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collective

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Journal Article
positions (2013) 21 (2): 383–415.
Published: 01 May 2013
...Ming Tiampo This article is a theoretical investigation of the Gutai's collective enterprise, examining the creative process of Gutai Art Exhibitions from 1955 to 1962 and looking in particular at the Outdoor Exhibitions and Gutai Art on Stage. I will argue that the group's leader, Yoshihara Jiro...
Journal Article
positions (2013) 21 (2): 309–350.
Published: 01 May 2013
...Maki Kaneko This article explores Japanese artists' proactive engagement with wartime politics through the formulation of patriotic art associations during the Asia-Pacific War (1937 – 45). The main foci of this investigation are three artist collectives formed in response to the outbreak of war...
Journal Article
positions (2013) 21 (2): 417–449.
Published: 01 May 2013
...KuroDalaiJee This essay focuses on a set of artists' collectives I call “ritual school.” The ritualist collectives distinguished themselves among numerous performance collectives that emerged throughout Japan from the late 1950s to the late 1960s by their antimodern styles, distinct mode...
Journal Article
positions (2013) 21 (2): 475–488.
Published: 01 May 2013
...Midori Yoshimoto Tabe Mitsuko (b. 1933) was one of the principal members of Kyūshū-ha (Kyūshū school), an avant-garde artist collective that was founded in Fukuoka in 1957 and lasted until about 1970. Tabe's early paintings, such as Anger of Fish Tribes ( Gyozoku no Ikari , 1957), using asphalt...
Image
Published: 01 February 2022
Figure 5 Inside a Dakko-chan factory. Courtesy of LIFE Photo Collection. More
Image
Published: 01 August 2022
Figure 1 A recyclable collection station inside Settlement A, June 2016. Photograph taken by the author. More
Image
Published: 01 February 2022
Figure 3 Mother and child with Dakko-chan doll. Courtesy of LIFE Photo Collection. More
Journal Article
positions (2013) 21 (2): 269–308.
Published: 01 May 2013
...John Szostak In this essay, I examine Nihonga exhibition collectives in early twentieth-century Japan, focusing on two central questions: what effect did they have on discourse regarding the practice and exhibition of Nihonga painting, and how did artists' affiliation with successful exhibition...
Journal Article
positions (2023) 31 (4): 893–918.
Published: 01 November 2023
... blanket amnesty laws and libel laws. Additionally, unreleased archival materials are restricted from public release by copyright law. Audiovisual and documentary evidence for counter‐memory projects are thus challenged. On the other hand, evidence collected by activist archivist groups reveals painful...
Journal Article
positions (2023) 31 (2): 333–355.
Published: 01 May 2023
...Chun Chun Ting Abstract In response to Sun Wanning's (2014) critique that individual desire for recognition has limited the political potential of migrant worker literature, this article looks to the Picun Literature Group at the Migrant Workers Home to examine the dynamic between the collective...
Journal Article
positions (2013) 21 (2): 225–267.
Published: 01 May 2013
...Reiko Tomii Collectivism is a lively phenomenon in a rapidly globalizing world of contemporary art today. Artists' groups proliferate in many regions of the world, calling into question the modern myth of originality and individualism. These collectives actively explore new possibilities...
Journal Article
positions (2013) 21 (2): 351–381.
Published: 01 May 2013
... of the historical avant-gardes of the West, and it was transmitted to the postwar generation of artists, most notably, to the artists' collective Jikken Kōbō (Experimental Workshop; active 1951 – 57). This group exemplified the postwar Japanese reception of the Bauhausian philosophy of unified art, and Takiguchi...
Journal Article
positions (2011) 19 (3): 617–625.
Published: 01 August 2011
... to China; a Chinese scholar can no longer take refuge in the mystery of oriental culture, because intensified globalization has made the distinction between East and West almost irrelevant. This special issue can be considered a collective experiment from both sides, an experiment that embraces the gradual...
Journal Article
positions (2018) 26 (2): 305–341.
Published: 01 May 2018
...Yi-Ping Lin This article analyzes how the first collective action toxic tort in Taiwanese history, Former RCA Employees’ Mutual Aid Association v. Radio Corporation of America (RCA) , produced a space of deliberation about the causal effects of chronic exposure to organic solvents to human health...
Journal Article
positions (2022) 30 (3): 479–499.
Published: 01 August 2022
... to their collective possession of use rights to village land. By remaining suspended between the spatial and subjective designations of the rural and the urban, village members find themselves strategically stalling negotiations with the municipal government in the selling of their use rights via the corporate...
Journal Article
positions (2022) 30 (3): 549–570.
Published: 01 August 2022
...Figure 1 A recyclable collection station inside Settlement A, June 2016. Photograph taken by the author. ...
FIGURES
Journal Article
positions (2022) 30 (4): 763–792.
Published: 01 November 2022
... scholarship on collective dreamworlds and on advertisements as dream‐images, while the curatorial choices are situated against, first, the historical‐cultural specificity of advertising in South Korea and, second, the social‐political imaginaries of the mid‐2000s, when the museum was developed and opened...
FIGURES | View All (7)
Image
Published: 01 February 2022
Figure 1 Waiting in line to purchase a Dakko-chan doll. Courtesy of LIFE Photo Collection. More
Image
Published: 01 February 2022
Figure 2 A young woman posing with Dakko-chan dolls. Courtesy of LIFE Photo Collection. More
Journal Article
positions (2012) 20 (1): 373–383.
Published: 01 February 2012
.... And this led to an emerging sense of community and sometimes a collective euphoria about embracing a new culture that openly challenges repressive social boundaries. Copyright 2012 by Duke University Press 2012 Ten Years of Queer Cinema in China Norman A. Spencer “Ten Years...