...Kyung Hyun Kim 2001 by Duke University Press 2001 Male Crisis in New Korean Cinema: Reading the Early Films of Park Kwang-su Kyung Hyun Kim Park Kwang-su’s film Chilsu and Mansu [Ch’il-su wa Man-su] (1988) depicts the lives oftwo working-class...

... the distant location of Paris, which is not coincidentally regarded as the origin point of the new Korean woman. Generally, in Korean cinema, Paris has been featured both as a site of authenticity and formal experimentation in art and also as the scene of sexual awakening for women. The films discussed...

... to the twenty-first-century Korean documentary cinema's renewal of participating in reality and history. 1 These three topological categories of the new spaces portrayed and studied by the documentaries of the audiovisual turn are indebted to Lee Seung-min's ( 2017 : 42–66) informative monograph...

... relation through recourse to the virtual male body that avoids symbolic and material exhaustion. I find a point of resistance to this political economy of virtual masculinity in the history of Korean cinema. Specifically, I read the historical project of contemporary Korean cinema in light of the aesthetic...

... . The Remasculinization of Korean Cinema . Durham, NC : Duke University Press . Klein Christina . 2008 . “ Why American Studies Needs to Think about Korean Cinema; or, Transnational Genres in the Films of Bong Joon- ho .” American Quarterly 60 , no 4 : 871 – 98 . Lefebvre Henri . 1991...

... Asian History and Culture Review (2018), Situations: Cultural Studies in the Asian Context (2020), and Rediscovering Korean Cinema (2019). Olga Fedorenko is associate professor at the Anthropology Department of Seoul National University. A scholar of Korean studies, anthropology of media...

... and memory in Korean cinema. positions 15:3  Winter 2007 674 Shu Kuge is a cartoonist/illustrator who works in San Francisco and Tokyo. He is currently working on three graphic novels...

... as constitutive of modern governance. He is currently polishing up his book manuscript Heart of a Heartless World: Alienation, Compassion, and Listening in the Making of Secularist Japan and is conducting new research on listening and the nation-state. Youngmin Choe is associate professor of Korean cinema...

... there was both a simultaneous performance of fresh suffering and movement toward a developed future without suffering. The final article in this issue, “Paris in Korean Cinema: Fraudulence and the Female Form in Hong Sang-soo's Night and Day and Kim Ki-duk's Wild Animals ” by Youngmin Choe, addresses...

... of colonialism in South Korean cinema. Bruce Cumings is the Gustavus F. and Ann M. Swift Distinguished Service Professor in the Department of History at the University of Chicago. His most recent book is The Korean War: A History (2010...

... role in the forma- tion of cultural and national identity through South Korean cinema. Unlike Taiwanese representations, however, South Korean cinema unwaveringly portrays its colonial history as negative, representing Japan as an oppressive...

... Copyright 2023 by Duke University Press 2023 Erratum for Youngmin Choe, “Paris in Korean Cinema: Fraudulence and the Female Form in Hong Sang-soo's Night and Day and Kim Ki-duk's Wild Animals ,” positions 31, no. 1 (2022): 299–54. Mariah Devereux Herbeck was misspelled as Mariah...

..., South Korea’s Korean War cinema has, to no small degree, sought to solidify a negative image of the enemy other. As Theodore Hughes notes, North Korea, over time, has been increasingly marked by and associated with decline, collapse, and demise...

... when the repressed invariably returns. In modern Korean history, this sort of trauma is axiomatic, as it is for Kyung Hyun Kim in his groundbreak- ing study The Remasculinization of Korean Cinema: “South Korean cinema renegotiated its traumatic...

...- tion of blockbuster films, Murphree’s project is to define what “moribund masculinity” is in Korean cinema and how this masculine code has come to mediate a now systemically impotent humanity in late-capitalist production relations. Moribund...

..., www .latrobe.edu.au/screeningthepast/firstrelease/fr0902/byfr14a.html.   4 Indeed, it was with the release of this film that critics began to call Kim “the bad guy of Korean cinema.”   5 Paolo Bertolin...

... repetitive imag(in)ing of North Korean agents signal South Koreans chronic acting out of the division system (Paik 1993: 72 80) in the post- sunshine era? positions 28:4 November 2020 706 In terms of narrative, the webtoon largely follows the convention of South Korean espionage cinema that, since...

...-­soo,” in Seoul Searching: Culture and Identity in Contempormy Korean Cinema, ed. Frances Gateward (Albany: State University of New York Press, 2007), 115 – 39; positions 22:1  Winter 2014 96...

... in the novel — whose white, Caucasian looks were reminiscent of the glamorous images of the renowned French or Hollywood actors on the screen — were “cheap Westerners” hired at a relatively inexpensive price by the Korean cinema owner. The first...

... Cooperation . Toronto : University of Toronto Press . Klein Christina . 2020 . Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema . California : University of California Press . Koikari Mire . 2008 . Pedagogy of Democracy: Feminism and the Cold War in the U.S. Occupation...