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Journal Article
Introduction: Between the Universal and the Particular
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Prism (2021) 18 (1): 235–243.
Published: 01 March 2021
...Carlos Rojas Copyright © 2021 Lingnan University 2021 In 2020, two pivotal events on opposite sides of the globe helped catalyze a series of developments that each had far-reaching implications. First, on the morning of January 22, the Chinese government announced that the city of Wuhan...
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in Co-opting the International Writing Program during the Cold War: Gu Cangwu, the Baodiao Movement, and Minjian Activism
> Prism
Published: 01 March 2020
figure 1 . Headline of the August 19, 1971, issue of the Diaoyutai Express : “There Is Only One China!” Courtesy of the National Tsing Hua University Library Special Collections and University Archives.
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Published: 01 March 2023
Figure 2. Liu Kuo-sung, What Is Earth? , no. C, ink and color on paper, 1969, from Shen, Echo of the Universe , 62 .
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A Family Romance: Specters of Incest in Eileen Chang's “Xinjing”
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Prism (2020) 17 (1): 1–34.
Published: 01 March 2020
... in conversation with a wide array of other sources, first and foremost the middle and late Qing literary heritage that so greatly occupied and influenced Chang's own literary universe and pursuits, as well as the westernized literary milieu in which she lived and operated in 1940s Shanghai. 23 Needham...
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Journal Article
Co-opting the International Writing Program during the Cold War: Gu Cangwu, the Baodiao Movement, and Minjian Activism
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Prism (2020) 17 (1): 79–103.
Published: 01 March 2020
...figure 1 . Headline of the August 19, 1971, issue of the Diaoyutai Express : “There Is Only One China!” Courtesy of the National Tsing Hua University Library Special Collections and University Archives. ...
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Journal Article
Epilogue
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Prism (2022) 19 (S1): 181–187.
Published: 01 December 2022
.... The Anthropocene, with its focus on post-natural universals such as “man as geological agent,” obscures the fatal contradictions within capitalism, which has inherent eco-destructive tendencies. As a mode of production aimed at robbing the worker and robbing the soil, capitalism is destined to pursue capital...
Journal Article
Screening Anti-Asian Racism: Gendered and Racialized Discourses in Film and Television
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Prism (2022) 19 (1): 167–180.
Published: 01 March 2022
... is institutionalized as power relations in the cultural and political life, take the form of political marginalization of minority groups, and cause emotional distress and physical harm within and beyond the fictional universe. [email protected] Copyright © 2022 Lingnan University 2022 anti-Asian racism...
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Journal Article
Globalizing Chinese Sensual-Sentimental Lyricism: Zhou Shoujuan's Xiangyan conghua (Miscellaneous Talks on the Fragrant and Bedazzling)
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Prism (2023) 20 (1): 54–76.
Published: 01 March 2023
... and romance and rendered the notion of xiangyan a universal cross-cultural concept. Literally meaning “fragrant and bedazzling,” the Chinese word xiangyan connotes women's sensual beauty and, by extension, eroticism. While the notion of xiangyan can be applied to various cultural products, it has...
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Journal Article
Gaming Sinographs beyond the Ludic: Word Game and the Digital Sinophone
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Prism (2023) 20 (2): 367–394.
Published: 01 September 2023
... videogame. In Word Game , the logic of gameplay mechanics consists not of mathematical universals but culturally determined relationships between sinographs. The article concludes by examining the implications for the interdisciplinary study of videogames. Whereas contemporary videogame studies seeks...
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Journal Article
Hoax as Method
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Prism (2019) 16 (2): 236–259.
Published: 01 October 2019
...Christopher Rea Abstract The hoax is universally condemned as an underhanded method—a transaction that, while sometimes clever in design or execution, is injurious. Hoaxers act in bad faith, exploiting, and thus diminishing, the social trust society needs to function. Hoaxes harm individuals...
Journal Article
The Logic of the Void: Translation, Indigeneity, and Islands in Taiwanese Ecological Fiction
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Prism (2024) 21 (1): 131–149.
Published: 01 March 2024
... the latter depend on the Newtonian logic of the void to create simplified universal models. The author first provides green governance examples of these differences from Australia's Northern Territories and Xinjiang Uyghur Region, adopting Karen Barad's agential realism to distinguish among modes of thought...
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Journal Article
Space Oceans: Posthuman Frontier Feminism in the Astro-nautical Hydrocommons
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Prism (2024) 21 (2): 417–435.
Published: 01 September 2024
... with a look at how Hu Shaoyan 胡绍晏 imagines the universe itself as an intergalactic ocean characterized by what Astrida Neimanis's has called “the hydrocommons of wet relations.” [email protected] Copyright © 2024 Lingnan University 2024 comparative literature science fiction...
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Covers of the first (top left), second (bottom left), and fourth (above) pr...
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 2–4 . Covers of the first (top left), second (bottom left), and fourth (above) print run of Meiyu 1, no. 1. Figures 2 , 3 , Shanghai Library; Figure 4 , Stanford University Library.
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Covers of the first (top left), second (bottom left), and fourth (above) pr...
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 2–4 . Covers of the first (top left), second (bottom left), and fourth (above) print run of Meiyu 1, no. 1. Figures 2 , 3 , Shanghai Library; Figure 4 , Stanford University Library.
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Covers of the first (top left), second (bottom left), and fourth (above) pr...
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 2–4 . Covers of the first (top left), second (bottom left), and fourth (above) print run of Meiyu 1, no. 1. Figures 2 , 3 , Shanghai Library; Figure 4 , Stanford University Library.
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Published: 01 September 2024
Figure 2. Matteo Ricci, Map of the Ten Thousand Countries of the Earth (Kunyu wanguo quantu 坤輿萬國全圖), 1602. Six panels, each 600 × 1750 cm. University of Minnesota Libraries, James Ford Bell Library.
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 5–12 . Original and later covers of Meiyu 1, no. 2 (this page, top); 1, no. 3 (this page, bottom); 1, no. 4 (facing page, top); and covers of Meiyu 1, no. 5 (facing page, bottom left); and 1, no. 6 (facing page, bottom right). Figures 5 , 7 , 9 , Beijing University Library
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 5–12 . Original and later covers of Meiyu 1, no. 2 (this page, top); 1, no. 3 (this page, bottom); 1, no. 4 (facing page, top); and covers of Meiyu 1, no. 5 (facing page, bottom left); and 1, no. 6 (facing page, bottom right). Figures 5 , 7 , 9 , Beijing University Library
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 5–12 . Original and later covers of Meiyu 1, no. 2 (this page, top); 1, no. 3 (this page, bottom); 1, no. 4 (facing page, top); and covers of Meiyu 1, no. 5 (facing page, bottom left); and 1, no. 6 (facing page, bottom right). Figures 5 , 7 , 9 , Beijing University Library
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in Dangerous Fiction and Obscene Images: Textual-Visual Interplay in the Banned Magazine Meiyu and Lu Xun's Role as Censor
> Prism
Published: 01 March 2019
figures 5–12 . Original and later covers of Meiyu 1, no. 2 (this page, top); 1, no. 3 (this page, bottom); 1, no. 4 (facing page, top); and covers of Meiyu 1, no. 5 (facing page, bottom left); and 1, no. 6 (facing page, bottom right). Figures 5 , 7 , 9 , Beijing University Library
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