Search Results for canva

...Long Nguyen Copyright © 1997 by Duke University Press 1997 Portfolio Long Nguyen positions 5:2 All artwork is reprinted with the permission of the artist, Tales of Yellow Skin #2 Oil on canvas, 66 x 66 inches (1991). Tales of Yellow Skin #6 Oil...

....  — Soetsu Yanagi, The Unknown Craftsman: A Japanese Insight into Beauty, adapted by Bernard Leach, published by Kodansha USA, Inc. © 1972, 1989, 2013 by Soetsu Yanagi. Introduction Beginning in the top left corner of a canvas both...

... in., acrylic on canvas Figure 2 memoir / transition, 2006. 108 x 72 in., acrylic on canvas, private collection, image courtesy of the artist...

... unspoken personal frustrations while presenting viewers with her happy family. Pan places herself at the center of the canvas and depicts her husband and stepson as the viewers of her painting. With paint- brush in her left hand and palette in her right, the artist gazes directly at us, inviting our...

...- ous of others’ attention. Weapons (Wuqi), a series of oils on canvas by Shi, reinvents the female body through prostheses of weapons such as guns, bombs, and knives against a background of garishly red flowers in close-­up. As Shi explains...

... was incarcerated on the island for six years. Memory of the Sea Tomiyama Taeko Oil on canvas. During the search for souls of the lost comfoi women, the shaman encounters a sunken navy ship in the South Pacific. The setting adopts the Balinese Garungan ritual food offering...

... was incarcerated on the island for six years. Memory of the Sea Tomiyama Taeko Oil on canvas. During the search for souls of the lost comfoi women, the shaman encounters a sunken navy ship in the South Pacific. The setting adopts the Balinese Garungan ritual food offering...

... was incarcerated on the island for six years. Memory of the Sea Tomiyama Taeko Oil on canvas. During the search for souls of the lost comfoi women, the shaman encounters a sunken navy ship in the South Pacific. The setting adopts the Balinese Garungan ritual food offering...

... of clothing is of a different shade and nuance. For me the materials, the fabrics I use are very important. It is like when you paint, the choice of the canvas influences the final result. Sometimes I weave metal with silk to create a unique shirt, other...

... Hong retains the perspicacity of her former profession, using a detailed, figurative style to expose the poor living condi- Figure 1 Yu Hong, Thirty- Two Years Old with my Daughter in Tiananmen Square, 1998, acrylic on canvas, 100 × 100 cm. Image courtesy of the artist. Tao Twenty Years of Chinese...

... as the Lanzhou Art Corps (Lanzhou yishu juntuan 兰州艺术军团), which included Yang Zhichao, the above-mentioned Cheng Li, and Ma Yunfei 马云飞 (b. 1960), among others, staged Gun huabu 滚画布 ( Rolling Canvas , 1987), in which the artists covered their bodies in paint and rolled themselves on a long canvas before parading...

.... The porter fails utterly to provide Lin with what Kant requires, namely universal agreement on the beautiful. His relation to the real differs from Lin’s. What is for her in effect merely a canvas composed of formal beauty, a canvas from which she...

... window-­on-­the-w­ orld version of painting to the two-­dimensionality of the flat canvas meant a diminished interest in the solidity of objects and a new fascination with their surfaces, which soon led to a comparable focus on the flat skin...

... imperialist ideology. His images of women, which made him famous in the positions 21:2  Spring 2013 314 Figure 1  Fujishima Takeji, The Rising Sun Illuminating the Universe, 1937. Oil on canvas, 71.0 x 98.3 cm...

..., 1990. Oil on canvas. 244 × 305 cm. Courtesy of the artist satirical expression;8 and Counter-Reformation aesthetics for the propagan- distic bent of his imagery. Some turn to the diverse visual stimuli of popular culture that the artist...

... object—a phantasmagoric canvas to project male desires, anticipated Maureen Turim's ( 1998 : 248) auteur-centered reading of Ōshima as well as Christine Marran's ( 2007 : 142) critique of the shared tendency in leftist cultural products to construct women's sexualized bodies as semiotic symbols...

.... On the web s virtually in nite canvas (McCloud 2000: 222 23), does it create any surplus value that reroutes the habitual methods of signi cation? If the medium is not the message . . . [but] the experience in the digital age, and if the meaning of experience is . . . changing, so is the meaning...

... Yuliang and her oil painting of a skull, 1929. Photo by Lang Jingshan. Shanghai huabao (Pictorial Shanghai), no. 505 (September 9). positions 28:1 February 2020 30 Figure 7 Fang Ganmin (1906 84), Melody in Autumn, 1933, oil on canvas, Hangzhou yizhuan fourth oil exhibition, now lost. Meishu zazhi...