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Yu Hua

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Journal Article
Prism (2020) 17 (1): 57–78.
Published: 01 March 2020
... the changes throughout the twentieth century by analyzing a selection of authorial prefaces to translated editions of three influential authors: Lu Xun 魯迅 (1881–1936), Ba Jin 巴金 (1906–2005), and Yu Hua 余華 (1960–). All prolific preface writers, they each have, in different ways, in different periods, engaged...
Journal Article
Prism (2022) 19 (1): 28–45.
Published: 01 March 2022
..., or unspeakable traumas. Di qi tian 第七天 (The Seventh Day, 2013) by Yu Hua 余華 (1960–) and Yuese liaoren 月色撩人 (Seductive Moon, 2008) by Wang Anyi 王安憶 (1954–) are analyzed in order to expose the dire effects of the urbanization of post-socialist China on the everyday lives of people of every profession, age, class...
Journal Article
Prism (2022) 19 (1): 236–239.
Published: 01 March 2022
... distinction and distinguishes writers like Han Shaogong as the first generation who created an era of lived memory and writers like Mo Yan, Can Xue, Su Tong, and Yu Hua as the 1.5 generation whose works are considered postmemory. Chapter 2, “Confronting Specters of the Past: Remembering Perpetrators,” focuses...
Journal Article
Prism (2019) 16 (2): 236–259.
Published: 01 October 2019
..., gloss over that history and jump immediately to the post-Tiananmen era, which has seen a crescendo of voices commenting on, lamenting, celebrating, and otherwise exclaiming on the pervasiveness of bad faith. When author Yu Hua 余華 (1960–) summed up “China in ten words,” two of those words were “copycat...
Journal Article
Prism (2021) 18 (1): 70–88.
Published: 01 March 2021
... .” MLN 126 , no. 5 ( 2011 ): 1049 – 82 . Ha Jin . “ The Bridegroom .” In The Bridegroom , 91 – 115 . New York : Pantheon Books , 2000 . Li Pi-hua . Bawang bieji 霸王別姬 [ Farewell My Concubine ]. Beijing : Xinxing chubanshe , 2013 . Liu, Ling-chun 劉靈均 . “ Cong Dongya...
Journal Article
Prism (2020) 17 (1): 183–198.
Published: 01 March 2020
... underpinning the whole historical transition from Mao's years to the post-Mao era, Liu's literary theories have had a great impact upon a generation of contemporary Chinese writers, such as Mo Yan 莫言 (1955–) and Yu Hua 余華 (1960–). In 2015, the twenty-sixth year of his exile to the United States, Liu...
Journal Article
Prism (2020) 17 (1): 79–103.
Published: 01 March 2020
... wenxue 香港文學 [Hong Kong Literature], no. 229 ( 2004 ): 27 – 33 . Tu Chia-chi 杜家祁 . “ Xiandai zhuyi, minglang hua yu guo zu rentong—xianggang liushi niandai mo ‘Chuangjian Xueyuan Shi Zuofang’ zhi shiren yu shifeng ” 現代主義、明朗化與國族認同——香港六十年代末「創建學院詩作坊」之詩人與詩風 [Modernism, Explication, and National...
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Journal Article
Prism (2021) 18 (1): 49–69.
Published: 01 March 2021
...Jasmine Yu-Hsing Chen Abstract This article explores how gendered Chineseness is represented, circulated, and received in Huangmei musical films for audiences in martial-law Taiwan. Focusing on Love Eterne (1963), the analysis examines how theatrical impersonations in the film provided a “queer...
Journal Article
Prism (2020) 17 (2): 430–456.
Published: 01 October 2020
... and Hua-Yu Li , 1 – 24 . Lanham, MD : Lexington Books , 2010 . Boxiu 伯修 . “ Sulian de dongfangxue quanwei Ba'ertuolite ” 蘇聯的東方學權威巴爾托利特 [ Soviet Oriental Authority Partolit ]. Xueshu 學術 [ Scholarship ], no. 1 ( 1940 ): 172 . Cao Shunqing 曹順慶 . “ Wenlun shiyuzheng yu wenhua bingtai ” 文...
Journal Article
Prism (2022) 19 (1): 125–156.
