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akasegawa

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Journal Article
positions (2002) 10 (1): 141–172.
Published: 01 February 2002
...Reiko Tomii 2002 by Duke University Press 2002 State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company Reiko Tomii All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact...
Journal Article
positions (2013) 21 (2): 225–267.
Published: 01 May 2013
... whole energy on rewardless [mush no] spectacles. We formed artists’ groups, just like we made art works. We almost equated the collective energy to the creative energy. — Akasegawa Genpei positions 21:2  doi 10.1215/10679847...
Journal Article
positions (2004) 12 (3): 611–641.
Published: 01 August 2004
...-optationiscleverlyillustrated in a tongue-in-cheek manner by the Anti-Art veteran Akasegawa Genpei (b. 1937) in his collaborative graphic work “Great Battles of the Japanese Art World,” published in the May 1972 issue of Bijutsu tech¯o, the leading...
Journal Article
positions (2013) 21 (3): 703–723.
Published: 01 August 2013
..., Jonas Mekas, Allan Kaprow, Natsuyuki Nakanishi, and Genpei Akasegawa). Copyright 2013 by Duke University Press 2013 Takahiko Iimura’s Butoh Films: Cine-­Dance in Anma (The Masseurs) and Rose Color Dance Aaron Kerner Tatsumi Hijikata founded Ankoku Butoh, literally “dance...
Journal Article
positions (2013) 21 (2): 417–449.
Published: 01 May 2013
... Japan and prefigure today’s globalization. Among those known relatively well outside Japan are Hi Red Center, Akasegawa Genpei, and Bikyt (Bijutsuka Kyt Kaigi), whose activities have been understood to bridge “art” and “politics.” How...
Journal Article
positions (2002) 10 (1): 1–6.
Published: 01 February 2002
... 2 same decade “emergent communities of dissent” reject the mass media for “mini-komi” newsletters in an effort to stake out local sites for independent political action. Avant-garde artist Akasegawa Genpei, mocking an author...
Journal Article
positions (2002) 10 (1): 79–110.
Published: 01 February 2002
... and a bureaucratized society.58 Within such liberated zones, literary and visual representation could assume multiple significances beyond the control of the state, something that Akasegawa Genpei sought to create in the courtroom of his trial over his...