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1
Journal Article
Public Culture (2022) 34 (2 (97)): 153–154.
Published: 01 May 2022
...Anna Stielau [email protected] Copyright 2022 by Duke University Press 2022 The cover art for this issue is drawn from the 2021 Johannesburg exhibition conditions by Zambian/South African artist Nolan Oswald Dennis. Like much of Dennis's interdisciplinary practice, both...
Journal Article
Public Culture (2023) 35 (1 (99)): 7.
Published: 01 January 2023
..., mass movements, nationwide strikes of 250 million people, tractor protests in Delhi, and international solidarity. Vikrant Bhise (b. 1984) is a conceptual artist based in Mumbai. He received his training at the L. S. Raheja School of Art and the Sir J. J. School of Art. Bhise's work addresses...
Journal Article
Public Culture (2021) 33 (1 (93)): 7.
Published: 01 January 2021
Journal Article
Public Culture (2021) 33 (2 (94)): 135.
Published: 01 May 2021
Journal Article
Public Culture (2022) 34 (1 (96)): 7–8.
Published: 01 January 2022
... of human thought. The resulting images open new frontiers of artistic expression while posing moral and ethical questions about future uses of AI. To create AI art I use source images such as personal and stock photos and still images from archival film. The combination of technologically advanced...
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Published: 01 January 2022
figure 5. A mural at Shaheen Bagh by artist Shilo Shiv Suleman, which brings together the Constitution of India with Urdu/Hindi phrases that translate as “love revolution” and “long live love.” Wikimedia Commons.
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/10.1215_08992363-3749117/3/s_385_Fig1.jpeg?Expires=2147483647&Signature=kDqAiz9NjQ2MpKnzaUC81hyeM68Vm3hBEhhjtFkxp5QXTOIp3FhhyjAvw~mnqyPJJD8aGaeWyfTSnnn81ZjHwFdEBtDfXvPWeqatBOBJ7t1HPnc2QDsl0311YGO2uu7fHLeciE3YIPdDjl-LedWY3EQSlgZcRw5P52AHXChdjgVvgijo9RXeZWV2Ykp55y1I5KAS0IvdBPflk2XZsKWJmfJR95wDonHoB3IZeKXEK9B7ekc9lmSx1jY0F5~v0H7SPucdiwJewhwvvtl8uEWYg45rdhINGsPuDauohq9KAIxDbpWiFH6N4WHdr1OXIvXtWxZi~fOBCP~JDCXl4Jd-6g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 May 2017
Figure 1 Traffic sign hacking by French artist Clet Abraham in Prenzlauer Berg, Berlin. Photograph by Virág Molnár
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/10.1215_08992363-3749117/3/s_385_Fig5.jpeg?Expires=2147483647&Signature=snPPp3oOr8js3q1jwQdp-s1oOTRnSUXo9AXsom19Rjn~vyEyq3Je-POHC76VcGuLW6lITOqNbTgZY~QVJ1hMPNDCMK6XEuuFOyFPz4zVSIP4bkLJ-8ZR8tcKoPsBZUIrlQ8JTQPj6FwP15Z4LasE3aUKS~gP5pmGeTjBPqNzf9h3YPNxDL2dgava9Z7t0yquV9lQkg0EMRMjuH-19OBy~Y637DjxlLxAPwZxw1mYSrKzKhIRszOS~dTF9XC6dIxJ45ln9e3AEMUAtViNbtQHv31jv1vgUC1WrSsBxabd7BqkaxtxULX4kXYFjepGTSEmON4-wyVym~35Yr9yrcVXrA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 May 2017
Figure 5 Adbusting with solvent by Spanish artist Vermibus in New York. Photograph by Jaime Rojo. © Brooklyn Street Art
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/10.1215_08992363-8358710/4/s_0320539f6.png?Expires=2147483647&Signature=lhp-OMjwVSgykPon0FFrPWlQC1bSq4i39gZkLz1DNAJPP9RuCpwx7jq~HoD41~phkJA0FjLZ3u0Asp9bgGo24HW7RBMxRUPKUuTf3GS0Tqgvolv2K14dcXcVpRWod-LWpFmxNITYQ3BwOXPpAar2n-GRy7fZz7Nn~louh0n6Ocv6sGWtqhE4AQgsl8MGwE87lGL4AWm8u3uO-jHz2qGq3dgW4WDq8py-c85dKUVRSrj1S9aIxCy1IIZ~RbUavaWVOugI72eSjVqSlPIR4d3USDHy9CbQRzmwFeBN3Zn3Drs8~Hpu9RX3YghmuTqOX7S5VtFb5yruQztaePF0IbEkIA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2020
Figure 6 Another cartoon by artist Mir Suhail, depicting the “Kashmir calendar.”
