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in The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
> positions: asia critique
Published: 01 November 2022
Figure 1 Fragment of the “1988–1995–” exhibit, 2009. Photograph by the author.
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Journal Article
Ways of Seeing the Nation: Chinese Painting in the National Essence Journal (1905 – 1911) and Exhibition Culture
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positions (2011) 19 (1): 55–82.
Published: 01 February 2011
... University Press 2011 Ways of Seeing the Nation: Chinese Painting in the
National Essence Journal (1905 – 1911) and Exhibition Culture
Lisa Claypool
During the waning years of the Qing empire, the National Essence Jour-
nal (Guocui xuebao, was published...
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in Rewriting the Heart Sutra : Buddhism and the (Geo)Politics of Symbols in Qiu Zhijie's Art
> positions: asia critique
Published: 01 August 2024
Figure 3 Qiu Zhijie, Heart • Sutra (1999). Installation views at the exhibition Power of Words , National Taiwan Museum of Fine Arts, Taipei. Courtesy of Qiu Zhijie.
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Real-time streaming video of “Dokdo” in the second exhibition hall of the I...
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in Translational Nation: Politics and Re-presentation at the Independence Hall of Korea
> positions: asia critique
Published: 01 February 2022
Figure 4 Real-time streaming video of “Dokdo” in the second exhibition hall of the Independence Hall of Korea.
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in Running and Reading Remnant Danwei Walls in China's Postsocialist City
> positions: asia critique
Published: 01 August 2023
Figure 6 Introduction to the Happy Life photo exhibition, Tiantan Xili, May 2018. © Gerda Wielander.
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in Rewriting the Heart Sutra : Buddhism and the (Geo)Politics of Symbols in Qiu Zhijie's Art
> positions: asia critique
Published: 01 August 2024
Figure 4 Qiu Zhijie, Heart Demon (1999). Installation view at the exhibition Post-sense Sensibility: Alien Bodies & Delusions . Beijing, China. Courtesy of Qiu Zhijie.
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in Running and Reading Remnant Danwei Walls in China's Postsocialist City
> positions: asia critique
Published: 01 August 2023
Figure 7 Happy Life photo exhibition, Tiantan Xili, November 2018. © Gerda Wielander.
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in The Gap Which Separates: Simultaneity, Disparity, and Audiovisual-Linking Technologies in “Southeast Asian Contemporary Art”
> positions: asia critique
Published: 01 February 2025
Figure 6 Enzo Camacho and Ami Lien, Leak Light Time Heat (2014). Exhibition installation view, 47 Canal, New York. Image courtesy of the artists and 47 Canal. Photograph by Joerg Lohse.
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Journal Article
“Art Is Something Born”: The Rise and Fall of the Kokuga Society (1918 – 28) and the Emergence of the Kokuten Style
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positions (2013) 21 (2): 269–308.
Published: 01 May 2013
...John Szostak In this essay, I examine Nihonga exhibition collectives in early twentieth-century Japan, focusing on two central questions: what effect did they have on discourse regarding the practice and exhibition of Nihonga painting, and how did artists' affiliation with successful exhibition...
Journal Article
Unpacking the Archive: Ichthyology, Photography, and the Archival Record in Japan and Korea
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positions (2010) 18 (1): 51–87.
Published: 01 February 2010
... the 1930s, and that archive's reorganization in the form of an exhibition in Seoul in 2004. Uchida investigated “native Korean fish” for the colonial government for fifteen years beginning in 1927. He employed photography especially for identifying and historicizing the life of the native Korean fish...
Journal Article
Gutai Chain: The Collective Spirit of Individualism
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positions (2013) 21 (2): 383–415.
Published: 01 May 2013
...Ming Tiampo This article is a theoretical investigation of the Gutai's collective enterprise, examining the creative process of Gutai Art Exhibitions from 1955 to 1962 and looking in particular at the Outdoor Exhibitions and Gutai Art on Stage. I will argue that the group's leader, Yoshihara Jiro...
