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Journal Article
Prism (2020) 17 (2): 399–429.
Published: 01 October 2020
... qing and the phrase liyi 禮義 (ritual and righteous), it is only natural to take it to mean that changed airs, emotionally charged, must conform to ritual and righteousness. This reading, however, goes against the facts that this phrase occurs right in the middle of effusive praise of emotion's...
View articletitled, A Study of Early Chinese Concepts of <span class="search-highlight">Qing</span> 情 and a Dialogue with Western <span class="search-highlight">Emotion</span> Studies
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for article titled, A Study of Early Chinese Concepts of <span class="search-highlight">Qing</span> 情 and a Dialogue with Western <span class="search-highlight">Emotion</span> Studies
Journal Article
Prism (2023) 20 (S1): 157–178.
Published: 01 December 2023
... premium Huang sets on the establishment of yi in poetic composition. Following Fan Ye's line of thought, many Qing critics offered more detailed and cogent discussions on the importance of establishing yi (sublimated emotion) in the compositional process. For example, the early Qing critic Huang...
Journal Article
Prism (2023) 20 (S1): 1–12.
Published: 01 December 2023
... transcendent mental activity to literary composition. The establishment of yi- centered discourse in the Ming-Qing period is immensely significant because it successfully infuses transcendent spirit-thinking, along with the interaction between emotions, scenery, and objects it incites, into every step...
Journal Article
Prism (2023) 20 (S1): 179–203.
Published: 01 December 2023
... to a different but equally strong version of poetic autonomy. Like Wordsworth and Eliot, Ming-Qing criticism can also be assessed by looking at precisely the same critical issues: the origin and nature of poetic emotion, the mode of lyrical expression, the interplay of emotion and imagery, the usefulness...
View articletitled, Chapter 8: <span class="search-highlight">Qing</span> -Centered Theories of Literary Creation (I): Ming through Mid-<span class="search-highlight">Qing</span>
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for article titled, Chapter 8: <span class="search-highlight">Qing</span> -Centered Theories of Literary Creation (I): Ming through Mid-<span class="search-highlight">Qing</span>
Journal Article
Prism (2020) 17 (1): 1–34.
Published: 01 March 2020
... of this article, for Chang family is the primary site of emotional and existential dramas. Sons looking for their fathers and daughters escaping from their families, trying to catch up with physically remote and emotionally alien mothers, keep Xu Xiaohan in good company. But the situation here is almost...
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Journal Article
Prism (2023) 20 (S1): 140–156.
Published: 01 December 2023
... theory focused on the final creative phase, and a qing (emotion)-centered theories focused on the second phase. This chapter discusses the first theory type; chapters 7 and 8 take up the other two. In Yuan, Ming, and Qing poetry criticism, the transcendent literary mind is depicted as induced...
Journal Article
Prism (2023) 20 (2): 442–461.
Published: 01 September 2023
... over the video content they comment on, overwhelmingly from the young people frequenting the site. The advertised release date of May 20, or 520, when reading in Mandarin Chinese, sounds like wo ai ni 我愛你 (I love you). By titling the new Cantonese opera film with an added keyword qing 情 (emotion...
Journal Article
Prism (2023) 20 (S1): 42–59.
Published: 01 December 2023
... one to write. These six lines detail what the writer gains by immersion in the classics: cultivation of moral sentiment and perfecting the art of writing. It is also important to note Lu Ji's new concept of qing 情 or emotions expressed in these lines. Unlike the author of the “Great Preface...
Journal Article
Prism (2023) 20 (S1): 96–121.
Published: 01 December 2023
... images as two basic components of poetic composition might even be said to anticipate T. S. Eliot's conception of artistic feelings versus “objective correlatives.” It is also noteworthy that, by using yi instead of qing (emotions) to indicate subject-object interaction, Wang achieves a subtle...
Journal Article
Prism (2023) 20 (S1): 204–219.
Published: 01 December 2023
...Zong-qi Cai [email protected] Copyright © 2023 Lingnan University 2023 Like their predecessors, many late Qing critics continued to place emotion at the center of their discussions of literary creation. Their views, however, were now forged in a radically different cultural...