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/10.1215_08992363-2392084/3/s_319_Fig3.jpeg?Expires=2147483647&Signature=FD4Jb64zC7M1svlxJq0pQE2DlRbZ7cqfh9In0iPvfLYpFPi-cQW8~zenktHAMTHDpws7ZJL7aig-LZZ-Ko4TzSGbEjeLgd0ZN7vWjAtXKv6IOvtbjVz0oompGe2bii8ZnIutl2d7XeVGrfCtFrOmx066VHtbTo8j3X-TEXiNY~F8EbcZmIdoI3AKlj2fkhqbkywowO6yIyGC1LpLb-PbySf0eF3BF54HDzc~JKBvvEw~VWYuuc6gFTGdTx3llWpQ8lLdfB9SO905rLY1-kDh0LLLvflim3-2b7wKTjcE9j-x7ocmNR5v4Lg9DgzL0lXRh1OTVvAjH5~zx-jceUA8JQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 May 2014
Figure 3 Aaron Koblin, Flight Patterns . Digital image. Courtesy of the artist
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/10.1215_08992363-2798331/2/s_21_Fig01-02.jpeg?Expires=2147483647&Signature=t~rxZilU8GBnRaEW2Y1d8k2x1DZae73oW0RvjqXsGRTx7Kn5Na0uUV0y5576UJV30PhAf6KVToAxDEdcFclilAX-c2vAwJwfvzcpPDnBmKRO3wpQvEEO11F5VAmJMxd2o1sHQvT3C72-l3pxK8UOacxbzVnrZG5vEIkRLEiK5mlHy-rI0L1Tf1Ke5bC3mxxVxbU--D3MUIx2LBmMWQnL2iDHAa2cSM7UdUXrXKEl8ca6FM-MugzEA-4C3e7PyOuxD2Ov8MUj-ZRFN9XPaqE09F2FLEjeootcj5jQN7k0kvtvuWS3KaTiJhC16mWulfTqkrjh2AnhAaLYr8fWYwRaEg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2015
Figures 1 and 2 Marina Abramović, “The Artist Is Present.” Performance, three months, the Museum of Modern Art, New York, 2010. Photography by Marco Anelli. Courtesy Marina Abramović Archives
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/10.1215_08992363-2798331/2/s_21_Fig03.jpeg?Expires=2147483647&Signature=gb4sJnRDRAYgNPqZVp4fO9LxgzhxC66WuV3a6zlVCdEU26eJ4DoZ3qe47VA4fV-IfLGtyXuAnla9ce0WWdX6teVqSkLNaQZddCU-rjGxWTDCemck3EBZdhRyafgUDZutMW2vAjeAe8SoDCiD~eYFBsvIGmwPMWPBwvwmxhF8Ru18M4CoTQJF1-d43nO~qadA9ka8-J0~-cGI-RGxdaH600UgX2h1l9vzIA1JrQ3cUVaPvVpxJDIS6SMXV98~cltw-6amCrg~1a4wskjUZCEuSkXxPR4c5vZCfrl19jxQemhuH~-m2RgBUW3l828vZbG7k7NyglpRvIqmAA6CW8Zr5g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2015
Figure 3 Marina Abramović, “The Artist is Present.” Performance, three months, the Museum of Modern Art, New York, 2010. Photograph by Marco Anelli. Courtesy Marina Abramović Archives
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/10.1215_08992363-2798331/2/s_21_Fig06.jpeg?Expires=2147483647&Signature=EmqQWEAZswPZK~GcNeZU9T~wxa4Gm9e2k5Ks7v~4ksaf7s5P0AhjlPof18WYfRdGpXhmBNx8NV~V5I3TrA8MDylcgOz-rpS882JDzpYISttmgML77UOZNYuS4rZhVF6RwW77ybkapQ4dkDJfCaXmvi-qaMezq-09AmrP1pOaDIaTtNMNMrIBh6bgnHVQjnFOajjvoidCzTjnns21qhSkvDmPAOFxO9AW4~11j8ybM6nakAn3xSsGT87HDVSm1NF6R7A0oBl~FtiqgApCs71S4QKR5HZQTVov2WvoYzZh3aIaL5HYiuoEX~M7jLYlJwcOqV1kCfXhg3Vr1Imx3~JGzg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2015
Figure 6 MoMA Lower East Side billboard for “The Artist Is Present.” Photograph by Alison Young
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/10.1215_08992363-2798331/2/s_21_Fig07.jpeg?Expires=2147483647&Signature=3NovmCqXPEtdnqo96O40mxdmQhtwk1pEp-s5rE2Rixw6HPJhgFWt5jh7cFUrvIQ5czlxiLxmWSr0C3RMxJlb-IVgUfbhkdjBZySmCfzbW-5b7bxP7IBBmDeOuuCl26RSs2IeqCmD10l490O9E~3~80g8F~jjZtfCjc3Vr6aPuVXGdCtDNiu3kLVnMBHMhEm6BkFCEmEXBsA7Wbf9CVI9mOIUT1gRtPh~0h-S6bh53Q1VokkbJk1~D5hAUgGEXO8gr638cPMWWK4xO1nI4NIg9I3Tn5zBMmx7cZv6alA35JkbxNjBx~1NQxSfivSNx2cAVNHk3U-xBVgDelszKr1~SQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2015
