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Fan Yusu
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Journal Article
positions (2023) 31 (2): 451–471.
Published: 01 May 2023
...Zhang
Huiyu; Federico Picerni Abstract Over the past few years, China's cultural landscape has seen the emergence of several authors from among its migrant laborers, or “new workers.” Fan Yusu and Xu Lizhi are the most representative. Their literary production, which draws on their personal...
Journal Article
positions (2023) 31 (2): 333–355.
Published: 01 May 2023
..., activist setting and the individual authors’ struggle with literary and political practice. Combining the literary technique of close reading with anthropological fieldwork, the article describes how the Group encourages and influences its members’ literary production. The works of Xiao Hai, Fan Yusu, Li...
Journal Article
positions (2023) 31 (2): 303–331.
Published: 01 May 2023
... its potential as a site of identification, where a migrant worker might “find themselves,” in his own words as cited above (on the museum, see van Crevel 2019a ; Qian and Florence 2020 ). He also recalls the explosion of publicity on Picun after Fan Yusu's 范雨素essay “I Am Fan Yusu” went viral...
FIGURES
Journal Article
positions (2023) 31 (2): 281–301.
Published: 01 May 2023
... years, crediting them as the smallest, warmest galas that he had ever hosted, instantly putting them into the limelight of the national stage. 4 The other equally visible form of output is that of the Picun Literature Group, 5 churning out star members such as Fan Yusu, a talented domestic-worker...
Journal Article
positions (2023) 31 (2): 431–450.
Published: 01 May 2023
... reflects their own theoretical concerns as well as the problematization of particular time periods. Beyond academia, migrants turned writers, musicians, and poets tell stories of their own. The best known, such as Xu Lizhi, Chen Nianxi, and Fan Yusu, have not only become storytellers themselves but also...
Journal Article
positions (2023) 31 (2): 357–378.
Published: 01 May 2023
..., and desires. Some of the literary careers of workers associated with the Picun-based NGO, such as Fan Yusu 范雨素, confirm that subalterns can indeed represent the city on their own terms and be heard. Finally, the tent, Picun, and even the waste dump in Crow 2 Topia are all spaces that have to negotiate...