View articletitled, Chapter 9: <span class="search-highlight">Qing</span> -Centered Theories of Literary Creation (II): The Late <span class="search-highlight">Qing</span> Period
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for article titled, Chapter 9: <span class="search-highlight">Qing</span> -Centered Theories of Literary Creation (II): The Late <span class="search-highlight">Qing</span> Period
Journal Article
Prism (2023) 20 (1): 26–53.
Published: 01 March 2023
...), or wangyue 望月 (looking from afar at the moon)—is premised upon the search for such occasions in experience in order to recreate these emotionally charged moments. This lyrical mode of looking was substantially destabilized during the late Qing dynasty, when Chinese embarked on journeys to the West and newly...
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Journal Article
Prism (2023) 20 (S1): 245–252.
Published: 01 December 2023
... zhi 志 (heart's intent), 8, 43, 48, 59, 108, 166–67, 179, 215 zhi 知 (knowledge), 25 zhi hu liyi 止乎禮儀 (rein in emotion with rituals and morality), 210 Zhidun支遁 (ca. 313–366), 71, 78–79 zhiqi 志氣 (intent-breath), 53, 129 zhiqing 至情 (perfect qing ), 189 zhiren 至人 (Perfected...
Journal Article
Prism (2023) 20 (S1): 220–234.
Published: 01 December 2023
... a fusion of human emotions ( qing ), images ( xiang ), and words ( ci ), eventually forming a mental image of the work-to-be. The renowned calligrapher Wang Xizhi was the first to employ yi in his “Treatise on Calligraphy” to describe the calligrapher's imaginative activity, emphasizing that “ yi must...
Journal Article
Prism (2020) 17 (2): 217–224.
Published: 01 October 2020
... purportedly trivializing depiction of the June Fourth Tiananmen Incident in 1989. With historical distance of more than three decades, Lee goes beyond emotionally and politically charged issues of the time and perceives a clash of perspectives and methodologies stemming from the two parties' different...
Journal Article
Prism (2021) 18 (2): 343–365.
Published: 01 October 2021
... China under the sway of commercialism and materialism. Previously, Shen Congwen's regionally focused native soil writing, such as his stories regarding the coming-of-age of rural women in Hunan and the symbolic embodiment of the cultural geography of the native place in the sexual and emotional...
Journal Article
Prism (2021) 18 (1): 27–48.
Published: 01 March 2021
... or masculine. The plot development of the story is to a large extent shaped by the demand of male homoerotic libido: the male heroes' indecisive, emotionally hidden, and aberrant feelings and emotions toward each other underlie the major skirmishes between the characters, create textual urgency...
Journal Article
Prism (2023) 20 (1): 54–76.
Published: 01 March 2023
.... [email protected] Copyright © 2023 Lingnan University 2023 xiangyan shihua Zhou Shoujuan sensual lyricism romanticism In spite of their particular national or individual identities, the individuals in Fragrant Talks are all bound by the common notion of qing 情 (feeling, emotion...
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View articletitled, Globalizing Chinese Sensual-Sentimental Lyricism: Zhou Shoujuan's Xiangyan conghua (Miscellaneous Talks on the Fragrant and Bedazzling)
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for article titled, Globalizing Chinese Sensual-Sentimental Lyricism: Zhou Shoujuan's Xiangyan conghua (Miscellaneous Talks on the Fragrant and Bedazzling)
Journal Article
Prism (2021) 18 (1): 304–309.
Published: 01 March 2021
... on emotion ( qing ) in the context of the historical development of the theater is pathbreaking. The work of more than a decade, it combines wide-ranging readings of vernacular plays and novels, canonical texts and their commentaries, classical tales, letters, notebook jottings, poetry, and classical prose...
Journal Article
Prism (2021) 18 (1): 9–26.
Published: 01 March 2021
... xuepai qinglilun tanwei 天理與人欲之爭:清儒揚州學派「情理論」探微 [ The Disputes between Heavenly Principle and Human Desire: Investigations into the Discourse on Emotion and Principle of the Confucian Scholars of the Yangzhou School in the Qing Dynasty ]. Taipei : Xiuwei zixun , 2010 . Crompton, Louis...
Journal Article
Prism (2024) 21 (1): 77–102.
Published: 01 March 2024
..., who, although not exactly an introverted person appearing to be “indifferent to his external surroundings,” 21 projects his emotions onto the natural images and thus constructs nature into a nation. In Zanmei 讚美 (Praise), written in December 1941, Mu Dan becomes less abstract and sentimental...
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