Search Results for visual art

...Emiko Kida Duke University Press 2006 Translated by Brian Bergstrom Japanese-Korean Exchange within the Proletarian Visual Arts Movement Emiko Kida The proletarian arts movement grew active as the contradictions inherent in the capitalist...

...Sudarat Musikawong The visual artwork produced about Thai contemporary political trauma constitutes a “trauma art” expressing a politics of loss—loss of life, loss of history, and loss of leftist memory. While much of the literature on 1970s violence and traumatic memory in Thailand has focused...

.... The discussion in the text also illuminates a second idea—how complex is Japan's position toward the trauma of defeat and the specters of war, reflecting the complicated emotions experienced toward war memory and its representation in photographs, films, art, and other visual forms. The analysis of the two...

... encounters with it? And why might ways of seeing that are shaped by these women's experiences as visual artists and their cultural understandings of feminism end up mattering to us all? [email protected] Copyright 2025 by Duke University Press 2025 encounter visual art gap space C-fem...

.... Museums and private galleries in both Asia and Euro-America have likewise staged several exhibitions of contemporary Asian art, albeit with special emphasis on the visual art of mainland China and Japan.1 Perhaps most significant, however...

... of the war in there can be no of cially sanctioned positions 20:1 Winter 2012 408 nostalgia. There is no space for it. Spaces for nostalgia in society, in politics, and especially in literature and the visual arts...

..., Tomorrow: Hong Kong Cinema with Sino-links in Politics, Art, and Tradition (2021, in Chinese). He has published widely in the fields of comparative literature, Chinese literary and cultural studies, and cinema and visual culture in the United States, United Kingdom, Europe, Hong Kong, Taiwan, and China...

... 2003 ). The anthropological knowledge and methodologies, 11 which remain rare in China's art production, may lead to greater interdisciplinary possibilities and the unsealing of a new “everyday” ( richang 日常) in terms of technologized visuality. From this perspective, the iconographical Xisan...

... Women: Colonialism, War, and Sex” in Spring likewise carried no added images in its pages of analysis, leaving the visual work to the women themselves, whose art appears last in the volume ( gure If there are some things we can only look...

... and innovative in visual form which could vari- ously take up political, artistic, and gender identity. As a result, art histo- rians, exhibition curators, and the general public felt uncertain about what language to use, what descriptive rhetoric, when gender difference and female perspective were only...

... Visual Arts Chesam cho˘nso˘n; and later the same year Tokyo branch of KAPF Exhibition in Korea reorganizes as the Tokyo branch of KAPF reorganizes as Musanjasa...

... of capital”? The positioning of visual art by various agents has been an increasingly important issue from the late 1990s onward and most lucidly reflected in the ways in which experimental art in China is created, produced, and received...

... policies that prioritized heavy industry, and dependency on trade relationships with capitalist countries. The author’s analysis provides an economic history of political art by juxtaposing socialist realist visual culture during the Learn from Dazhai in Agriculture campaign with the economic conditions...

... and bloodlines in contempo- rary Chinese art. In the visual culture of the 1960s and 1970s, the genre of family portraits can be viewed as a key to unraveling these historical under- currents. My material is a group of photographs taken during the second...

... and confused reception by art and film critics alike. Critics familiar with Barney's work tend to focus on the artistry of his characteristically rich visual images in DR9 , rather than deciphering and contextualizing his suggestions about Japanese “tradition” or the historical relationship between Japan...

... Lights Books in San Fran- cisco. Matthew Fryslie presently resides in Taipei. Sue Golding (johnny de philo) is chair and professor of philosophy in the visual arts and communication technologies...

... as tradition and modernity collided. A group of pioneering women artists trained in modern art schools took the new woman as an identity and found in self- portraiture a gendered means of self- emancipation and a visual medium for self- expression. Self- portraits by women artists simultaneously became...

... research interests include youth subculture, new media studies, Internet eth- nography, and independent visual arts and film. ...

... at the University of Chicago and a visiting instructor of Chinese literature and language at Emory University. Her dissertation exam- ines the body of literature, film, and visual art known as “people’s literature” produced in China between...

... the Lens: Gender and Nation in a Century of Chinese Cinema (2003) and Gendered Bodies: Toward a Women s Visual Art in Contemporary China (2015). She has been working on a new manuscript, tentatively titled China s Environmental and Ecologi- cal Catastrophe through the Lens of Ecocinema. Elise David...