...Tani E. Barlow 2004 by Duke University Press 2004 Not Really a Properly Intellectual Response: An Interview with Gayatri Spivak Tani E. Barlow The excess of the new social movements is what I work with. —Gayatri Chakravorty Spivak...

... understanding of hygiene is intimately connected with environmental degradation, a perceived “dirtiness” that is not really of their own making. Grounded in anthropological field research in rural Henan, it argues that the lack of any infrastructure to dispose of trash is core to rural environmental problems...

.... But I probably shouldn’t call my early attraction to the big screen “interest in film.” When I was a kid, there were really not a lot of opportunities to go to the movies; moreover, our family didn’t have much money, so there was no way my parents...

.... And the other one is about Nanjing. And they approved the idea for me going back to Shanghai but never really clearly said no or yes about Nanjing. So we said, all right, since it’s so far away going to China, let’s do another film which...

... watching. Each art form has to be considered from the standpoint of whether the workers would really want to see or listen to it. You have to spend a lot of time working on a piece and it has to be revised and presented to audiences over and over until it's ready. Regardless of the art form, our job...

... or tendencies, only repressed. They are only allowed to show the masculine side. That’s why I feel that human beings are hypocritical. There are too many limits and systems that make us hypocrites. Only when we are alone can we relax and really...

.... This was positions 27:4 November 2019 814 because we felt there was too much negativity around questions of sexuality. From our lesbian organizing, we knew how telling positive stories could be really empowering and encouraging. It was not that negative sexuality didn t exist; it was just that the space for positive...

..., a lesbian artist. Before that, virtually no public media had been willing to give homosexual people a chance to show up before the public. I was really lucky. It was Li Yinhe who introduced Shi Tou and me to the show. We were actually paid...

... the head in the service of what I care for deeply. I care deeply for life on earth and people in general. And growing up in a society like India—where in the context of that society, you might really get inspired by or have respect for a woman...

...- dreds of them, to show their anger. So they have to have their private line to get through to the studio; also they have to have the auto-redial function in case they’re cut off! [Laughter.] This, too, really reflects what’s going on in Taiwan now...

... in secrecy, a high-level secret docu- ment, but it really forms the basis of not only our knowledge of how we go about talking about or studying the Japanese. Her book emphasized the desire of the state to acquire necessary knowledge...

... of the politics of representation surrounding Okinawa’s effort at transnationalizing its official war memorial raise questions about how official narratives of com- memoration really work. Sturken, Beaver, filmmakers Christine Choy...

... with the fantasy of the musical sections, I am able to give a really imaginary science fiction–like feel to the future. To show future, I created the fantasy of a musical dream sequence. The difficult part for me, because I love Grace Chang so much...

... was living with had several. One of them was called Zhang Statue of a Dog 513 Jilig. Actually “Jilig” isn’t really a name at all. Out on the grasslands, it was just a sound everyone used to call to their dogs...

... subject of China studies is precisely our sort of candid dialogue. Do you really suppose I could write a book on this? There are so many books out on China already. Were I to write yet another, I would be certain to use frank...

... participants of apparently different identities. Both cases assumed identity’s positionality without really problematizing its situatedness in other things. In anthropology, “writing culture” and debates surrounding the authority of native...

... see. At this stage there is no music, only sounds; reality-based sounds are the only sounds-no dialogue as yet. As Takemitsu and I sit there watching these images, he really feels, responds, to the images. This is the stage where...

... and really got excited. I thought of themes such as the relationship between man and woman, life and theater, humans and ghosts. So I contacted Pei Yanling, but by then, she was performing in northern and western...

... our own ways of screening films and communicating with audiences. These include online screenings and col- laborations with local LGBT NGOs and small independent film groups. This can create some social impact, but individual filmmakers do not really benefit much from those screenings financially...

...- ity of tradition and refers to an original time when this tradition still reigned (when “a king was really a king, a father really a father,” etc In contrast, the present is a time of decay, involving the disintegration of organic social ties...