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Journal Article

The Male Dan at the Turn of the Twenty-First Century: Wu Jiwen's Fin-de-siècle Boylove Reader

Jie Guo
Prism (2021) 18 (1): 70–88.
DOI: https://doi.org/10.1215/25783491-8922201
Published: 01 March 2021
...Jie Guo Abstract Reading the Taiwanese author Wu Jiwen's 1996 novel Fin-de-siècle Boylove Reader (Shijimo shaonian’ai duben), this essay considers the age-old figure of the male dan and the critical role it played in the emerging gay scene in the Sinophone world at the turn of the twenty-first...
View articletitled, The <span class="search-highlight">Male</span> <span class="search-highlight">Dan</span> at the Turn of the Twenty-First Century: Wu Jiwen&#x27;s Fin-de-siècle Boylove Reader View PDF for article titled, The <span class="search-highlight">Male</span> <span class="search-highlight">Dan</span> at the Turn of the Twenty-First Century: Wu Jiwen&#x27;s Fin-de-siècle Boylove Reader
Journal Article

Introduction

Patricia Sieber
Prism (2021) 18 (1): 1–8.
DOI: https://doi.org/10.1215/25783491-8922169
Published: 01 March 2021
..., and the Reception of Love Eterne in Taiwan,” by Jasmine Yu-Hsing Chen (hereafter “Reception”), and “The Male Dan at the Turn of the Twenty-First Century: Wu Jiwen's Fin-de-siècle Boylove Reader ,” by Jie Guo (hereafter “Male Dan ”), it becomes evident that, with the death of the imperial system, the Confucian...
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Journal Article

Urban Life in Two 1920s Sino-Malay Poems

Tom G. Hoogervorst
Prism (2022) 19 (2): 454–473.
DOI: https://doi.org/10.1215/25783491-9966747
Published: 01 September 2022
... people paid 6 cents, Chinese and Arabs 12 cents, and Europeans 36 cents. 16 The Lantern Festival attracted many Indigenous people from outside Batavia, who hoped to make some money by busking, selling food, or—for some women—dancing with male spectators ( najoeb ). Financial hardship made these people...
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Journal Article

Hybrid Subjects, Fluid Bonds: Envisioning the Early Modern Queer in Phoenixes Flying Together

Li Guo
Prism (2021) 18 (1): 27–48.
DOI: https://doi.org/10.1215/25783491-8922185
Published: 01 March 2021
...Li Guo Abstract This essay offers a study of male homoeroticism in an unconventional and yet seminal nineteenth-century woman-authored tanci work, Fengshuangfei 鳳雙飛 (Phoenixes Flying Together; preface dated 1899) by Cheng Huiying 程蕙英 (before 1859–after 1899). Perhaps the only tanci known today...
View articletitled, Hybrid Subjects, Fluid Bonds: Envisioning the Early Modern Queer in Phoenixes Flying Together View PDF for article titled, Hybrid Subjects, Fluid Bonds: Envisioning the Early Modern Queer in Phoenixes Flying Together
Journal Article

China in the Skin: In Search of a Chinese Video Game

Yedong Sh-Chen
Prism (2023) 20 (2): 395–416.
DOI: https://doi.org/10.1215/25783491-10992770
Published: 01 September 2023
..., June 20, 2017. Many a tacit assumption underlies the cartoon. Most salient of all: only men play and care about video games. Schoolboys play them; male adults care. No woman appears in the cartoon to discuss whether Jing Ke can or should be a woman. This is of course a false assumption. In 2017...
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Journal Article

The Making and Unmaking of Nationalist Literature from the National Margin: Rereading Duanmu Hongliang's Ke'erqin Qi caoyuan (The Korchin Banner Plains) as Borderland Writing

Miya Qiong Xie
Prism (2021) 18 (2): 321–342.
DOI: https://doi.org/10.1215/25783491-9290631
Published: 01 October 2021
... idea of the history of Chinese territory is a constant outward territorialization by Han Chinese from the center. Dan Shao, too, points out that Ling Chunsheng's study of frontier minorities defined them as culturally inferior, and that scholars of ethnography and frontier studies ( bianjiang yanjiu 邊...
View articletitled, The Making and Unmaking of Nationalist Literature from the National Margin: Rereading Duanmu Hongliang's Ke'erqin Qi caoyuan (The Korchin Banner Plains) as Borderland Writing View PDF for article titled, The Making and Unmaking of Nationalist Literature from the National Margin: Rereading Duanmu Hongliang's Ke'erqin Qi caoyuan (The Korchin Banner Plains) as Borderland Writing