... University Press 2011 Ways of Seeing the Nation: Chinese Painting in the National Essence Journal (1905 – 1911) and Exhibition Culture Lisa Claypool During the waning years of the Qing empire, the National Essence Jour- nal (Guocui xuebao, was published...

...John Szostak In this essay, I examine Nihonga exhibition collectives in early twentieth-century Japan, focusing on two central questions: what effect did they have on discourse regarding the practice and exhibition of Nihonga painting, and how did artists' affiliation with successful exhibition...

... the 1930s, and that archive's reorganization in the form of an exhibition in Seoul in 2004. Uchida investigated “native Korean fish” for the colonial government for fifteen years beginning in 1927. He employed photography especially for identifying and historicizing the life of the native Korean fish...

... to heal, and irony through shock that are articulated within specific conditions of production and exhibition. Two of the major conditions I examine are the artist's creative process and issues of silencing present in the content of the artwork or its exhibition practices. Prior to 1996 the artists...

...Hagiwara Hiroko The aim of this essay is to suggest a way to see and discuss a body of Araki Nobuyoshi's later photographic work that centers on images of bound and naked women. Araki has prolifically exhibited and published provocative photographs for over thirty years in Japan and for some years...

...Ming Tiampo This article is a theoretical investigation of the Gutai's collective enterprise, examining the creative process of Gutai Art Exhibitions from 1955 to 1962 and looking in particular at the Outdoor Exhibitions and Gutai Art on Stage. I will argue that the group's leader, Yoshihara Jiro...

... from sketches and photographs to exhibitions. Their use of visual methods, however, has been discussed only in terms of their “othering” of neighboring nations; this article, rather, explores how these visual technologies led these anthropologists to visualize the Japanese empire as a composite...

... of these performers. More disturbing still was the apprehension that the female fans of oyama exhibited an overwrought fixation on their favorite stars that transgressed the bounds of womanly propriety. In short, it was judged that this community of fans, egged on by unscrupulous studios that supplied them...

... ask how they can avoid a “nightmare” of frontier insecurity derailing dreams of international power. This article uses a postcolonial approach to critically analyze tensions between ethnic inclusion and exclusion in visual and textual narratives from a Xinjiang regional exhibition that celebrated...

..., this article touches on the divergent roots of the women’s liberation movement and western feminism, the Maoist era’s negation of femininity, and the lingering patriarchal structure of art institutions. It was only after a series of groundbreaking exhibitions exploring the female psyche in the 1990s that women...

... cultural consciousness exhibited by the non‐Han people such as the Qiang people from southwest China. The article argues that minority groups like the Qiang are enthusiastic about “enterprising” their ethnic identities by writing minority histories into the foundational myths of a multiethnic, unified...

... regime through archival filmmaking and exhibition practices. [email protected] [email protected] Copyright 2023 by Duke University Press 2023 autonomous archives documentary film state violence counter‐ memory At dawn on Wednesday, October 6, 1976, students...