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1-7 of 7 Search Results for
akasegawa
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Journal Article
positions (2002) 10 (1): 141–172.
Published: 01 February 2002
...Reiko Tomii 2002 by Duke University Press 2002 State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa
Genpei and Company
Reiko Tomii
All in all, the creative act is not performed by the artist alone; the spectator brings the
work in contact...
Journal Article
positions (2013) 21 (2): 225–267.
Published: 01 May 2013
... whole energy on rewardless
[mush no] spectacles. We formed artists’ groups, just like we made art works. We
almost equated the collective energy to the creative energy. — Akasegawa Genpei
positions 21:2 doi 10.1215/10679847...
Journal Article
positions (2004) 12 (3): 611–641.
Published: 01 August 2004
...-optationiscleverlyillustrated
in a tongue-in-cheek manner by the Anti-Art veteran Akasegawa Genpei
(b. 1937) in his collaborative graphic work “Great Battles of the Japanese
Art World,” published in the May 1972 issue of Bijutsu tech¯o, the leading...
Journal Article
positions (2013) 21 (3): 703–723.
Published: 01 August 2013
..., Jonas Mekas, Allan Kaprow, Natsuyuki Nakanishi, and Genpei Akasegawa). Copyright 2013 by Duke University Press 2013 Takahiko Iimura’s Butoh Films:
Cine-Dance in Anma (The Masseurs) and Rose Color Dance
Aaron Kerner
Tatsumi Hijikata founded Ankoku Butoh, literally “dance...
Journal Article
positions (2013) 21 (2): 417–449.
Published: 01 May 2013
... Japan and prefigure
today’s globalization. Among those known relatively well outside Japan are
Hi Red Center, Akasegawa Genpei, and Bikyt (Bijutsuka Kyt Kaigi),
whose activities have been understood to bridge “art” and “politics.” How...
Journal Article
positions (2002) 10 (1): 1–6.
Published: 01 February 2002
... 2
same decade “emergent communities of dissent” reject the mass media for
“mini-komi” newsletters in an effort to stake out local sites for independent
political action. Avant-garde artist Akasegawa Genpei, mocking an author...
Journal Article
positions (2002) 10 (1): 79–110.
Published: 01 February 2002
... and a bureaucratized society.58 Within such
liberated zones, literary and visual representation could assume multiple
significances beyond the control of the state, something that Akasegawa
Genpei sought to create in the courtroom of his trial over his...