...Qi Wang This article explores the visual representation of minority (especially queer) identities in the highly stylized and experimental documentaries of independent filmmakers Shi Tou and Cui Zi'en, two of the most prominent cultural figures in the Chinese queer community. My analysis focuses...

...Qi Wang 2004 by Duke University Press 2004 The Ruin Is Already a New Outcome: An Interview with Cui Zi’en Qi Wang Cui Zi’en is a director, film scholar, screenwriter, novelist, and outspoken queer activist and scholar based in Beijing. He earned...

...Chris Berry 2004 by Duke University Press 2004 The Sacred, the Profane, and the Domestic in Cui Zi’en’s Cinema Chris Berry Cui Zi’en is a unique force. But I confess I almost passed him by. The first Cui Zi’en film I saw was Men and Women (Nannan Nün...

...Lara C. W. Blanchard Cui Xiuwen (b. 1970) and Yu Hong (b. 1966) are contemporary Chinese artists whose images of women reflect a complicated gendered perspective. This article focuses on Cui’s Ladies’ Room (2000) and Yu’s Female Writer (2004, from the series She ). Both can be construed as feminist...

...Shuqin Cui Introduction: Why (En)Gender Women s Art? Shuqin Cui Contemporary Chinese art since the 1990s has established an international reputation and gained market recognition. Its connection to the world involves multifaceted interactions: modes of art production against China s social...

...Shuqin Cui Taking Liu Manwen’s self-portraiture series, especially her Ordinary Life and Monologue , as examples, this article argues that the self-subject via self-portraiture comes to terms through social-cultural constitution and visual articulation. With face masked and body wrapped, Liu...

... of liveness lives on in activist documentary by directors such as Ai Xiaoming, Hu Jie, Zhao Liang, and Cui Zi'en, other directors have used the talking head in ways that highlight its mediated side. Using Shu Haolun's Nostalgia and Wang Bing's Fengming: A Chinese Memoir as examples, the article explores how...

... and about cultural citizenship, or belonging. The essay further analyzes a recent experimental film by Cui Zi'en about money boys that challenges homonormativity in China. Duke University Press 2010 Essays: Part II The Traffic in Money Boys Lisa Rofel Why do so many gay men...

...Cui Zi'en 2004 by Duke University Press 2004 Translated by Petrus Liu Endangered Species Rule! Cui Zi’en In my dreams I travel to Planet Ekaluse (serial number 1566), where I am rel- egated to a status below not just the aborigines...

...Cui Zi'en This conference speech given by a famous queer Chinese filmmaker provocatively proposes that the vibrant culture of underground queer film festivals in China is the true Communist International. Chinese viewers of queer films gain insight into global trends, while these festivals also...

...-class neighborhood in Haidian District in north- western Beijing.23 Woronov ❘❘ Governing China’s Children: “Education for Quality” 573 During one of my first weeks at the Pine Street School, a fourth-grade teacher, Teacher Cui...

... 5 queer intellectual Cui Zi’en. Cui’s tale of postsex eroticism—“Endangered Species Ruleand the remarkable film précis that Chris Berry provides in his introduction to Cui’s film work signify, as Wang says straight out...

... years. I was invited to have dinner with Wu Wenguang and Wen Hui when they had meetings with their circle of lm director and avant- garde dancer friends. And once I had a remarkable meeting with Cui Zi’en, China’s leading gay lm director...

... of desire and produc- tion. My participation has entailed political discussions with queer activists in China and currently a translation project of Cui Zi’en’s writings.10 Cui Zi’en, a professor at the Beijing Film Institute, is a well- known queer...

... stone cave temple lost its mana. Qi Wang’s “Embodied Visions: Chinese Queer Experimental Documen- taries by Shi Tou and Cui Zi’en” introduces readers to the sophisticated world of queer filmmaking. Abjuring the great abstractions of the observa...

... ŭi kkot manbal hago tangyŏlŭi norae nop’i ullinda” 친선의 꽃 만발하고 단결의 노래 높이 울린 다 (“Flowers of Friendship Bloom and Songs of Solidarity Ring High”) . Rodong Sinmun 로 동신문 (Workers Daily) , June 9 . Cui Shuqin . 2003 . Women through the Lens: Gender and Nation in a Century of Chinese Cinema...

...,’ whereby a certain sense of auratic presence is created from within a techno- cultural regime of mechanical reproduction itself.”14 Like Rojas, Julian Stringer and Shuqin Cui have also commented on how the auratic “original” (understood...

... to raise issues affecting their lives and for female artists to display their works. A number of Chinese women artists found inspiration in the Western femi- nist movement, and in 1998 four Beijing- based artists, Li Hong Cui Xiuwen Feng Jiali and Yuan Yaomin founded the feminist painting workshop Sairen...

...). Davinder Bhowmik is an assistant professor of Asian languages and literature at the University of Washington and specializes in modern narrative from Okinawa. Cui Zi’en is a research fellow in film studies at Beijing Film Academy and is finishing a film...

... downsized ever since. Cui hosted the gala in 2012, 2013, 2015, and 2017 and helped publicize it in 2018. 5 See articles by Maghiel van Crevel, Chun Chun Ting, and Zhang Huiyu in this issue. 6 The full discography of the thirteen albums that the New Workers Band produced between 2004 and late...