... by Duke University Press 2016 South Korea Kim Whanki Korean painting ceramics pottery Mingei modern art twentieth-century Korean artists Clay Bodies, Moon Jars, and Materiality: Reconciling Dualisms in the Paintings of Kim Whanki Christine Y. Hahn North...

...,andfamouspotsandpottersalikecommand national respect and admiration. While much of this attention is directed at native pottery traditions, there has long been a special subculture of interest in the ceramic art of Korea. Japanese fascination with Korean ceramics...

... of the Japanese folk craft movement (mingei und¯o) as articulated by Yanagi S¯oetsu. The decorative alcove (tokonoma)in the Japanese house was lauded as a kind of altar to aestheticism. Later in the same issue, the article “Pottery: How to Appreciate Its...

..., as, for example, simple pottery oil lamps, which might aid an understanding of an obscure joke in the writing of a Roman comedian. Aesthetics as such did not play the decisive role in the decision as to whether to include an item...

... is brimming with “Western Han dynasty earthen jars; Eastern Han dynasty pottery rice bowls, pottery stoves and pottery cocoon jars; Tang dynasty tricolored horses and colored figurines” together with an assortment of “old vases, old bowls...

... Collectors and Colonial Korea,” that a group of Japanese art collectors gen- erated a new domestic audience and market for Korean pottery in the 1920s and 1930s that extended beyond the circumscribed sphere of wealthy tea en- thusiasts by producing...

... to aboriginal arts and crafts. It contains a majority of the artifacts on display, including wood carvings, pottery, bas- kets, architecture, boats, textiles, embroidery, beads, appliquC work, leather goods, and ornaments. Objectification...

...” — were displayed on two tables located in the west end of the event room. Ancient Japan was visualized through vari- ous archeological objects such as stone implements, clay figures, round jade stones, and Yayoi pottery, which had been excavated...