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Journal Article

Performance Collectives in 1960s Japan: With a Focus on the “Ritual School”

KuroDalaiJee
positions (2013) 21 (2): 417–449.
DOI: https://doi.org/10.1215/10679847-2018301
Published: 01 May 2013
... of collectivism that transcended the narrow confines of “art” ( bijutsu ), and specific social strategies. Among the ritualists, Zero Jigen, which stood out in terms of their numerous performances and contingent styles, and other collectives such as Kokuin and factions of The Play, with other individuals, formed...
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Journal Article

Authority, Autonomy, and the Early Taishō “Avant-Garde”

Alicia Volk
positions (2013) 21 (2): 451–473.
DOI: https://doi.org/10.1215/10679847-2018310
Published: 01 May 2013
... to include yga under the direction of artist Kuroda Seiki. positions 21:2  Spring 2013 472 17. Bun, “Jigen” (“Notes on Current Events Bijutsu shinp (Art News) 5, no. 5 (1906): 33...
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Journal Article

Imagining Reality as a Set of Chinese Boxes: An Interview with Matsumoto Toshio

Miyo Inoue, Aaron Kerner
positions (2014) 22 (4): 907–930.
DOI: https://doi.org/10.1215/10679847-2793233
Published: 01 November 2014
... greater proportions. MI: In a previous conversation, as Aaron mentioned, Zero Jigen also appeared in Bara no soretsu.27 Did you decide to incorporate their performance into the film because you knew them? TM: Yes...
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Journal Article

Jikken Kōbō and Takiguchi Shūzō: The New Deal Collectivism of 1950s Japan

Miwako Tezuka
positions (2013) 21 (2): 351–381.
DOI: https://doi.org/10.1215/10679847-2018283
Published: 01 May 2013
... as an antimodernist strategy by other groups active during the postwar years in Japan, for instance, Kysh-ha­ (Kysh School) and Zero Jigen (Zero Dimension). However, what differentiates Jikken Kb from these 1960s examples is its consistent interest...
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Journal Article

Introduction: Collectivism in Twentieth-Century Japanese Art with a Focus on Operational Aspects of Dantai

Reiko Tomii
positions (2013) 21 (2): 225–267.
DOI: https://doi.org/10.1215/10679847-2018256
Published: 01 May 2013
..., pioneered by Gutai and Jikken Kb, was brought to the extreme by Zero Dimension (Zero Jigen), a 1960s collective studied by KuroDalaiJee (Kuroda Raiji), an art historian based in Fukuoka, Japan. KuroDalaiJee’s work constitutes a series of studies...
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