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Farewell Revolution

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Journal Article
Prism (2020) 17 (1): 183–198.
Published: 01 March 2020
... ( 1991 ): 65 – 71 . Zha Jianying 查建英 . The Tide-Players: The Movers and Shakers of a Rising China . New York : New Press , 2011 . Copyright © 2020 Lingnan University 2020 third zone literary subjectivity Farewell Revolution exile the god return to the classics cosmopolitanism...
Journal Article
Prism (2020) 17 (1): 143–156.
Published: 01 March 2020
...” by the privileged and the powerful, such that it even generates its own antithesis in terms of hegemony and totalitarianism. Above all, Liu and Li derive their critical stance from none other than Lu Xun, who set out to critique as early as 1927: “Revolution, revolutionize revolution, revolutionize revolutionized...
Journal Article
Prism (2020) 17 (1): 127–142.
Published: 01 March 2020
..., he was “completely changed.” His previous emphasis on humanity and liberty in literature was “rather an attempt at arrogance.” In other words, it was too demanding, too arrogant, and too pretentious. Guo solemnly broke with the May Fourth spirit and publicly altered his maxim to let revolutionism...
Journal Article
Prism (2020) 17 (1): 172–182.
Published: 01 March 2020
... of revolution or enlightenment. In this sense, the tropes of “farewell to the gods” 告別諸神 and “exiling the self” 放逐自我 proposed by Liu point to his reflections on and revisions of the theory of the subject in a drifting period. When Liu Zaifu's promotion of literary subjectivity ignited nationwide debates...
Journal Article
Prism (2020) 17 (1): 157–171.
Published: 01 March 2020
... merged into a shared agenda to bid farewell to revolution, the discussion of religious ethics has served as an allegorical mode of critiquing and exorcising the quasi-religious aspects of revolutionary utopia. In current scholarship, Li Zehou enjoys a reputation as an eclectic philosopher...
Journal Article
Prism (2020) 17 (1): 35–56.
Published: 01 March 2020
... are nothing but mind), bushi 佈施 (the bodhisattva ideal of sacrificial giving), and kong 空 (emptiness as boundless potentiality), greatly influenced Lu Xun's aesthetics. Ultimately, this article shows how revolution, the dominant mode of secularism, is theistically conditioned. The Buddhist notion of emptiness...
Journal Article
Prism (2022) 19 (1): 125–156.
Published: 01 March 2022
..., he was acutely aware of the time gap ( shijian cha 時間差) between Western and Chinese cultures, which Li Zehou and Liu Zaifu discuss in Gaobie geming 告別革命 (Farewell to Revolution). Li and Liu adamantly remind us that the development of Chinese modernization is almost one century behind...
Journal Article
Prism (2019) 16 (1): 85–114.
Published: 01 March 2019
... and Art Criticism ], no. 6 ( 2016 ): 25 – 33 . Ning Xin . “ Political Lyric .” In Words and Their Stories: Essays on the Language of the Chinese Revolution , edited by Ban Wang , 119 – 34 . Leiden : Brill , 2011 . Pająk, Katarzyna , and Jerzy Trzebiński . “ Escaping the World...
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Journal Article
Prism (2021) 18 (2): 456–478.
Published: 01 October 2021
... wife, played by Anita Paige, who are in China during the 1911 Republican Revolution. The couple get entangled in the chaos on the street and are thrown in prison. A Chinese military leader frames the woman for the murder of a Qing official and sentences her to execution. On the day of her scheduled...
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