Journal Article
Visual Technologies of Imperial Anthropology: Tsuboi Shōgorō And Multiethnic Japanese Empire
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positions (2016) 24 (4): 761–787.
Published: 01 November 2016
... from sketches and photographs to exhibitions. Their use of visual methods, however, has been discussed only in terms of their “othering” of neighboring nations; this article, rather, explores how these visual technologies led these anthropologists to visualize the Japanese empire as a composite...
Journal Article
Art for October: Thai Cold War State Violence in Trauma Art
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positions (2010) 18 (1): 19–50.
Published: 01 February 2010
... to heal, and irony through shock that are articulated within specific conditions of production and exhibition. Two of the major conditions I examine are the artist's creative process and issues of silencing present in the content of the artwork or its exhibition practices. Prior to 1996 the artists...
Journal Article
Representation, Distribution, and Formation of Sexuality in the Photography of Araki Nobuyoshi
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positions (2010) 18 (1): 231–251.
Published: 01 February 2010
...Hagiwara Hiroko The aim of this essay is to suggest a way to see and discuss a body of Araki Nobuyoshi's later photographic work that centers on images of bound and naked women. Araki has prolifically exhibited and published provocative photographs for over thirty years in Japan and for some years...
Journal Article
Entrepreneurs of the National Past: The Discourse of Ethnic Indigeneity and Indigenous Cultural Writing in China
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positions (2021) 29 (2): 423–450.
Published: 01 May 2021
... cultural consciousness exhibited by the non‐Han people such as the Qiang people from southwest China. The article argues that minority groups like the Qiang are enthusiastic about “enterprising” their ethnic identities by writing minority histories into the foundational myths of a multiethnic, unified...
Journal Article
Minor Events and Grand Dreams: Ethnic Outsiders in China’s Postcolonial World Order
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positions (2019) 27 (4): 739–771.
Published: 01 November 2019
... ask how they can avoid a “nightmare” of frontier insecurity derailing dreams of international power. This article uses a postcolonial approach to critically analyze tensions between ethnic inclusion and exclusion in visual and textual narratives from a Xinjiang regional exhibition that celebrated...
Journal Article
Off the Margins: Twenty Years of Chinese Women’s Art (1990–2010)
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positions (2020) 28 (1): 65–86.
Published: 01 February 2020
..., this article touches on the divergent roots of the women’s liberation movement and western feminism, the Maoist era’s negation of femininity, and the lingering patriarchal structure of art institutions. It was only after a series of groundbreaking exhibitions exploring the female psyche in the 1990s that women...
Journal Article
Oyama and Anxieties About the Feminization of Japanese Film
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positions (2014) 22 (2): 371–402.
Published: 01 May 2014
... of these performers. More disturbing still was the apprehension that the female fans of oyama exhibited an overwrought fixation on their favorite stars that transgressed the bounds of womanly propriety. In short, it was judged that this community of fans, egged on by unscrupulous studios that supplied them...
Journal Article
Archiving Facts and Documentary Films: Sites of Memorial Struggle for the October 6, 1976, Massacre in Thailand
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positions (2023) 31 (4): 893–918.
Published: 01 November 2023
... regime through archival filmmaking and exhibition practices. Counter-memories are produced by survivors, victim families, journalists, and academics. These are collected by archivists and activists—and repurposed by filmmakers—as the raw material for truth-telling. The concept of counter-memory...
Journal Article
Animating the Trauma: Colonial Atrocities and the Use of New Media in Contemporary South Korean Museums
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positions (2023) 31 (4): 863–892.
Published: 01 November 2023
... displays were particularly striking as they palpably demonstrated to visitors the brutal nature of colonial violence through a series of horrendous images of tortured and murdered Koreans. Across the globe, this use of exhibition as a means to “come to terms with the colonial past” has become a recurring...
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