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Journal Article
Prism (2023) 20 (S1): 42–59.
Published: 01 December 2023
... of this nascent belletristic literature and elevating its authors’ status. At the pinnacle of these critical writings are China's first and only comprehensive theories of literary creation, in Lu Ji's 陸機 (261–303) Fu Exposition on Literature (hereafter Exposition ) and Liu Xie's 劉勰 (ca. 465–532?) magnum opus...
Journal Article
Prism (2021) 18 (2): 321–342.
Published: 01 October 2021
...Miya Qiong Xie Abstract This article reconsiders the established modern Chinese writer Duanmu Hongliang and his first and most influential work, The Korchin Banner Plains (completed in 1933 and published in 1939), from a borderland perspective. The novel is set in western Manchuria, a multiethnic...
Journal Article
Prism (2023) 20 (S1): 1–12.
Published: 01 December 2023
... flourishing of Chinese scholarship on the creative process. The in-depth, fruitful research of four leading scholars produced three influential monographs, beginning in 1979 with Wang Yuanhua's 王元化 (1920–2008) The Theory of Literary Creation in Liu Xie's Literary Mind and the Carving of Dragons 劉勰文心雕龍創作論...
Journal Article
Prism (2023) 20 (S1): 157–178.
Published: 01 December 2023
... critics was not the transcendent contemplation that initiates the creative process per se but the writer's mental activities in the last, compositional phase where the writer, according to Liu Xie, translates suprasensory yi that “turns in the void” ( fankong 翻空) into language that “has veritable...
Journal Article
Prism (2023) 20 (S1): 140–156.
Published: 01 December 2023
... of a more natural progression from the fragmentary to the systematic, we observe a development from the systematic toward the fragmentary. Thinking about the creative process begins with Lu Ji's and Liu Xie's comprehensive theories (see chap. 2), often praised as “vast in scope and refined in thinking...
Journal Article
Prism (2023) 20 (S1): 220–234.
Published: 01 December 2023
... literary critics are in closer accord on the chasm between virtual image and verbal expression. A passage from Shelley's “Defence of Poetry” bears a striking similarity to Liu Xie's statement in his “Spirit-Thinking” chapter: Shelley's remarks, from A Defence of Poetry : “When composition begins...
Journal Article
Prism (2023) 20 (S1): 96–121.
Published: 01 December 2023
... [in his works]. 用意於古人之上,則天地之境,洞焉可觀。( WJMFL , 3:1299) “Lun Wen Yi” is the first work of literary criticism in which the term yi assumes full paradigmatic significance. Although Lu Ji and Liu Xie had conceptualized the creative process through the yi → xiang → yan paradigm, they used yi very...
Journal Article
Prism (2022) 19 (1): 157–166.
Published: 01 March 2022
... a white man and an Asian woman. While peddling her wares on a street corner in San Francisco, seventy-five-year-old Xiao Zhen Xie was punched by a stranger—though in this case, unlike the outcomes of so many other recent similar incidents, Xie fortunately was not seriously injured, 2 and furthermore...
Journal Article
Prism (2023) 20 (S1): 179–203.
Published: 01 December 2023
... and mainly involves an individual's private emotions with no obvious sociopolitical or moral implications. Inheriting Lu's notion that “poetry arises alongside emotions,” Liu Xie then defines the nature of literature as the “patterning of emotions” ( qingwen 情文). In discussing literary creation, however, Lu...
Journal Article
Prism (2021) 18 (1): 310–313.
Published: 01 March 2021
... culture mixed with aspirations for greatness. This started immediately with Cao Pi 曹丕 (187–226) remembering his friends after the deadly 217 plague, followed two centuries later by the talented and innovative poet Xie Lingyun 謝靈運 (385–433), whose creative imitation of the Jian'an masters set the tone...
Journal Article
Prism (2023) 20 (S1): 122–139.
Published: 01 December 2023
...Zong-qi Cai While Han could not match Liu on the scale of his genealogy, he succeeded where Liu had conspicuously failed: he connected the sages’ writing and the creative process. Despite all his emphasis on the sages’ pivotal role, Liu Xie completely forgot the sages when discussing...
