2556VlG7LfTvg4wwsOKRGJ3l1gIcusB9NVIYrPW8MumQ7oqwRXKud3hkbX5xPRtluYOF3GwHFQXl15hBLbm4IVu1zxwm~h4-ZDy1sMpUIQZ4GeKOtORvq8ij8e2-FW1Vs6CQ4TtktqdgMOFbUn2GCJsiG1T-9PSrtfVbzV1n7l34fSe7XXnmOM3UCr09aIJvDSr6Bgdwz2-9oEag4HC~fpwkYYzaDkAeB7hVptHa6~Qgm5Ql84szBODTDCmDXsH7z5PhmbMN4EheA1dS25Hg2EO9HHnoOTMFeYORdpmxH8N79s04bQ802VaB3iaEGdYsUV0lmaHrK0DU355TBA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2014
Figure 2 The Lincoln Learning Center and Iranian Studies Room
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/10.1215_08992363-2683621/2/s_419_Fig3.jpeg?Expires=2147483647&Signature=23YM0~gK2Jllky3feLCbpNay-MIRRt6AOYcbSL8ahpxP9DpqGILeoy85~04wxFvU1zlwWH0SeHxqRvt~R6BtMZJlvgjpS5hdyP28ig6zcKXCHZRXWzCD~Q~OzFmsff5EING92TvV0ttp9lgrbthQoyAg09SwWfQnv0QeZrrMDCDwVtoE4udrhzHpxQPE1ssNZQUaDq7vBwWKrJpJsumRVUATW6f29n8xFtSebK6JoC3iyyv65N7H6J9erIVZSvOl8a1zBylFN9Zkz~uX8NjkKrYZ6mHht54IRq09gnoRKxcqNd3v56pmxHTqeonERlQQ74V691vlXjko2Oh04TETXQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Caution, Religion! Iconoclasm, Secularism, and Ways of Seeing in Post-Soviet Art Wars
> Public Culture
Published: 01 September 2014
Figure 3 Pieces by Zrazhevskaya ( center ) and Kosolapov ( right ) after the attack on the exhibit. Photograph by Z. M. Kuzikova
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/10.1215_08992363-2683648/2/s_501_Fig4.jpeg?Expires=2147483647&Signature=3YXqKs6-Yd1z8o2bA-9xNwpXYfrLknnHdQ15EVoxi7s5kDmcCNMXPjRKE9yqzG0beyJJAK04AhubB4B89cmttmKgvCIHZdOyeTF5k2CvtwJTQpMDeu8CdcLtG9geLP8nlzTOMTYDmq6GN8jq-wbG2tLOGpQWlo89iMHGnKeShempBz0J5ixpP6tOoxrxAPR-KdnMERZuagP6Mhf2VceydzzLELzHcKD71fDO72HJfKAQ0WZGKir8haBh759wgzHHOUnHIaTZ4ByRiDh~RYj9LV0TwyOwRnK9OYPS5b-qrXxcuR8-7keW~UgUMJr-is79znvudYDNiWM607tiEq3FWA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Edifice Complex: Architecture and the Political Life of Surplus in the New Baku
> Public Culture
Published: 01 September 2014
Figure 4 The Heydar Aliyev Cultural Center. Photograph by Iwan Baan
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/10.1215_08992363-2392048/3/s_233_Fig3.jpeg?Expires=2147483647&Signature=v2tP2Ba7GfoJV0CVb57-fR4FbSyMc46RTpGlrSWCoHoj34Jr0JKZYVNAmPI66sV0MKdok3usD-Dz5xMUtzdUzNTJ9~mdpMesaukSl-r6lNaQKmz5ULVpp7wmU8zkyxgh84raWzc7Gg-FYkBl0xQRlcYdOIXd~kVBIObZB1oPfoGDYpMnBAmZVpwPhEvzU0KdwQ4X7f3i-V8SYWTcNrj2QoRnyEtY0xFj9ok1871hTCMSgp6ryUaVbne20V5P93O1QkGjacv01dfhZWMjPc6G6cXAwBhKEVvkDk~F1GDC0BiJXbw5I2nI1-Kwx4rQN3KNyoXj-w98L5e~250CHg1hwA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon
> Public Culture
Published: 01 May 2014
Figure 3 “Angry Red Future: 2050.” Center for a New American Security / Oak Ridge National Laboratory
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/10.1215_08992363-2392048/3/s_233_Fig4.jpeg?Expires=2147483647&Signature=TSBgsIRHi5YGWBX-N6VgxadAUNOvmOVRTQHZnyVMhERbyG2XGMZPjBLA-reyvuAjPpGN-XZjXsFTJaIEn5c-8i2WOFRW0MFOhC9kN0A6-39YUDZ6wyd47DDFFk5O17q7~EMVcEvSam2rjORualYJ8mNieeEgUvz0-TaRYJ-ye4~ByboaLkCPGPywBa132EDmrMDuAAkkj5z7cB2p5zZ8ffmGiVbYuIz2Fn4Q9JDySEbF8E2s2w-ChsucNzSUmc40xBmYIW0-haKtlFP1006E7nmHZ8kYZvUNOH02M693AKA0lGJzuRm~4aiEAhBYgQARlHafnkwNXshKuX~EQNvRVQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon
> Public Culture
Published: 01 May 2014
Figure 4 “Angry Red Future: 2100.” Center for a New American Security / Oak Ridge National Laboratory
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/10.1215_08992363-2392093/3/s_339_Fig1.jpeg?Expires=2147483647&Signature=xSoWk-Q~bv8oTR4c8xsj4gTvjHSknuQxwYacP~kN~hpC5Lk2aLlG747oXaCPfOVIPMEh69J1qWjW2JNedwt~tqjwFyQT5m81LlCcVOv4eRagQwrSWOncVgS1X7TWKBfzjEreO190qYaiVeepXsPSQW6X8Kgm7bx~jlsx61Jv-zjZ9jaOhSf0~M1WwOl1jOzZobh-fcYZr1SKK6IUgs6y3lO3nhrz1j6UXO1LaFvzXOAoTPL9S2wJVLJfnd8V0XV2lKWjn7jPKu9IjH0iim-3kGoQKzSE7rY9dwyKPhFgYSf6lXRx8Z3bkw3hFi8DjqEj6ZhNDrOQY~oZMR~9l~chVQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 May 2014
Figure 1 Server room at Google data center in Council Bluffs, Iowa. © 2013 Connie Zhou / Google. Reprinted by permission
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Published: 01 May 2014
Figure 2 A central cooling plant at a Google data center in Douglas County, Georgia. © 2013 Connie Zhou / Google. Reprinted by permission
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Journal Article
Public Culture (2001) 13 (2): 233–242.
Published: 01 May 2001
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City Centers/Peripheral
Transmissions: A Conversation
with Lincoln Tobier
Interviewed by Lisa Cohen
L incoln Tobier’s work expresses what he calls “place in concentrated...
