... of the economy and whether or not growth would continue.3 At the base of such growth lay the prewar foundations of state-­directed capital and plans for the concentration of development along the Tkaid route region, between Tokyo and Kyoto...

... Police (Tokubetsu Kt Keisatsu) became a regular presence at art exhibitions, and works considered “harmful” were ordered to be removed.29 Military officers also became regular commentators in art journals and the culture columns...

... Tru, Fukushima Kazuo, along with Yamazaki Hideo begin to meet fre- quently to plan their inaugural exhibition and the group’s manifesto. November 16 1st presentation: Joy of Life, Hibiya Kkaid Hall, Tokyo A ballet...

...); Mansh rekishi kaid: Maboroshi no kuni wo tazunete (Manchuria’s Historical Streets: Visiting a Phantom Country); Mansh tetsud maboroshi ryok (A Phantom Journey through Manchurian Railways); Shashinsh maboroshi kuni Mansh (Photography Collection...

... the white cube of museums, are frequently called ¯a t o purojekuto or “art projects,” wherein artists often function as “project lead- ers” who conceive the projects and work with participants.15 Community-­based collectivism clearly extends from...