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FIGURE 9 Rooftop viewing center, Lagos. This is a viewing center erected on top of a roof, with two sides enclosed using old PVC advertisements and the rest of the space open. Photograph by Brian Larkin.

Rooftop viewing center, Lagos. This is a viewing center erected on top of a...

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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 9 Rooftop viewing center, Lagos. This is a viewing center erected on top of a roof, with two sides enclosed using old PVC advertisements and the rest of the space open. Photograph by Brian Larkin. More
Image
Figure 3. “Angry Red Future: 2050.” Center for a New American Security / Oak Ridge National Laboratory

“Angry Red Future: 2050.” Center for a New American Security / Oak Ridge Na...

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in Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon > Public Culture
Published: 01 May 2014
Figure 3 “Angry Red Future: 2050.” Center for a New American Security / Oak Ridge National Laboratory More
Image
Figure 4. “Angry Red Future: 2100.” Center for a New American Security / Oak Ridge National Laboratory

“Angry Red Future: 2100.” Center for a New American Security / Oak Ridge Na...

Available to Purchase
in Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon > Public Culture
Published: 01 May 2014
Figure 4 “Angry Red Future: 2100.” Center for a New American Security / Oak Ridge National Laboratory More
Image
Figure 1. Server room at Google data center in Council Bluffs, Iowa. © 2013 Connie Zhou / Google. Reprinted by permission

Server room at Google data center in Council Bluffs, Iowa. © 2013 Connie Zh...

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in The Digital Cloud and the Micropolitics of Energy > Public Culture
Published: 01 May 2014
Figure 1 Server room at Google data center in Council Bluffs, Iowa. © 2013 Connie Zhou / Google. Reprinted by permission More
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Figure 2. A central cooling plant at a Google data center in Douglas County, Georgia. © 2013 Connie Zhou / Google. Reprinted by permission

A central cooling plant at a Google data center in Douglas County, Georgia....

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in The Digital Cloud and the Micropolitics of Energy > Public Culture
Published: 01 May 2014
Figure 2 A central cooling plant at a Google data center in Douglas County, Georgia. © 2013 Connie Zhou / Google. Reprinted by permission More
Image
Figure 1. A call center car with tinted windows and no decorations waits to pick up passengers in Pune.

A call center car with tinted windows and no decorations waits to pick up p...

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in Moving Rape: Trafficking in the Violence of Postliberalization > Public Culture
Published: 01 May 2015
Figure 1 A call center car with tinted windows and no decorations waits to pick up passengers in Pune. More
Image
Figure 1. Vues d’Amérique du Nord. Source: John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University

Vues d’Amérique du Nord . Source: John Nicholas Brown Center for Public Hum...

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in A More Perfect Union: Black Freedoms, White Houses > Public Culture
Published: 01 January 2016
Figure 1 Vues d’Amérique du Nord . Source: John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University More
Image
FIGURE 6 Viewing center, Kano. Photograph by Brian Larkin.

Viewing center, Kano. Photograph by Brian Larkin.

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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 6 Viewing center, Kano. Photograph by Brian Larkin. More
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FIGURE 7 Viewing center, Kano. Photograph by Brian Larkin.

Viewing center, Kano. Photograph by Brian Larkin.

Available to Purchase
in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 7 Viewing center, Kano. Photograph by Brian Larkin. More
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FIGURE 8 Rooftop viewing center, Lagos. Photograph by Brian Larkin.

Rooftop viewing center, Lagos. Photograph by Brian Larkin.

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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 8 Rooftop viewing center, Lagos. Photograph by Brian Larkin. More
Image
FIGURE 10 Viewing Center, Kano old city. Photograph by Brian Larkin.

Viewing Center, Kano old city. Photograph by Brian Larkin.

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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 10 Viewing Center, Kano old city. Photograph by Brian Larkin. More
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FIGURE 11 Viewing center, Kano old city. Photograph by Brian Larkin.

Viewing center, Kano old city. Photograph by Brian Larkin.

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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 11 Viewing center, Kano old city. Photograph by Brian Larkin. More
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FIGURE 12 Posters for Indian and Hausa films outside a viewing center, Kano. Photograph by Brian Larkin.

Posters for Indian and Hausa films outside a viewing center, Kano. Photogra...

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in The Cinematic Milieu: Technological Evolution, Digital Infrastructure, and Urban Space > Public Culture
Published: 01 September 2021
figure 12 Posters for Indian and Hausa films outside a viewing center, Kano. Photograph by Brian Larkin. More
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FIGURE 6. Olive grove between visitor parking lot and visitor center. Photograph by the author.

Olive grove between visitor parking lot and visitor center. Photograph by t...

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in Green Magic: On Technologies of Enchantment at Apple's Corporate Headquarters > Public Culture
Published: 01 May 2022
figure 6. Olive grove between visitor parking lot and visitor center. Photograph by the author. More
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FIGURE 10. Apple Park visitor center. Photograph by the author.

Apple Park visitor center. Photograph by the author.

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in Green Magic: On Technologies of Enchantment at Apple's Corporate Headquarters > Public Culture
Published: 01 May 2022
figure 10. Apple Park visitor center. Photograph by the author. More
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FIGURE 11. Observation deck at Apple Park visitor center. Photograph by the author.

Observation deck at Apple Park visitor center. Photograph by the author.

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in Green Magic: On Technologies of Enchantment at Apple's Corporate Headquarters > Public Culture
Published: 01 May 2022
figure 11. Observation deck at Apple Park visitor center. Photograph by the author. More
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Figure 2. The Lincoln Learning Center and Iranian Studies Room

The Lincoln Learning Center and Iranian Studies Room

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in The Struggle for Kabul’s Libraries > Public Culture
Published: 01 September 2014
Figure 2 The Lincoln Learning Center and Iranian Studies Room More
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Figure 3. Pieces by Zrazhevskaya (center) and Kosolapov (right) after the attack on the exhibit. Photograph by Z. M. Kuzikova

Pieces by Zrazhevskaya ( center ) and Kosolapov ( right ) after the attack ...

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in Caution, Religion! Iconoclasm, Secularism, and Ways of Seeing in Post-Soviet Art Wars > Public Culture
Published: 01 September 2014
Figure 3 Pieces by Zrazhevskaya ( center ) and Kosolapov ( right ) after the attack on the exhibit. Photograph by Z. M. Kuzikova More
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Figure 4. The Heydar Aliyev Cultural Center. Photograph by Iwan Baan

The Heydar Aliyev Cultural Center. Photograph by Iwan Baan

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in The Edifice Complex: Architecture and the Political Life of Surplus in the New Baku > Public Culture
Published: 01 September 2014
Figure 4 The Heydar Aliyev Cultural Center. Photograph by Iwan Baan More
Journal Article

City Centers/Peripheral Transmissions: A Conversation with Lincoln Tobier

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Lisa Cohen
Public Culture (2001) 13 (2): 233–242.
DOI: https://doi.org/10.1215/08992363-13-2-233
Published: 01 May 2001
.... The video cameras demonstrate the way everything moves except the “center,” which was also once the seat of power in Japan, the location of the Imperial Palace. Since so much of your work seems to be reflecting...
View articletitled, City <span class="search-highlight">Centers</span>&#x2F;Peripheral Transmissions: A Conversation with Lincoln Tobier View PDF for article titled, City <span class="search-highlight">Centers</span>&#x2F;Peripheral Transmissions: A Conversation with Lincoln Tobier