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Journal Article
Public Culture (2017) 29 (1 (81)): 113–127.
Published: 01 January 2017
...Carlos Motta; Heather Love Heather Love interviews Carlos Motta about his recent show Deviations (April 21–May 21, 2016, PPOW Gallery, New York City). They discuss LGBTQ politics, ephemeral and fugitive evidence, the violence of the archive, and unexpected intimacies with the queer past. Motta...
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View articletitled, History’s Back Rooms: <span class="search-highlight">Carlos</span> <span class="search-highlight">Motta</span> Interviewed by Heather Love
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Published: 01 January 2017
Figure 1 Carlos Motta, Deseos (2015). HD 16:9, video, color, sound. 32:37. Video still. Courtesy of PPOW Gallery, New York, and Mor Charpentier Galerie, Paris
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Published: 01 January 2017
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Published: 01 January 2017
Figure 3 Carlos Motta, Towards a Homoerotic Historiography (2014). Installation of twenty silver-washed gold miniature figures, dimensions variable. Photograph by Hendrik Zeitler. Courtesy of PPOW Gallery, New York, and Mor Charpentier Galerie, Paris
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Published: 01 January 2017
Figure 4 Carlos Motta, Towards a Homoerotic Historiography (2014). Installation of twenty silver-washed gold miniature figures, dimensions variable. Photograph by Hendrik Zeitler. Courtesy of PPOW Gallery, New York, and Mor Charpentier Galerie, Paris
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Published: 01 January 2017
Figure 5 Carlos Motta, Patriots, Citizens, Lovers . . . (2015). Ten-channel video installation on wooden platform. Dimensions variable. Installation view at PinchukArtCentre, Kiev (2016). Courtesy of the artist
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Published: 01 January 2017
Figure 7 Carlos Motta, Untitled (1998). 30 × 45 in., archival inkjet print. Courtesy of PPOW Gallery, New York
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Published: 01 January 2017
Figure 6 Ryan Conrad discussing the politics of Don’t Ask, Don’t Tell at Carlos Motta’s We Who Feel Differently installation at the New Museum, New York (2012)
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Journal Article
Public Culture (2017) 29 (1 (81)): 1–3.
Published: 01 January 2017
... or crowdsourced maps as advancing our democracy or communities is more often than not a fantasy propelled by our ignorance of how power intervenes in knowledge production. Our interview presents the ideas of the artist Carlos Motta, accompanied by several images of his work. Heather Love talks with Motta...
Journal Article
Public Culture 11593040.
Published: 20 February 2025
... not only represented concrete obstacles to governance and communications but also enfeebled attempts to create an imagined community. The historian Marly Motta (1992: 9) appraised how geography became a catalyst for national invention, as the identification between nationalism and territory was clear...
