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in Low-End Accumulation: Spatial Transformation and Social Stratification in a Beijing Urban Village
> positions: asia critique
Published: 01 August 2022
Figure 1 Harmony Garden, 2014. Photograph taken from outside of the compound by the author.
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in Low-End Accumulation: Spatial Transformation and Social Stratification in a Beijing Urban Village
> positions: asia critique
Published: 01 August 2022
Figure 2 Harmony Gongyu, 2014. Photograph taken from inside of the compound by the author.
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in “Snail Households”: Containerization of Migrant Housing on Shanghai's Fringe
> positions: asia critique
Published: 01 August 2022
Figure 1 A recyclable collection station inside Settlement A, June 2016. Photograph taken by the author.
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in “Snail Households”: Containerization of Migrant Housing on Shanghai's Fringe
> positions: asia critique
Published: 01 August 2022
Figure 2 A rental unit in Settlement B, June 2017. Photograph taken by the author.
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in “When It's Dark in the East, It's Light in the West”: Lifelong Venturing and Accelerated Temporality in Beijing's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 1 The central road of Bicun during the construction fever, 2014. Photograph taken by the author.
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in “When It's Dark in the East, It's Light in the West”: Lifelong Venturing and Accelerated Temporality in Beijing's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 2 The yard used for Lao Qi's scrap-picking business, 2014. Photograph taken by the author.
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in The Fruits of Demolition: Generative Neglect in Zhengzhou's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 1 Zhengzhou, Henan Province, December 19, 2015. Photograph taken by the author.
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in The Fruits of Demolition: Generative Neglect in Zhengzhou's Urban Villages
> positions: asia critique
Published: 01 August 2022
Figure 2 Zhengzhou, Henan Province, February 7, 2018. Photograph taken by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 1 Fragment of the “1988–1995–” exhibit, 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 2 “Sociocultural History of South Korean Advertising,” 2017. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 3 “Enlightenment—Introduction of Advertising (1876–1910),” 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 4 1914 tobacco advertisement, 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 6 The Ad Gallery, 2009. Photograph by the author.
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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 7 An illustration of print advertising, 2009. Photograph by the author.
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in Paris in Korean Cinema: Fraudulence and the Female Form in Hong Sang-soo's Night and Day and Kim Ki-duk's Wild Animals
> positions: asia critique
Published: 01 February 2023
Figure 1 Na Hye-sŏk's photograph superimposed onto her self-portrait painted in Paris. Still from new woman: her first song (2004).
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in Guest Editor's Introduction: Cultures of Labor and the Labor of Culture
> positions: asia critique
Published: 01 May 2023
Figure 2 Square dance at Migrant Workers Home, June 2019. Photograph by Jiahe Mei.
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in Intersecting Labor in the Social Factory: Trajectory of a Migrant Woman in South China
> positions: asia critique
Published: 01 May 2023
Figure 1 Homemade millet bread that Zuo Mei had baked with her mother. Photograph by Zuo Mei.
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Journal Article
positions (2012) 20 (3): 877–883.
Published: 01 August 2012
... the borders of spectacle, (homoerotic) desire, translation, audience, and affect. Copyright 2012 by Duke University Press 2012 Pop Tarts (Photographic Portfolio)
Viet Le
The boy bang/gang band project consists of campy images and music vid-
eos of faux pan...
Journal Article
positions (2010) 18 (3): 727–769.
Published: 01 August 2010
...Sarah Frederick This article analyzes interactions between text and photographic image in works of photographic fiction ( shashin shôsetsu ) printed in Japanese women's magazines from the 1930s to the 1950s, including their interaction with cinema and print culture. The essay considers the complex...
Journal Article
positions (2022) 30 (4): 705–733.
Published: 01 November 2022
...So-Rim Lee Abstract This essay looks at New York–based South Korean photographer Ji Yeo's two photographic series Beauty Recovery Room and It Will Hurt a Little . Tracing the social rhetoric on plastic surgery in South Korea after the 1997 IMF Crisis, it takes Yeo's photographs as counterexamples...
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