... the activist documentary's commitment to politics and history, as they renew the viewer's sensory and affective awareness of the place and the landscape and thereby render them ruins. Copyright 2022 by Duke University Press 2022 Korean documentary cinema audiovisual turn time-image place landscape...

... Turns: Korean Documentary Cinema in the 21st Century , the first English-written scholarly monograph on the subject. Chungjae Lee is an assistant professor of military studies at the Republic of Korea Air Force Academy. He has published articles in European Journal of Political Theory , Inter...

... Cinema: The Time-Image, Place, and Landscape,” Jihoon Kim details a different kind of shift in recent Korean documentary filmmaking, an “aesthetic and epistemological break” from the independent filmmaking of the 1980s and 1990s, which was characterized by a directly political, “activist,” and cinema...

... the Department of Culture, Film, and Media Studies at the University of Nottingham. Her PhD thesis examined the representation of Asian migrants such as the Korean diaspora, North Korean defectors, and labor/marriage migrants in contemporary Korean cinema. Her research interests include women's memory writing...

... as constitutive of modern governance. He is currently polishing up his book manuscript Heart of a Heartless World: Alienation, Compassion, and Listening in the Making of Secularist Japan and is conducting new research on listening and the nation-state. Youngmin Choe is associate professor of Korean cinema...

... and memory in Korean cinema. positions 15:3  Winter 2007 674 Shu Kuge is a cartoonist/illustrator who works in San Francisco and Tokyo. He is currently working on three graphic novels...

... than ninety South Korean films, both narrative and documentary, have dealt with the subject of the Korean War, treating the conflict as a historical calamity that left a profound impact on the subsequent development of both Koreas. Yet...

... Community and Narita Airport Matsue films from the point of view of a third-generation Korean living in Japan, and he therefore has a relationship to Korea very different from that of either his parents or his grandfather.The energy driving...

... by the Journal of Visual Resources in 2002 and is currently at work on a book project that explores the relationship of archaeological excavations, material remains, and the medium of museum exhibition to the development of modern Korean painting. Her research...

... promoted the ideology of the gozoku-­kywa, or cooperation among the five peoples: Han Chinese, Manchus, Mongols, Japanese, and Koreans.48 However, Japa- nese visual and literary depictions of Manchuria tended to highlight...

... article includes “Unveiling Neoliberal Dynamics: Government Purchase ( goumai ) of Social Work Services in Shenzhen's Urban Periphery” ( China Quarterly , 2017), “The Neoliberal Production of a ‘Culture of Poverty’ in a Korean Migrant Enclave in Northeast China” ( positions: asia critique , 2018...

... in the oppression of the Korean minority in Japan. Ogawa ( 2015 ) and Ward ( 2015 ) argue, as I will, that the problem of subjectivation lies at the core of Kōshikei , but they do so by embracing an Althusserian perspective, which is disconnected from the ideological context of Ōshima's cinema and is removed from...

...: Toward Nondisciplined Film Studies. In The Oxford Handbook of Japanese Cinema, edited by Daisuke Miyao, 13 32. New York: Oxford University Press. Choi JungBong. 2011. National Cinema: An Anachronistic Delirium? Journal of Korean Studies 16: 173 91. Eisenstein, Sergei. (1949) 1977. Film Form...

... the distant location of Paris, which is not coincidentally regarded as the origin point of the new Korean woman. Generally, in Korean cinema, Paris has been featured both as a site of authenticity and formal experimentation in art and also as the scene of sexual awakening for women. The films discussed...

..., Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s .” In Chiu , Rawnsley , and Rawnsley 2017b : 53 – 68 . Mamie Misawa . 2014 . “ ‘Colony, Empire, and De-colonization’ in Taiwanese Film History .” International Journal of Korean...

... to (and in some cases found creativity through) their constraints. The first set tracks developments in the twentieth century in rough chronological order from the rise of Korean proletarian melodrama amid Japanese colonial censorship in the 1920s – 30s to the commercial growth of Japanese literature in English...

... as a reward. The key figure of the documentary, “Kim,” is the first photographed subject that Chi identifies as one of these North Korean soldiers. The documentary crew meets with those who remember Kim, those who were assigned to the same military unit, and those who might themselves be the photographed...

... question of nance through the question of how different kinds of Korean women secure habitation. In Song’s elaboration we see a kind of work that a generation of scholarship has made possible. That her subjects are female renters in the real...

...Suzy Kim Copyright 2024 by Duke University Press 2024 Freely available online through the Public Culture open access option. By on-site I am referring to hyŏnjang 現場, which relies on two Sino-Korean characters meaning “to appear or to be present” and “open space or place.” Pronounced...

... repetitive imag(in)ing of North Korean agents signal South Koreans chronic acting out of the division system (Paik 1993: 72 80) in the post- sunshine era? positions 28:4 November 2020 706 In terms of narrative, the webtoon largely follows the convention of South Korean espionage cinema that, since...