... made publicly accessible, digital artifacts take on lives of their own beyond the control of their creators and curators. Just as the unknown and unanticipated consequences of modernization call for a reflexive modernity, so the same difficulties of anticipating the effects of digitization require...

..., awkwardly artificial polychrome of plastic film from two decades ago, before digitalization, so his already gray hair, hanging down his back in its custom- ary ponytail, turns blue-white in the field of color. All of us look carefree. Lighter, more...

..., and responsibility. By analyzing the urban form as an invention of ideology, it is possible to locate ideology in material artifacts, cinematic representations, and the cultivation of embodied desires in Mongolia's capital city Ulaanbaatar that originated in the socialist era and continue today, albeit...

... together, these disparate materials, although not analyzed here, formed a vast distributed archive, and their hyperlinked contents offer intriguing insights into how digitized artifacts are (mis- ) used by others, on- and off- line, to produce...

... a “digitized parody” movement and given rise to the neologism, e gao 6 Literally meaning “reckless doings,” the term is a transliteration of the Japa- nese word “Kuso” (“shit which came into mainland China via Taiwan.7 Compared to “e gao,” whose use...

... workers; and the desire to reclaim a space for public demonstration in which the public is not always understood as being the same as the nation, and is often experienced through the cosmopolitan media flows and artifacts of popular culture. While...

... memories from the relatives of victims and provides hope for truth‐seeking. Collections of photographs, audio interviews, testimonies, and artifacts are utilized by both archivists and documentary filmmakers to forge claims toward restorative justice. And while the dominant discourse forces society...

... traumatic experiences. This article explores the transformation of the representation of historical trauma within South Korean museums over recent decades. By examining the popularization of VR (virtual reality) and other digital media, this article will argue that the display of violence through this new...

...Rajbir Singh Judge; Jasdeep Singh Brar Abstract In 2016, the Pioneering Punjabi Digital Archive (PPDA) went online. Attempting to reveal how the Punjabi community struggled and then thrived in California, the PPDA accumulates narratives of Punjabi American life. Against such models of archival...

.... An image does things that text cannot, but I think it does them best in conjunction with, and close by, words, so that there is the possibility for mutual interruption and dialogue. In print form, images work in specific ways, so part of my thinking concerns the digital future. After considering...

... decolonizing visual politics premised on an ironic and redemptive process that promises to liberate Filipinos from both the burdens of misrepresentations and the quandaries of visibility. Cannily using historical visual artifacts, Fuentes’s archive...

.... In Vietnam, high rates of inflation in the 1980s led the government to implement reforms of the economy under the slogan Ðổi mới (Renovation). These reforms included anti-inflationary measures characteristic of neoliberal policies. By the early 1990s, inflation was reduced to the single digits. After...

... and management rights in the production of new digital games. But the bal- ance of power is harder to maintain than claimed: the online game World of Warcraft was recently banned by the State Press and Publica- tion Administration for its negative...

... offers an opportunity to analyze dialogue. In 1973, a group of leftist scientists from the United States who belonged to the organization Science for the People (SftP) traveled to China to learn how science and technology worked in a socialist country. Among the artifacts from that trip is a small stack...

... with the visitor’s name and an eight-digit government number. Despite the fact that ordinary people in Hiroshima were killed as indiscriminately because they were “Japanese”as those in Europe’s ghettos were because they were “Jewish,” the Washington...

... are felt as well as thought about. That is, these stories are not mere artifacts for scholars to mine for clues about a so- called past and present, nor are they failed/unfinished attempts at art: they constitute affec- tive analysis about worlds and experiences that defy our empirical explana- tory power...

... (traced back to the Edo period and before) and its recursive reinstallation in the contemporary idiom of “flat” digitalized production. To Murakami, an old, indigenous aesthetics of sur- face anticipated and found its strange apotheosis...

... operative from the onset of the event, rather than an artifact of its self-differentiating unfolding. The personal history of the narrating body will have to negotiate this duality, presenting a public face allied with the content, defined as objective...

... reveal themselves on camera, their voices and faces reduced to digitized mosaics that shroud them in anonymity. What first appears as but another form of conspicuous consumption of black cultural artifacts ends as a con- sumption...

... attraction, and the site is home to the small Anne Furanku Shiry kan (Anne Frank Museum), which displays photographs and artifacts donated by the Frank family ( Anne no bara no ky kai 2014). It is alleged that Otto Frank s second wife, Elfriede Markovits- Geiringer, disliked the Japa- nese church because...