... ideology representation of violence Copyright 2015 by Duke University Press 2015 Reframing the Visualizing Cultures Controversy: Let’s Talk about the Digital Medium Jing Wang Eight years have lapsed since the Visualizing Culture controversy broke out...

...Han Shaogong; Huang Ping; Li Shaojun; Li Tuo; Wang Hongsheng; Wang Xiaoming; Chen Sihe; Chen Yangu 2004 by Duke University Press 2004 Translated by Yan Hairong Why Must We Talk about the Environment? A Summary of Nanshan Seminar Signatories: Han Shaogong, Huang Ping, Li Shaojun, Li...

...Donald M. Nonini Copyright © 1998 by Duke University Press 1998 “Chinese Society,” Coffee-Shop Talk, Possessing Gods: The Politics of Public Space among Diasporic Chinese in Malaysia Donald M. Nonini Public Spaces, Bodies, Powers Recent discussions...

...主任) is the director of the subdistrict offices ( Jiedao banshichu 街道办事处), which are on the same administrative level as towns ( xiang 乡or zhen 镇). 2 The name of the village, Shichengzi, means “city of stones.” 1 With Lü Tu's approval, the talk has been edited and shortened...

...”) and mediated distance (the reflexive consideration of such a practice). It is critical to any genealogy of independent documentary in the People's Republic of China. In turn, sound practice, and particularly direct sound, is critical to xianchang . Analyzing the use of talking heads in early independent...

...Haiqing Yu Duke University Press 2007 Talking, Linking, Clicking: The Politics of AIDS and SARS in Urban China Haiqing Yu The spring of 2003 has been vividly described as the “spring of masks” in China.1 Soon after the nation staged the largest ever...

...Gail Hershatter Copyright © 1993 by Duke University Press 1993 The Subaltern Talks Back: Reflections on Subaltern Theory and Chinese History Gail Hershatter Introduction: Is the Subaltern Portable? For a feminist historian who writes about labor...

..., a marginalized artistic form. Animation, like fairytale, fable, and parable, is usually an artistic form of fantasy full of (talking) animals. Prior to the Cultural Revolution, animated film was replete with (anthropomorphic) animals. As animated film began to be dominated by politicized human action in the mid...

... films fit into this latter category, and he fittingly refers to this practice as “cine-dance.” Over the course of their discussion, Iimura and Kerner talk about the filmmaker's practice and his relationship with Hijikata and many other prominent artists working in the mid-1960s (Yoko Ono, Eikoh Hosoe...

...Linda Chiu-han Lai This article is a report of an ongoing performative research project conducted by the author in the capacity of an experimental historian–cum–fellow artist to the research subjects. Performative research is meant to be deconstructive: enacting the “what-if-we-talk” point...

.... Gayatri Chakravorty Spivak: Hairong has given me the proposal of the special issue and a number of questions related to it and I am fascinated by the proposal and I suggested that I start talking about the very first question in the proposal...

... of this postnational talk that this cruel nationalism—taking pleasure in the death of others—begins with the shock of the death of one’s own. It is a cause for great sorrow that this event brings out the worst kind of “herd mentality”—to quote Nietzsche—in human...

... whom our friends have referred to us. All four told me that if we want to interview them, we have to go through the proper authority, because last time they talked to journalists-who just went in without the proper authority...

... cian orthodoxy, and “laugh talk” (xiaohua) over “serious talk” (zhengjing hua).12 But, as commentators were aware, issues surrounding the discourse of humor could not be adequately explained in terms of binary opposites. For example, debaters...

... gave the prestigious Danz Lecture; her talk was entitled “Ahimsa—Beyond Violent Traditions of Science and Technology.” In addition, an interdis- ciplinary graduate student forum called “Globalization, Governance and Graduate Students: Navigating...

... filmmaking in queer activism in China today.1 Séagh: I d like to begin by talking about how you came into filmmaking and your work with Pink Space. You were working for the Chinese State Figure 1 He Xiaopei and Séagh Kehoe in conversation. Photo courtesy of Tang Xingjian. Kehoe and Hongwei An Interview...

... in Okinawa, and how it had influenced religion, labor, and social labor, or people’s lifestyle, thinking, and so on. At the same time, we had started a student program that I will talk about later, to take students in groups of ten or twenty to stay...

... warned me that the “grandmas” would be reluctant to talk to me and that some might even ask for compensation for their stories, as Japanese journalists were often paying cash on the barrel. The morning after I arrived I heard...

... of “remembering Hiroshima.” Why did the Japanese choose that theme? Why didn’t they talk about the Nanjing Massacre of three-hundred thousand people, an incident symbolic of Japanese crimes, or about the issue of Korean “comfort...

... Harootunian: I’ve always felt that we can’t talk about the operation of Japan studies as an academic activity in the United States without associ- ating it with the structure of area studies as it was established in American universities after...