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Journal Article

The Conclusive Scene: Mao and the Red Guards in July 1968

Alessandro Russo
positions (2005) 13 (3): 535–574.
DOI: https://doi.org/10.1215/10679847-13-3-535
Published: 01 August 2005
...Alessandro Russo Duke University Press 2005 The Conclusive Scene: Mao and the Red Guards in July 1968 Alessandro Russo In the very early hours of July 28, 1968, some of the most famous figures of the subjective turbulence that in the two previous...
View articletitled, The Conclusive <span class="search-highlight">Scene</span>: Mao and the Red Guards in July 1968 View PDF for article titled, The Conclusive <span class="search-highlight">Scene</span>: Mao and the Red Guards in July 1968
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Two knives on the table in 12 Citizens, similar to scene in 12 Angry Men.

Two knives on the table in 12 Citizens , similar to scene in 12 Angry Men...

in Remade in China: Rule of Law, Democracy, and the Chinese 12 Angry Men > positions: asia critique
Published: 01 February 2022
Figure 2 Two knives on the table in 12 Citizens , similar to scene in 12 Angry Men . More
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Figure 1 The road scene in Part-Timer, Buy a House, 2010.

The road scene in Part-Timer, Buy a House , 2010.

in Working Worlds in Neoliberal Japan: Precarity, Imagination, and the “Other-World” Trope > positions: asia critique
Published: 01 February 2023
Figure 1 The road scene in Part-Timer, Buy a House , 2010. More
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Figure 1 The recurring “window scene” exudes a sense of romantic imprisonment in Anna. Courtesy of Television Broadcasts Limited.

The recurring “window scene” exudes a sense of romantic imprisonment in An...

in Cosmopolitanism from Below: Union Film's Adaptation of World Classics > positions: asia critique
Published: 01 August 2023
Figure 1 The recurring “window scene” exudes a sense of romantic imprisonment in Anna . Courtesy of Television Broadcasts Limited. More
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Figure 4 The theft scene in Eternal Love. The blinds shadow adds visual tension to the scene and suggests the protagonist's fate of imprisonment. Courtesy of Television Broadcasts Limited.

The theft scene in Eternal Love . The blinds shadow adds visual tension to...

in Cosmopolitanism from Below: Union Film's Adaptation of World Classics > positions: asia critique
Published: 01 August 2023
Figure 4 The theft scene in Eternal Love . The blinds shadow adds visual tension to the scene and suggests the protagonist's fate of imprisonment. Courtesy of Television Broadcasts Limited. More
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Figure 3 A scene from the Hausman footage, courtesy of the Harvard-Yenching Library of the Harvard College Library, Harvard University. Used with permission.

A scene from the Hausman footage, courtesy of the Harvard-Yenching Library ...

in Can the “Comfort Women” Footage Speak? The Afterlives of Camera Images as Document and the Flow of Life > positions: asia critique
Published: 01 November 2023
Figure 3 A scene from the Hausman footage, courtesy of the Harvard-Yenching Library of the Harvard College Library, Harvard University. Used with permission. More
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Figure 4 A scene from the Hausman footage, courtesy of the Harvard-Yenching Library of the Harvard College Library, Harvard University. Used with permission.

A scene from the Hausman footage, courtesy of the Harvard-Yenching Library ...

in Can the “Comfort Women” Footage Speak? The Afterlives of Camera Images as Document and the Flow of Life > positions: asia critique
Published: 01 November 2023
Figure 4 A scene from the Hausman footage, courtesy of the Harvard-Yenching Library of the Harvard College Library, Harvard University. Used with permission. More
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Figure 5 A captured image from the scene of World War II in China (RG111-ADC-9706) in which researchers assume the images of Korean “comfort women” were recorded. Courtesy of NARA.

A captured image from the scene of World War II in China (RG111-ADC-9706)...

in Can the “Comfort Women” Footage Speak? The Afterlives of Camera Images as Document and the Flow of Life > positions: asia critique
Published: 01 November 2023
Figure 5 A captured image from the scene of World War II in China (RG111-ADC-9706) in which researchers assume the images of Korean “comfort women” were recorded. Courtesy of NARA. More
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Figure 12 Women in relaxing in the common space. Scene from Theresienstadt (The Führer Gives the Jews a City, 1944) in the Theresienstadt camp.

Women in relaxing in the common space. Scene from Theresienstadt ( The Fü...

in Frenemies on Film: Rescreening the Sino-Indian War of 1962 > positions: asia critique
Published: 01 November 2023
Figure 12 Women in relaxing in the common space. Scene from Theresienstadt ( The Führer Gives the Jews a City , 1944) in the Theresienstadt camp. More
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Figure 13 Men playing soccer. Scene from Theresienstadt (The Führer Gives the Jews a City, 1944) in the Theresienstadt camp.

Men playing soccer. Scene from Theresienstadt ( The Führer Gives the Jews...

in Frenemies on Film: Rescreening the Sino-Indian War of 1962 > positions: asia critique
Published: 01 November 2023
Figure 13 Men playing soccer. Scene from Theresienstadt ( The Führer Gives the Jews a City , 1944) in the Theresienstadt camp. More
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Figure 2 Diorama display of torture scene (“twist”). Courtesy of the Independence Hall of Korea.

