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akasegawa

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Journal Article
positions (2002) 10 (1): 141–172.
Published: 01 February 2002
...Reiko Tomii 2002 by Duke University Press 2002 State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company Reiko Tomii All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact...
Journal Article
positions (2013) 21 (2): 225–267.
Published: 01 May 2013
... whole energy on rewardless [mush no] spectacles. We formed artists’ groups, just like we made art works. We almost equated the collective energy to the creative energy. — Akasegawa Genpei positions 21:2  doi 10.1215/10679847...
Journal Article
positions (2004) 12 (3): 611–641.
Published: 01 August 2004
...-optationiscleverlyillustrated in a tongue-in-cheek manner by the Anti-Art veteran Akasegawa Genpei (b. 1937) in his collaborative graphic work “Great Battles of the Japanese Art World,” published in the May 1972 issue of Bijutsu tech¯o, the leading...
Journal Article
positions (2013) 21 (3): 703–723.
Published: 01 August 2013
..., Jonas Mekas, Allan Kaprow, Natsuyuki Nakanishi, and Genpei Akasegawa). Copyright 2013 by Duke University Press 2013 Takahiko Iimura’s Butoh Films: Cine-­Dance in Anma (The Masseurs) and Rose Color Dance Aaron Kerner Tatsumi Hijikata founded Ankoku Butoh, literally “dance...
Journal Article
positions (2013) 21 (2): 417–449.
Published: 01 May 2013
... Japan and prefigure today’s globalization. Among those known relatively well outside Japan are Hi Red Center, Akasegawa Genpei, and Bikyt (Bijutsuka Kyt Kaigi), whose activities have been understood to bridge “art” and “politics.” How...
Journal Article
positions (2002) 10 (1): 1–6.
Published: 01 February 2002
... 2 same decade “emergent communities of dissent” reject the mass media for “mini-komi” newsletters in an effort to stake out local sites for independent political action. Avant-garde artist Akasegawa Genpei, mocking an author...
Journal Article
positions (2002) 10 (1): 79–110.
Published: 01 February 2002