Search Results for Korean animation

...Zachary Samuel Gottesman Abstract Wonderful Days (2003) was supposed to be the global breakthrough of Korean animation. After decades of government neglect and labor-intensive outsourcing work, the film aspired to show the world Korea's new technical prowess in animation, combining 2-D, 3-D...

..., Rodin's bust of his lover Camille Claudel is a crucial object in Kim Ki-duk's Wild Animals .) Na had the opportunity, rare at the time for women, to accompany her husband, the diplomat Kim U-yŏng, on a twenty-one-month tour of Europe and the United States, and she became the first Korean woman to travel...

... feature within the museological production of national and local discourses of remembrance. In the three decades since the establishment of the Independence Hall, South Korean national, local, and private museums have been developing increasingly technically advanced ways to “animate” historically...

... is a postdoctoral fellow at Soka University of America. He wrote his dissertation on Korean animation and has published work in journals including the Journal of Japanese and Korean Cinema, Animation, and the Journal of Settler Colonial Studies and has presented research at conferences including the Association...

... in the feminist gap. Gaps, this time in the form of failures, are also central to The Last Korean Animation: Wonderful Days and the Aesthetics of Global Monop- UNCORRECTED PROOF positions 33:2 May 2025 200 oly Capitalism by Zachary Gottesman. Despite being South Korea s most expensive animation project to date...

... in most Western markets, echoes Derrida’s theorization of the term monster as a sign that ambiguously evokes a “monstrous we,” a monstrous humanity. The two-syllable word goe (괴)- mul (물) in Korean literally means a “grotesque creature or object” and refers in the film to a dangerous entity...

... about her own sexuality by seeing two dogs copulating on her way to school. The canine status of local Koreans is further underscored by the steel fence that separates them from the space of the military base; like caged animals...

... than six decades after the Korean War, will be interpreted as a patchwork form in a symbolic landscape (Shin 2016). The needlework ser- vice was provided by the owner of a local military store. In addition to the patchworks of animals and plants, soldiers interviews were embroidered on T- shirts...

..., Fullerton. Hyunshik Ju graduated in 2010 with a doctorate in Korean literature from Sogang University in South Korea, with Korean drama and performance as his major. His doctoral dissertation thesis was titled “A Study on Reflexivity of the Traditional Korean Masked Dance Drama.” His research area...

... glasses and a Japanese military helmet, a residue of colonialism, the South Korean police officer depicted here is more animal than human. He is merciless, smashing the hands of the captives gathered in supplication, a repayment of brutality with brutality, as the writer puts it. Instead of using...

... health, however, many members of the Korean gay community resisted recognizing jjimjilbangs as part of an emerging gay culture. They also condemned the men who went to them and their “animal-like” desires. As “Ungsan,” a member of a BBS group, put it, “It's surprising to hear people call saunas, theaters...

... there was both a simultaneous performance of fresh suffering and movement toward a developed future without suffering. The final article in this issue, “Paris in Korean Cinema: Fraudulence and the Female Form in Hong Sang-soo's Night and Day and Kim Ki-duk's Wild Animals ” by Youngmin Choe, addresses...

... Language: Gender and Linguistic Modernity in Japan (2006). Susie Jie Young Kim teaches at Duke University. She is working on a manuscript on turn- of-the-century Korean literature and print media as well as on a project on the city...

... in an Asian nation-state. Critic Lee Yongwoo, for instance, framed the works positions 12:3 Winter 2004 670 in “Information and Reality,” his 1995 show of contemporary Korean art at the Fruitmarket Gallery in Edinburgh...

... Abstractions: Gotô Meisei’s Hapless Danchi Dwellers and Japan’s Economic Miracle,” and Vladimir Tikhonov’s “The Images of Russia and Russians in Colonial-­Era Korean Literature: The 1930s,” present dystopic, even catastrophic scenarios that have...

... of Asian American settlement and cultural expression were promulgated against the Chinese in 1882, South Asians in 1917, Japanese and Koreans in 1924, and Philippine immigrants in 1934. Because historically economic forces and exigencies...

... the global countercultural call for self-liberation in two novellas by Ch’oe through psychedelic musical codes of noise and upward movement, respectively. Finally, the conclusion draws upon the work of Kim Ch’ae-wŏn (b. 1946) to reflect upon the legacy of vernacularized psychedelic codes in Korean literature...

... workshops to reclaim both their monetary compensation and their artists’ status. Nevertheless, public and media discourse that followed this nationwide news—no matter how sympathetic—tended to treat the artists’ experiences as merely a failed Korean dream. Using performance studies methodologies...

... we are facing here. . . . Although we are from a poor country and, thus, are being treated like slaves in Korea, we have full human dignity. . . . We appeal to Koreans and their government to treat us not as animals but as equal...

.... The essay opens with the description of the comatose body of a drunken young Korean man “hung like an animal carcass” down a friend’s back: As his harried servant . . . rushed to get his sick buddy down the steps and onto...