Figure 7 Marina Abramović, “The Artist Is Present.” Performance, three months, the Museum of Modern Art, New York, 2010. Photography by Marco Anelli. Courtesy Marina Abramović Archives
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/10.1215_08992363-2798331/2/s_21_Fig10.jpeg?Expires=2147483647&Signature=EavzGHBRtRq1uBauwP6bfeq3N55XPwzXYiTyDON5AfVfy3fGYr23KtgJmyCYsTSvACAqxtdMNhgXY6-QAyALv127XktE8A-w2US8iqtXn3Zz9KUzNjP-1dP4RPAMnjnl6m2R2JcPPmb0EY57eszehcy4tBZvvrA3VkDgX8WtV1JbPcdSI8-QoMQT4O~AMHH~guaWbdt4Tsnx2-uATMEY2HGggUU0w5A~dA7zUshvUcVyHp4RMG5Bo8dj7Qt0NzRiE64hVPtlMkkKBvjNM2RQSi43u81ZOt8kesOwnGXnA26ukeBT-gu0cMHYaf5Q0essBn5704UOtlDi4BZRKxsO7g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2015
Figure 10 Marina Abramović, “The Artist is Present.” Performance, three months, the Museum of Modern Art, New York, 2010; Amir Baradaran, “The Other Artist Is Present,” amirbaradaran.com/ab_toaip_act_I.php . Photograph courtesy Amir Baradaran
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/10.1215_08992363-3644421/3/s_113_Fig2.jpeg?Expires=2147483647&Signature=A9IxbScEt9oeJNfg5GyZxt8dZ7JcDkbt7jOmScoEcdfNb2v5KfSCeKrysFoXjuWXedOM36h79CETs78M9Ikgcc8VYBEo9ZBtLm8fW52erUAzuiG4JV6nG7cuxMHAvsC5rw-hdMa38Af5KM5-tqqgdogNLKGhUcoSMVk-KC7MMegcFqxZBVrKShrKjQhc7O1rKyqpWXqqCfl~GrZG6-g5G8X3pj7kt98BA9Vwjd2~jMEBoTBiBrsrxiGWsJZeRjnZeyZdlzM46sxtHv78b6t~Z0IajW9QfWYdAL-bSltpsmRO-ULip0QNfaB-9WDtTADr84npdNSNJGb9TY04dOPnWA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 January 2017
Figure 2 Carlos Motta, Gender Talents (2015). Video still. Courtesy of the artist
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Journal Article
Public Culture (2022) 34 (3 (98)): 327.
Published: 01 September 2022
Image
Published: 01 January 2019
Figure 2 © F.L.C. /ADAGP, Paris/Artists Rights Society (ARS), New York 2018
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/10.1215_08992363-3644433/3/s_129_Fig8.jpeg?Expires=2147483647&Signature=N-sCY4uVONw8vsvcJ7hZH~kMuhHMjbg78iOTZAdFiDC-jcmSVlF0ic~MTuaGnWLCFHQeaOJ3nAlkfK7E9klWa~gL77K9t3VgqZMsKAN5HsdX7-YpBQpJk~D7tO0qAFNDWskwP2lfWMMUmnnuz7~LUYX6-zNByyAvCaUzkYUMbHbK~tTDaiN8LkKAbekO8tNfdo-3OwtoeSqnIlYHXiri-cVPEXeQPTJYtP2MtVJwxImFblGZbNeoLnf5xpp4-DcCid2Biz9x6pJTNyEWIU8YFSpTF9nKbcRYV04mLFAN3wwsyt445th-Gi8U8c639fhkoWnJP0J0gBGRVEmuUTVquA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Nature of the Image: Olgyay and Olgyay’s Architectural-Climatic Diagrams in the 1950s
> Public Culture
Published: 01 January 2017
Figure 8 Le Corbusier, “Modulor,” 1955. © FLC/ADAGP, Paris/Artists Rights Society (ARS), New York, 2016
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Journal Article
Public Culture (2024) 36 (2 (103)): 153–179.
Published: 01 May 2024
... with artists and art historical research, the authors describe the artists’ workshop where they produced posters against the Shah, the United States, and imperialism. Their posters drew on the bold colors, clear text, symbolic imagery, and easy reproducibility of international radical poster art and the early...
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