Search Results for changling

... sparingly. But with Wang Changling, yi becomes a kind of all-purpose term, through which he conceptualizes and describes all phases of literary creation. Its new paradigmatic significance is made clear at the very beginning of “Lun Wen Yi”: §75 With regard to the nature of poetic composition, yi...

...: Colum­bia University Press, 1967. Ban, Gu comp. Han shu (History of Han). Beijing: Zhonghua shuju, 1962. Beijing daxue guwenxuan yanjiusuo comp. Quan Song shi (Complete Shi Poetry of the Song Dynasty). 72 vols. Beijing: Beijing University Press, 1998. Bi, Shikui Wang Changling shige yu shixue yanjiu...

... . At the same time, Wang Wei's poetry, steeped in Chan Buddhism, is fully in accord with Zong Bing's “Preface” on the level of practical composition. Wang Changling's ingress from tranquil contemplation of the object-inscape to a transcendent dimension offers a perfect theoretical recapitulation of Wang Wei's...

..., Tang critic Wang Changling 王昌齡 (ca. 698–ca. 756) seems to be the only major post–Six Dynasties critic who explored all phases of literary creation as Lu Ji and Liu Xie had done. Third, Yuan and Ming-Qing critics tend to share interest in particular phases of literary creation based on their precise...

...” ( tida sijing 體大思精). Although Wang Changling explores an equally broad range of topics (see chap. 4), his mode of writing marks a shift from systematic exposition to random remarks. In Han Yu, Su Che, and Yan Yu (see chap, 5) we find discussions a bit more cogent than those of Wang Changling...

...Zong-qi Cai The “establishing yi” ( liyi 立意) of the opening sentence may seem synonymous with Wang Changling's “ zuoyi 作意, zhiyi 置意” (see §§76–77, 85), but it is fundamentally different. While Wang's phrases speak to the Buddhist transcendent state of mind that engenders inscape, Huang's...

... scenes.” In other words, they reveal the true reality ( shixiang 實相) behind the phenomenal world. This description of Buddhism's penetrating, transcendent power strikes me as similar, almost identical, to Wang Changling's description of “inscape of physical things” (see §74), but there is an important...

...Zong-qi Cai [email protected] Copyright © 2023 Lingnan University 2023 En route to the next major theory of literary creation, by the Tang poet-critic Wang Changling 王昌齡 (ca. 698–ca. 756), this chapter makes a detour to examine Zhou Yong's 周顒 (?–493) and Zong Bing's 宗炳 (375...

... of the grand strategy of establishing the norm by qing and maintaining hold over the essentials” 此乃因情立格,持守圜環之大略也 ( QMSH , 2988). This stands in strong contrast with both Wang Changling's “ Yi constitutes the norm” 意是格 (see §75) and Wang Tingxiang's (another of the Former Seven Masters) expositions...

... for the Origin of Studying the Ford), 69 xujing 虛靜 (emptiness and stillness), 51 Xunzi 荀子 (ca. 313–238 B c E), 14, 16–20 wan 完 (complete self-expression), 210 Wang Bi 王弼 (226–249), 4, 15, 27–29, 101, 157, 169, 220, 229 Wang Changling 王昌齡 (ca. 698–ca. 756), 4–6, 8, 11, 58, 60, 91–92, 96–98...

... contributions by Wang Changling 王昌齡 (ca. 698–ca. 756) (see chap. 4) and Ming-Qing critics (see chap. 7). In developing their comprehensive theories of literary creation, both Lu Ji and Liu Xie set their sights on “an immortal name,” that is, recognition and remembrance by posterity. As noted above, Lu Ji...