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Harmony Garden, 2014. Photograph taken from outside of the compound by the ...
Available to Purchase
in Low-End Accumulation: Spatial Transformation and Social Stratification in a Beijing Urban Village
> positions: asia critique
Published: 01 August 2022
Figure 1 Harmony Garden, 2014. Photograph taken from outside of the compound by the author.
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Harmony Gongyu, 2014. Photograph taken from inside of the compound by the a...
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in Low-End Accumulation: Spatial Transformation and Social Stratification in a Beijing Urban Village
> positions: asia critique
Published: 01 August 2022
Figure 2 Harmony Gongyu, 2014. Photograph taken from inside of the compound by the author.
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A recyclable collection station inside Settlement A, June 2016. Photograph ...
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in “Snail Households”: Containerization of Migrant Housing on Shanghai's Fringe
> positions: asia critique
Published: 01 August 2022
Figure 1 A recyclable collection station inside Settlement A, June 2016. Photograph taken by the author.
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in “Snail Households”: Containerization of Migrant Housing on Shanghai's Fringe
> positions: asia critique
Published: 01 August 2022
Figure 2 A rental unit in Settlement B, June 2017. Photograph taken by the author.
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The central road of Bicun during the construction fever, 2014. Photograph t...
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in “When It's Dark in the East, It's Light in the West”: Lifelong Venturing and Accelerated Temporality in Beijing's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 1 The central road of Bicun during the construction fever, 2014. Photograph taken by the author.
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The yard used for Lao Qi's scrap-picking business, 2014. Photograph taken b...
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in “When It's Dark in the East, It's Light in the West”: Lifelong Venturing and Accelerated Temporality in Beijing's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 2 The yard used for Lao Qi's scrap-picking business, 2014. Photograph taken by the author.
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Zhengzhou, Henan Province, December 19, 2015. Photograph taken by the autho...
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in The Fruits of Demolition: Generative Neglect in Zhengzhou's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 1 Zhengzhou, Henan Province, December 19, 2015. Photograph taken by the author.
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Zhengzhou, Henan Province, February 7, 2018. Photograph taken by the author...
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in The Fruits of Demolition: Generative Neglect in Zhengzhou's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 2 Zhengzhou, Henan Province, February 7, 2018. Photograph taken by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 1 Fragment of the “1988–1995–” exhibit, 2009. Photograph by the author.
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“Sociocultural History of South Korean Advertising,” 2017. Photograph by th...
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 2 “Sociocultural History of South Korean Advertising,” 2017. Photograph by the author.
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“Enlightenment—Introduction of Advertising (1876–1910),” 2009. Photograph b...
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 3 “Enlightenment—Introduction of Advertising (1876–1910),” 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 4 1914 tobacco advertisement, 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 6 The Ad Gallery, 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 7 An illustration of print advertising, 2009. Photograph by the author.
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Na Hye-sŏk's photograph superimposed onto her self-portrait painted in Pari...
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in Paris in Korean Cinema: Fraudulence and the Female Form in Hong Sang-soo's Night and Day and Kim Ki-duk's Wild Animals
> positions: asia critique
Published: 01 February 2023
Figure 1 Na Hye-sŏk's photograph superimposed onto her self-portrait painted in Paris. Still from new woman: her first song (2004).
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in Guest Editor's Introduction: Cultures of Labor and the Labor of Culture
> positions: asia critique
Published: 01 May 2023
Figure 2 Square dance at Migrant Workers Home, June 2019. Photograph by Jiahe Mei.
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Homemade millet bread that Zuo Mei had baked with her mother. Photograph by...
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in Intersecting Labor in the Social Factory: Trajectory of a Migrant Woman in South China
> positions: asia critique
Published: 01 May 2023
Figure 1 Homemade millet bread that Zuo Mei had baked with her mother. Photograph by Zuo Mei.
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in The Social Production and Political Potency of Home: Contentions between Housing Reconstruction and Place Making among the Chinese Qiang after the 2008 Sichuan Earthquake
> positions: asia critique
Published: 01 May 2024
Figure 1 Longxi villages. Photograph by Yun Tang.
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in The Social Production and Political Potency of Home: Contentions between Housing Reconstruction and Place Making among the Chinese Qiang after the 2008 Sichuan Earthquake
> positions: asia critique
Published: 01 May 2024
Figure 2 Villagers helping with house building. Photograph by Yun Tang.
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in The Social Production and Political Potency of Home: Contentions between Housing Reconstruction and Place Making among the Chinese Qiang after the 2008 Sichuan Earthquake
> positions: asia critique
Published: 01 May 2024
Figure 3 Landslide in E'er Village. Photograph by Yun Tang.
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