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Journal Article
Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai
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positions (2007) 15 (3): 553–579.
Published: 01 August 2007
...Guo-Juin Hong Copyright 2007 by Duke University Press 2007 Framing Time: New Women and the Cinematic Representation
of Colonial Modernity in 1930s Shanghai
Guo-Juin Hong
What Is Time? Modern Time
The February 1935 issue of Shanghai’s Liangyou huabao...
View articletitled, Framing Time: New Women and the Cinematic <span class="search-highlight">Representation</span> of <span class="search-highlight">Colonial</span> Modernity in 1930s Shanghai
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Journal Article
Savage Construction and Civility Making: The Musha Incident and Aboriginal Representations in Colonial Taiwan
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positions (2000) 8 (3): 795–818.
Published: 01 August 2000
...Leo Ching 2000 by Duke University Press 2000 Savage Construction and Civility Making: The Musha Incident
and Aboriginal Representations in Colonial Taiwan
Leo Ching
In 1911 Japanese colonial officials led forty-three selected aboriginal leaders
from...
View articletitled, Savage Construction and Civility Making: The Musha Incident and Aboriginal <span class="search-highlight">Representations</span> in <span class="search-highlight">Colonial</span> Taiwan
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Journal Article
Mnemonic Politics around the Japanese Colonial Era in Post–Cold War Taiwan: Wei Te-sheng's Colonial Trilogy and Post–New Cinema
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positions (2023) 31 (4): 839–862.
Published: 01 November 2023
...Juyeon Bae Abstract This article examines mnemonic politics after 1987’s democratization in Taiwan by discussing the cinematic representation of colonial memory, mainly focusing on Wei Te‐Sheng's films set in the Japanese colonial era. After the end of martial law in 1987, prohibited issues...
View articletitled, Mnemonic Politics around the Japanese <span class="search-highlight">Colonial</span> Era in Post–Cold War Taiwan: Wei Te-sheng's <span class="search-highlight">Colonial</span> Trilogy and Post–New Cinema
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for article titled, Mnemonic Politics around the Japanese <span class="search-highlight">Colonial</span> Era in Post–Cold War Taiwan: Wei Te-sheng's <span class="search-highlight">Colonial</span> Trilogy and Post–New Cinema
Journal Article
The Gaze on the Threshold: Korean Housemaids of Japanese Families in Colonial Korea
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positions (2019) 27 (3): 437–468.
Published: 01 August 2019
... sector and analyzes the diverse representational strategies of Korean housemaids by different gazers in mass media and literary works produced in the colonial and postcolonial period. In particular, it deals with the issue of colonial intimacy, focusing on the colonial encounter that includes the dynamic...
Journal Article
Writing Colonial Relations of Everyday Life in Senryu
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positions (2008) 16 (3): 601–628.
Published: 01 August 2008
.... Rather, the
poetic genre is used as literary representations that delineate some of the
funny, strange, surprising, and jarring Japanese-Korean encounters and his-
Lee ❘❘ Writing Colonial Relations of Everyday Life 605...
Journal Article
Proletarian Melodrama: Censorship, Popularization, and Consumerism in Colonial Korea
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positions (2024) 32 (3): 489–512.
Published: 01 August 2024
...Sangmi Bae Abstract This article introduces the 1933 novel After the Doll’s House by Ch’ae Mansik as an example of how revolutionary messages were presented through melodramatic narratives in colonial Korean proletarian literature. Between 1928 and 1930, several members of the Korea Artista Proleta...
Journal Article
Modernism, Hysteria, and the Colonial Double Bind: Pak T'aewŏn's One Day in the Life of the Author, Mr. Kubo
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positions (2013) 21 (3): 607–636.
Published: 01 August 2013
... on the relation of the subject to (selfknowledge, and
as a response emerging from the colonial double bind and the attendant
crisis of representation that characterized critical discourse in 1930s Seoul
literary circles. In this sense the article reaches...
View articletitled, Modernism, Hysteria, and the <span class="search-highlight">Colonial</span> Double Bind: Pak T'aewŏn's One Day in the Life of the Author, Mr. Kubo
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for article titled, Modernism, Hysteria, and the <span class="search-highlight">Colonial</span> Double Bind: Pak T'aewŏn's One Day in the Life of the Author, Mr. Kubo
Journal Article
Animating the Trauma: Colonial Atrocities and the Use of New Media in Contemporary South Korean Museums
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positions (2023) 31 (4): 863–892.
Published: 01 November 2023
... history during the Japanese colonial period. T'ae Chi-ho ( 2013 ) pinpoints the problem this raises: the binary representation in the Independence Hall shows only national ideology and collective nationhood, not individual experiences of the colonial era. After their “real experience” in this virtual...
