This essay explores the history of George Nelson’s Storagewall in relation to a genealogy of invisible design, up through the computer. It explores the way the Storagewall served to hide media machines and also to organize the gendered relations of labor and leisure in media homes of postwar America.
The text of this article is only available as a PDF.
Copyright 2012 by Duke University Press
2012
You do not currently have access to this content.