Journal Article
Prism (2021) 18 (2): 315–320.
Published: 01 October 2021
... consciousness, and indigenous culture. Miya Qiong Xie's essay reconsiders the modern Manchu-ethnic Chinese writer Duanmu Hongliang 端木蕻良 (1912–1996) and his saga Ke'er qinqi caoyuan 科爾沁旗草原 (The Korchin Banner Plains; 1939) from a contested borderland perspective. The novel has been hailed as a realistic...
Journal Article
Prism (2023) 20 (S1): 235–243.
Published: 01 December 2023
... Perspectives on Western and Chi­ nese Literary Criticism. Honolulu: University of Hawai i Press, 2002. Cai, Zong-qi. The Early Philosophical Discourse on Language and Reality and Lu Ji s and Liu Xie s Theories of Literary Creation. Frontiers of Literary Studies in China 5, no. 4 (2011): 477 510. Cai, Zong-qi...
Journal Article
Prism (2023) 20 (S1): 245–252.
Published: 01 December 2023
... and romantic love), 201 yanzhengshi 言徵實 (words are bound by concrete referents), 55, 107, 163–64, 228 Yao Nai 姚鼐 (1732–1815), 162 Ye Xie 葉燮 (1627–1703), 188, 200 yi 臆 (act of conjuring up or imagining something absent), 26 yi 意 (conception), 2, 4, 13, 15, 96–98, 102, 105, 107, 111, 113–17...
Journal Article
Prism (2022) 19 (1): 6–27.
Published: 01 March 2022
.... In the middle-class home where the female Niqiu works, the lady of the house, Xie Linlin 謝林林, treats her with contempt. When they first meet, in addition to presenting Niqiu with a series of rules to follow (taking a daily shower, wearing a hat for cooking, and a uniform and gloves for cleaning, etc.), Xie...
Journal Article
Prism (2023) 20 (S1): 60–95.
Published: 01 December 2023
...–443) Buddhist reconceptualizations of visual objects and visualization, with a view to illuminate the intellectual foundation for the transition from Lu Ji's 陸機 (261–303) and Liu Xie's 劉勰 (ca. 465–532?) indigenous theories (chap. 2) to Wang Changling's Buddhist-inspired theory of literary creation...
Journal Article
Prism (2020) 17 (1): 57–78.
Published: 01 March 2020
... emotion” ( xie fen 洩憤) originating with Qu Yuan 屈原 (ca. 340–278 BCE) 2 but subscribed to by numerous authors outside of the mainstream ever since. 3 In the twentieth century, as many Chinese authors sought to engage with, or at least to be seen as engaging with, a global readership, the long-held...
Journal Article
Prism (2024) 21 (2): 297–317.
Published: 01 September 2024
... gaoshang er chunjie de shiye,” 144–45 ; Zeng, “1985 nian,” 65–69 . 34 Zhou, “Jiasuo,” 41–42 . 35 Cai Xiang, interview by the author, May 4, 2017, at Shanghai University. 36 Yang, Y., “Wo ceng jianguo de fengjing,” 65 . 37 Link, Uses of Literature , 56 . 38 Xie...
Journal Article
Prism (2024) 21 (1): 29–49.
Published: 01 March 2024
... in the neo-Daoism of the Six Dynasties period (221– 5 89), a pivotal development in Chinese thought to which Jullien refers frequently, especially Guo Xiang 郭象 (252– 3 12), the neo-Daoist commentator of the Zhouyi and other texts. Poem 17 singles out one of the most celebrated of its exemplars, Xie An 謝安...
Journal Article
Prism (2024) 21 (2): 318–338.
Published: 01 September 2024
... branches in sweet spring. 喜柔條於芳春。 41 Geographical environment as a rich source of literary inspiration became a consensus among literati after Liu Xie 劉勰 (ca. 465–520) discussed “the assistance of those rivers and mountains” (jiangshan zhi zhu 江山之助) in his Wenxin diaolong 文心雕龍 (The Literary...
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First thumbnail for: Classical Literature as Subtexts:  Literary Geogra...