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Taiwan

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Journal Article
Prism (2021) 18 (1): 49–69.
Published: 01 March 2021
...Jasmine Yu-Hsing Chen Abstract This article explores how gendered Chineseness is represented, circulated, and received in Huangmei musical films for audiences in martial-law Taiwan. Focusing on Love Eterne (1963), the analysis examines how theatrical impersonations in the film provided a “queer...
Journal Article
Prism (2019) 16 (1): 205–207.
Published: 01 March 2019
...Clara Iwasaki A Passage to China: Literature, Loyalism, and Colonial Taiwan Chien-Hsin Tsai Cambridge, MA : Harvard University Asia Center , 2017 . 356 pp. Copyright © 2019 Lingnan University 2019 A Passage to China by Chien-Hsin Tsai focuses on the literary...
Image
Published: 01 March 2022
Figure 5. Formosa performed by Cloud Gate Dance Theatre of Taiwan and choreographed by Lin Hwai-min. Photographs courtesy Chou Tung-yen/Very Mainstream Studio (left) and Hsu Ping (right). Figure 5. Formosa performed by Cloud Gate Dance Theatre of Taiwan and choreographed by Lin Hwai-min More
Journal Article
Prism (2019) 16 (2): 456–471.
Published: 01 October 2019
...Hsiao-Hung Chang; Carlos Rojas Abstract By taking the recent legalization of same-sex marriage in Taiwan as a point of departure, this paper attempts to differentiate a “bloc asia” as a virtual aggregate from an “Area Asia” as a concrete geo-historical region in order to theorize the possibility...
Journal Article
Prism (2019) 16 (2): 408–431.
Published: 01 October 2019
... of Chinese-language literature, film, music, radio, and newspapers produced between 1946 and 1991 in the PRC, Taiwan, Hong Kong, Malaysia, and Singapore. 1 Very few scholars, however, ever apply the concept of the Cold War to materials produced after 1991. The commonly accepted view is that the Cold War...
Journal Article
Prism (2021) 18 (1): 70–88.
Published: 01 March 2021
... . 31 Chiang, “(De)Provincializing China,” 21–30 . 32 For a recent overview of the history of the tongzhi identity and discourse in Taiwan, see Chi, Tongzhi wenxueshi . 33 For an excellent discussion on the role of the male dan in forging male homosocial bonds, see Volpp...
Journal Article
Prism (2020) 17 (1): 79–103.
Published: 01 March 2020
... , Chin-ya Hu , and Chih-ming Wang . “ Minjian East Asia Forum: Feelings and Imaginations .” Inter-Asia Cultural Studies 14 , no. 2 ( 2013 ): 327 – 33 . doi: 10.1080/14649373.2013.770115 . Chen, Po-hsi . “ Wang Anyi, Taiwan, and the World: The 1983 International Writing Program...
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Journal Article
Prism (2019) 16 (2): 432–455.
Published: 01 October 2019
... of the post-1949 pan-Chinese culture that no one can brush off easily. Mainland China, Taiwan, Hong Kong, and various diasporic Chinese communities may all use Chinese as their major means of communication, and they may share many overlapping Chinese cultural practices and ways of living, but they are also...
Journal Article
Prism (2019) 16 (2): 390–407.
Published: 01 October 2019
... one. Just as Shang Su Yi's palatial residence in the heart of Singapore resembles “the stately country estates . . . in England, like Chatsworth or Blenheim Palace,” 7 the old-money overseas Chinese treat the nouveau riche from Mainland China and Taiwan with the same disdain to which...
Journal Article
Prism (2019) 16 (2): 211–220.
Published: 01 October 2019
... Mizoguchi Yūzō's “China as Method” (1989), Kuan-hsing Chen's Asia as Method (2004), Yu-lin Lee's “Taiwan as Method” (2009), Stephen Yiu Wai Chu's edited volume Hong Kong (Studies) as Method (2016), and Brian Bernards's “Malaysia as Method” (2016). More generally, Takeuchi's approach has been applied...