Published: 01 March 2022
... against the GMD's intolerant one-party state, which squelched political alternatives. Zhang Dongsun's famous political idea of the third route was formed as early as 1932 in his provocative article “Women yaoshuo de hua” 我們要說的話 (The Words We Want to Say), jointly written with Carsun Chang and published...
Journal Article
Prism (2021) 18 (2): 479–500.
Published: 01 October 2021
... was mainly writing alone and his works did not contribute to an overall modernist movement. Therefore, “Shi shizi” should not be regarded as the first Mahua modernist poetry. See Wen, “Yu Chen Yingde tan ‘di yi shou xiandaishi’,” 255-9 ; Tang Eng Teik, “Cong Mahua wentan di yi shou xiandai shi tanqi,” 348...
Journal Article
Prism (2019) 16 (1): 33–61.
Published: 01 March 2019
... pages of images and photographs. In the first issue, Gao Jianhua included two photographs of Western women dressed in tight-fitting, semitransparent outfits that clearly showed their curves and created the impression of nudity. One photo carries the caption “A Consort Yu from the West (Taming a Horse...
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Journal Article
Prism (2020) 17 (1): 1–34.
Published: 01 March 2020
...-daughter incest, avoided at the eleventh hour, and sister-brother love, equally averted at the very last minute, as the outcome of the brutal and greedy behavior of the patriarchal figure, a tyrant driven by his own base appetites for sex and power. Leiyu 雷雨 (Thunderstorm), written in 1934 by Cao Yu 曹禺...
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Journal Article
Prism (2021) 18 (2): 501–525.
Published: 01 October 2021
... the relationship between Sinophone and xenophone (or hua 華 and yi 夷), insomuch as they are coconstitutive and one exists within and with respect to the other. 32 While I rehearse some details of Siu's biography here for context, several English- and Spanish-language studies produced by scholars of Latin...
Journal Article
Prism (2020) 17 (2): 298–325.
Published: 01 October 2020
... later. It was republished by Pu she 樸社 in Beijing in 1924; Yu Pingbo 俞平伯 (1900–1990) had a hand in the revisions and published prefaces in the periodical Wenxue 文學 (Literature). The work was republished many times over the following years. See Huang, “ Fusheng liuji ,” 6 . 6 The intertexts...
Journal Article
Prism (2019) 16 (2): 320–345.
Published: 01 October 2019
..., Tibetans, and Muslims. He advocated equal relations while stressing assimilation into Han (Hua) culture, inherent in the name Zhonghua 中華 of the Republic of China (Zhonghua gongheguo 中華共和國). Later, although many Mongols were farmers, the Chinese Communist Party (CCP) classified them as nomadic pastoralists...
Journal Article
Prism (2022) 19 (1): 6–27.
Published: 01 March 2022
... such as that of the rural-migrant space. In contrast to the spectacular and visual chronotopes that celebrate globalism and a futuristic vision, the chronotope of the migrant place in films like Niqiu yeshi yu 泥鰍也是魚 (Loach Is Fish Too, dir. Yang Yazhou 楊亞洲, 2006), Gaoxing 高興 (Happy, dir. Agan 阿甘, 2008), and CJ...
Journal Article
Prism (2021) 18 (1): 114–137.
Published: 01 March 2021
... . “ The Way of The Platinum Dragon : Xue Juexian and the Sound of Politics in 1930s Cantonese Cinema .” In Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories , edited by Emilie Yueh-yu Yeh , 156 – 76 . Ann Arbor : University of Michigan Press , 2018 . Wang...
Journal Article
Prism (2020) 17 (2): 244–263.
Published: 01 October 2020
... recent writings such as Liu Ke-Xiang's 劉克襄 (1957–) Sifenzhisan de Xianggang 四分之三的香港 (Three-Fourths of Hong Kong; 2014) and Ye Xiaowen's 葉曉文 Xun hua 尋花 (In Search of Flower; 2014–16). The other path takes nature as the subject matter of a story and as a channel for personal responses to political...
Journal Article
Prism (2019) 16 (1): 174–196.
Published: 01 March 2019
... as they walk through a colorful field and a rocky hillside and rest in a lush-green bamboo grove. These gorgeous scenes are followed by another one featuring a small boat sailing amidst misty fogs in a visual style reminiscent of traditional Chinese ink-wash painting ( shuimo hua 水墨畫), 24 and all...