Diorama display of torture scene (“twist”). Courtesy of the Independence Ha...

in Animating the Trauma: Colonial Atrocities and the Use of New Media in Contemporary South Korean Museums > positions: asia critique
Published: 01 November 2023
Figure 2 Diorama display of torture scene (“twist”). Courtesy of the Independence Hall of Korea. More
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Figure 3 Diorama display of torture scene (“air war”). Courtesy of the Independence Hall of Korea.

Diorama display of torture scene (“air war”). Courtesy of the Independence ...

in Animating the Trauma: Colonial Atrocities and the Use of New Media in Contemporary South Korean Museums > positions: asia critique
Published: 01 November 2023
Figure 3 Diorama display of torture scene (“air war”). Courtesy of the Independence Hall of Korea. More
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Figure 4 Diorama display of torture scene (“naval battle”). Courtesy of the Independence Hall of Korea.

Diorama display of torture scene (“naval battle”). Courtesy of the Independ...

in Animating the Trauma: Colonial Atrocities and the Use of New Media in Contemporary South Korean Museums > positions: asia critique
Published: 01 November 2023
Figure 4 Diorama display of torture scene (“naval battle”). Courtesy of the Independence Hall of Korea. More
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Figure 3 Mia rides a motor scooter to an unknown location in the ending scene.

Mia rides a motor scooter to an unknown location in the ending scene.

in Opening a Virtual Space before the Door of the Law: The Transnational Togani Effect from Silenced to Angels Wear White > positions: asia critique
Published: 01 August 2024
Figure 3 Mia rides a motor scooter to an unknown location in the ending scene. More
Journal Article

Scenes of Misrecognition: Maternal Citizenship in the Age of Transnational Adoption

Ann Anagnost
positions (2000) 8 (2): 389–421.
DOI: https://doi.org/10.1215/10679847-8-2-389
Published: 01 May 2000
...Ann Anagnost 2000 by Duke University Press 2000 Scenes of Misrecognition: Maternal Citizenship in the Age of Transnational Adoption Ann Anagnost The Internet postings of some U.S. parents adopting infants from China make compelling reading...
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Journal Article

Filming the Queerness of Comfort Women: Byun Young-Joo's The Murmuring , 1995

Jongwoo Jeremy Kim
positions (2014) 22 (1): 7–39.
DOI: https://doi.org/10.1215/10679847-2383912
Published: 01 February 2014
... in The Murmuring . Utilizing the rhetoric of coming out, Byun documents Kang Deok Kyeong's protest against social erasure in front of the Japanese embassy in Seoul. In a scene of domestic activities such as cooking, washing, and hairstyling, which are traditionally associated with femininity, Byun critiques...
View articletitled, Filming the Queerness of Comfort Women: Byun Young-Joo's The Murmuring , 1995 View PDF for article titled, Filming the Queerness of Comfort Women: Byun Young-Joo's The Murmuring , 1995
Journal Article

Voice, Liveness, Digital Video: The Talking Head in Contemporary Independent Chinese Documentary

Luke Robinson
positions (2014) 22 (2): 489–515.
DOI: https://doi.org/10.1215/10679847-2413871
Published: 01 May 2014
...Luke Robinson This article addresses the use of the human voice in contemporary Chinese independent documentary in relation to xianchang . Broadly analogous to the Anglophone concept of “liveness,” xianchang is a shooting practice that interrogates questions of immediacy (being “on the scene...
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Journal Article

Daizō Sakurai's Trans-Asian Tent Theater, Picun, and the Reenchantment of Urban Space

Justyna Jaguścik
positions (2023) 31 (2): 357–378.
DOI: https://doi.org/10.1215/10679847-10300240
Published: 01 May 2023
... theater scene introduced him to the labor NGO and community cultural center Migrant Workers Home in the urban village Picun in Beijing. Sakurai's collaborators suggested that the suburban village-in-the-city, populated by rural migrant workers, would be a performance venue that fit the Japanese director's...
View articletitled, Daizō Sakurai's Trans-Asian Tent Theater, Picun, and the Reenchantment of Urban Space View PDF for article titled, Daizō Sakurai's Trans-Asian Tent Theater, Picun, and the Reenchantment of Urban Space
Journal Article

Strange Nuptials: Matthew Barney's Japan in Drawing Restraint 9

Nancy Stalker
positions (2012) 20 (4): 1191–1213.
DOI: https://doi.org/10.1215/10679847-1717708
Published: 01 November 2012
... scene, the Guests, dressed in imaginatively construed Japanese wedding dress, engage in a bloody orgy of violence and cannibalism that reveals they are both part whale. In addition to the costumes of seaweed, fur, and shell worn in this scene, DR9 prominently features Barney's creative reinterpretations...
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Journal Article

An Inoperative Community: Senses of Community and the Signboard Renovation Project of Kwangrim Plaza in Contemporary South Korea

Seunghan Paek
positions (2017) 25 (4): 717–743.
DOI: https://doi.org/10.1215/10679847-4188386
Published: 01 November 2017
... as civic participation in producing an attractive cityscape. Though the film emphasizes reconciliation and synthesis following the shopkeepers' strenuous objections to the renovation project, its scenes reveal a series of conflicts and disagreements among shopkeepers and between shopkeepers and government...
View articletitled, An Inoperative Community: Senses of Community and the Signboard Renovation Project of Kwangrim Plaza in Contemporary South Korea View PDF for article titled, An Inoperative Community: Senses of Community and the Signboard Renovation Project of Kwangrim Plaza in Contemporary South Korea