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Journal Article
Prism (2022) 19 (1): 102–124.
Published: 01 March 2022
...Figure 5. Formosa performed by Cloud Gate Dance Theatre of Taiwan and choreographed by Lin Hwai-min. Photographs courtesy Chou Tung-yen/Very Mainstream Studio (left) and Hsu Ping (right). Figure 5. Formosa performed by Cloud Gate Dance Theatre of Taiwan and choreographed by Lin Hwai-min...
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Journal Article
Prism (2020) 17 (1): 203–206.
Published: 01 March 2020
... to include sinophone perspectives from Taiwan and Hong Kong, as well as images created by foreign or transcultural figures such as Lin Yutang 林語堂 (1895–1976), Princess Der Ling 裕德齡 (1885–1944), and Victor Segalen. This has the effect of creating more of a kaleidoscope of images of Beijing than a unified...
Journal Article
Prism (2022) 19 (1): 224–235.
Published: 01 March 2022
... as a locus of power and symbol of globality, while the local students, who speak English as a second or third language, may feel trapped within a provincial ‘waiting room’ where history has not yet reached.” 8 As an Asian American subject with parents who immigrated from Taiwan, I grew up...
Journal Article
Prism (2019) 16 (1): 157–173.
Published: 01 March 2019
... is also the recipient of many awards, including the prestigious National Award for Culture and Art in Taiwan (2000), the Newman Prize for Chinese Literature in the United States (2013), and the Cikada Prize in Sweden (2016). One salient feature of Yang Mu is his dual identity as a major poet...
Journal Article
Prism (2020) 17 (1): 212–215.
Published: 01 March 2020
... with the communists. At the end of the civil war in 1949, many intellectuals, by choosing to stay in China's mainland instead of following the retreating Guomindang to Taiwan, acknowledged the legitimacy of the new established communist regime in Beijing and thereby stood ready to sacrifice some of their literary...
Journal Article
Prism (2020) 17 (2): 277–297.
Published: 01 October 2020
... itself. Volume 1 of History of Sexuality was published in 1976, which happened to coincide with the death of Mao Zedong 毛澤東 (1893–1976) and the official end of China's Cultural Revolution. Over the next quarter century, China, Hong Kong, and Taiwan all underwent similar processes of cultural...
Journal Article
Prism (2021) 18 (1): 1–8.
Published: 01 March 2021
... “concubinage” for Wushang ( Phoenixes Flying Together )—queer narrative possibilities. In “‘Queering’ the Nation? Gendered Chineseness, Cross-Dressing, and the Reception of Love Eterne in Taiwan,” by Jasmine Yu-Hsing Chen (hereafter “Reception”), and “The Male Dan at the Turn of the Twenty-First...
Journal Article
Prism (2021) 18 (2): 501–525.
Published: 01 October 2021
... .” Verge: Studies in Global Asias 3 , no. 2 ( 2017 ): vi – xiii . Chang, Cheng , and Yun-chang Liao . “ Song of Exile, Four-Way Voice: The Blood-and-Sweat Writings of Southeast Asian Migrants in Taiwan .” In The Oxford Handbook of Modern Chinese Literatures , edited by Carlos Rojas...
Journal Article
Prism (2019) 16 (2): 320–345.
Published: 01 October 2019
... world complicate understandings of indigeneity in Chinese-language literatures. Taiwan refers to indigenous (or aboriginal) Austronesian tribal groups as yuanzhu min 原住民 (lit., “native inhabitants”), while the People's Republic of China (PRC) term for indigenous is tuzhu 土著, meaning native or local...
Journal Article
Prism (2019) 16 (1): 197–200.
Published: 01 March 2019
... movement toward interiority and away from national concerns. Known for its lyrical depiction of personal awareness and emotion, this novel of education, romance, and self-realization became a best seller in both Hong Kong and Taiwan. In the early 1950s, a call for youth to become the “leading force...