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View articletitled, Animating the Trauma: <span class="search-highlight">Colonial</span> Atrocities and the Use of New Media in Contemporary South Korean Museums
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Journal Article
Pauses, Cuts, and Static Interference: Media Forms of Merger and Separation in Malaysia and Singapore
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positions (2020) 28 (4): 841–868.
Published: 01 November 2020
..., pauses, iterations, and interruptions. The technical effects of cuts and jumps in early radio and television editing undergird and thereby challenge the politics of representation in studies of decolonization. At the same time, technological transfer and adaptation in the former British colonies open...
Journal Article
Broken Narratives, Multiple Truths: Writing “History” in Yū Miri’s The End of August
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positions (2020) 28 (4): 815–840.
Published: 01 November 2020
...Kristina Iwata-Weickgenannt Against the background of the decades-long international relations dispute over Japan’s wartime military “comfort women” system, this article explores one of the scant literary representations of comfort women in Japanese literature. Through a close reading of Yū Miri’s...
Journal Article
The Social-Invisibility Narrative in Filipino-American Feature Films
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positions (2011) 19 (2): 421–437.
Published: 01 May 2011
... institutions and their disrupted representations of Fili-
pinos, he counters these imperial discourses by introducing critical terms
from postcolonial studies/colonial discourse and restoring attention to forms
of Filipino-American culture...
Journal Article
Seoul and Singapore as “New Asian Cities”: Literature, Urban Transformation, and the Concentricity of Power
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positions (2011) 19 (1): 193–215.
Published: 01 February 2011
... to be understood in terms of postcoloniality, that is, a complex relation between the colonial histories of Japan and England, domestic authoritarianism, and the productive imperatives of global capitalism. Reading novellas by Cho Se-hŭi and Goh Poh Seng, the essay shows how such texts foreground both the general...
Journal Article
Writing Sǒkkuram: An Archaeology of Inscription Around 1911
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positions (2013) 21 (3): 547–577.
Published: 01 August 2013
...Robert Oppenheim This article makes a case, in the study of Korea's colonial modern transition, for supplementing the examination of writings with attention to historical modalities of writing itself considered as a material inscriptive practice, and thus also for the interdisciplinary engagement...
Journal Article
Queer Reconfigurations: Bontoc Eulogy and Marlon Fuentes's Archive Imperative
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positions (2016) 24 (4): 727–759.
Published: 01 November 2016
... concluded, photographic
representations during American colonial rule in the Philippines helped to
contain and control the Filipino body using an effective system of visual
representational practices. A hallmark of this systematic visual “stereo...
Journal Article
The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu
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positions (2010) 18 (2): 459–487.
Published: 01 May 2010
... by presenting us with a queer space and time dissonant to conventional protocols of Western visual and political representation. The film explores what happens when neoliberal ideals and global gayness “fail” to translate. Ultimately, Kwan's discrepant modernity comes to function as a critical tool...
Journal Article
Archaeology of the Eyeball: Lu Xun, Eye-Gouging Myth, and Ocular Anatomy
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positions (2023) 31 (3): 541–570.
Published: 01 August 2023
..., this article suggests that Lu Xun's account of the eyeball offers a no less significant example of how an alternate optical device can be employed to reflect China's encounter with colonial modernity. Adopting the method of media archaeology, this article argues that Lu Xun's essay holds the key to tracing...
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Journal Article
War as Business in South Korea's Manchurian Action Films
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positions (2015) 23 (4): 785–806.
Published: 01 November 2015
... University Press 2015 Korean film war film Manchurian action film colonial representation Cold War culture money War as Business in South Korea’s Manchurian Action Films
Jinsoo An
Toward a Typology of South Korea’s Korean War Films
From the 1950s to the present, more...
Journal Article
“Fictionalizing” Indigenous Mourning: Taiwanese Funerals under Japanese Imperialization
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positions (2008) 16 (2): 279–303.
Published: 01 May 2008
... imperial agents and personal accountabilities as
on the larger question of subject positions in representing other cultures
under imperial temporality and colonial spatiality. The power inequalities
inherent in cultural representation...
Journal Article
Si(gh)ting Asian/American Women as Transnational Labor
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positions (1997) 5 (2): 403–437.
Published: 01 May 1997
...” is
semantically suspect; once again, the emphasis on youth echoes both patri-
archal and colonial representational modes of reducing these women as sub-
jects. The alternate term, “bar women,” confers an identity solely in terms
of the morally...
Journal Article
The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s
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positions (2006) 14 (3): 597–632.
Published: 01 August 2006
... as the “past” of
modern Japan. Japan made use of ancient Asian culture to express that Japa-
nese modernity was uncontaminated by Western influence. This colonial
representation and the dissemination of Choe’s public image were activated...
View articletitled, The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s
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