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in Cover Image Commentary—Shooting a Shot: The Decisive Moment of Abe Shinzo's and Asanuma Inejirō’s Assassinations on Camera
> positions: asia critique
Published: 01 February 2023
Figure 2 Morimura Yasumasa, A Requiem: ASANUMA 1, 1960.10.12–2006.4.2, 2006.
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Image
in Cover Image Commentary—Shooting a Shot: The Decisive Moment of Abe Shinzo's and Asanuma Inejirō’s Assassinations on Camera
> positions: asia critique
Published: 01 February 2023
Figure 3 Morimura Yasumasa, A Requiem: ASANUMA 1, 1960.10.12–2006.4.2, 2006.
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Journal Article
positions (2023) 31 (1): 9–13.
Published: 01 February 2023
...Figure 2 Morimura Yasumasa, A Requiem: ASANUMA 1, 1960.10.12–2006.4.2, 2006. ...
FIGURES
Journal Article
positions (2008) 16 (2): 359–387.
Published: 01 May 2008
...-san, and Toyama-san abound.19
These three lovers are drawn from 12 no Kekkon (Twelve Marriages) by the
popular novelist Morimura Katsura.20 All three romantic heroes experience
happy endings, and all of them are seen by the narrator as being...
Journal Article
positions (2004) 12 (3): 611–641.
Published: 01 August 2004
..., frequently creating works with transnational
concerns, as in the instances of Yanagi Yukinori (b. 1959) and Mariko Mori
(b. 1967). Alternately, a Japanese artist can follow the career pattern of such
artists as Morimura Yasumasa (b. 1951). He or she...
Journal Article
positions (2013) 21 (2): 225–267.
Published: 01 May 2013
... — or even Mono-ha (Things School)
for that matter — which attracted international attention, such individuals
as Morimura Yasumasa and Miyajima Tatsuo moved into the global spot-
light.13 Into the 1990s, artists’ group activities reemerged. Some...
