...Bill V. Mullen 2003 by Duke University Press 2003 Du Bois, Dark Princess, and the Afro-Asian International Bill V. Mullen At last India is rising again to that great and fateful moral leadership of the world which she exhibited so often...

...Kun Jong Lee 2004 by Duke University Press 2004 Princess Pari in Nora Okja Keller’s Comfort Woman Kun Jong Lee When she attended a human rights symposium in 1993, Nora Okja Keller listened to the testimony of Keum Ju Hwang and learned the truth...

... [Princess Mononoke] (1997), also problematizes traditional notions of Japanese history and national identity. Despite its sometimes unconventional representations, however, Studio Ghibli is the most important animation studio in Japan...

... to and includ- ing the imperial crown prince and princess’s visit to Okinawa to coincide with that year’s national blood drive. While Uta is the central character around whom the story unfolds, she is never made the narrative focal point...

... International,” imagined as a romance between an Indian princess and a black labor activist by W. E. B. Du Bois in his 1928 novel Dark Princess, is one of the determinate forms of Marxist theorizing in the twentieth century. Even...

... Ngo.c Hân (1770–99) and H`ˆo Xuân Hu) o) ng (c. 1770–1822) are two of the most well known female writers of premodern Vietnam. Despite their different social stature (while Ngo.c Hân was a princess and queen, Xuân Hu) o) ng operated at the fringes...

... between the Japanese consumer subject and the object of desire. How many ways, how many times does fantasy return to structure the political? How can it not? That is a point pursued in Kun Jong Lee’s con- tribution, “Princess Pari in Nora Okja...

... of Texas, is the author of Anime from Akira to Princess Mononoke (2001). Esther C. M. Yau, associate professor of film and new media at Occidental College, is the editor of At Full Speed: Hong Kong Cinema in a Borderless World (2001...

... of Texas, is the author of Anime from Akira to Princess Mononoke (2001). Esther C. M. Yau, associate professor of film and new media at Occidental College, is the editor of At Full Speed: Hong Kong Cinema in a Borderless World (2001...

... for its head in the middle of a raging fire in Princess Mononoke (1997) when the forest is being destroyed by humans; and in the forest of Haplos (1982) a dead woman relives her long-past rape and murder by colonizers. These haunted visions...

..., Yifu zhuangjing (A Zhuang Brocade, 1959) on a Zhuang legend, Mutong yu gongzhu (The Shepherd and the Princess, 1960) on a Bai legend, Changfa mei (The Girl with Long Hair, 1963) on a Dong legend, and Kongque gongzhu (Peacock Princess, 1963...

... of imperial princesses and princes, positions 8:3 Winter 2000 642 followed by family and individual portraits of aristocrats according to rank and, finally, by the families of commoners. The interior decorating issue...

...- tion (dyeing, construction, and assembly) and to some control over stock- piles of valuable robes. Fiction constructs high-born women as producers and supervisors of valuable clothing: Princess Omiya and Fujitsubo, two of the most...

... as attractive but ultimately the least desirable due to her hatred of white invaders. Representative of this “civilized exoticism” is Princess Kaiulani, of Scots- Hawaiian ancestry, touted for her beauty and highly educated in both...

... have a king (told it is a Queen), they call her the Princess Alexandra. Told that she married the Queen’s son. The Queen’s son is the Princess Alexandra. A Princess is a man.” Wil- liam Turner, age — “Don’t live...

... a look at already published items for children, we find that nine out of ten are corrupt supernatural tales of fantastical and ghostly events, replete with fairy princes and princesses, meaningless poems about flowers and moonlight and dogs...

.... It is said that she was manifest in a compas- sionate princess, Miao Shan, the third daughter of a king of ancient China. Miao Shan’s fervent desire was to be a Buddhist nun. The king, however, wished her to marry. At length, the king relented...

... to claim the role of the monarch, a male tyrant, and uses my privilege as the director—the privilege of the artist—to make Pardosaur #1 and Pardosaur #2 cross-dress to play the roles of the queen and the princess, respectively. They are his...

..., black man’s misery. Music from the cannibal rituals of Africa; the loud-soft thunder of drums, the trumpet’s wail, and in the center of the dance-floor a row of indigent Russian princesses performing the black man’s tap-dance; scores of white...

... Pining (played by Princess Punalan) from a white slavery den operated by the same crooked cop, resulting, amidst the getaway chase, in the gangland execution of Noel in a dark, monsoon-­drenched back alley. Pol retaliates from this double...