Search Results for C-fem

... encounters with it? And why might ways of seeing that are shaped by these women's experiences as visual artists and their cultural understandings of feminism end up mattering to us all? [email protected] Copyright 2025 by Duke University Press 2025 encounter visual art gap space C-fem...

.... A “new nationalism,” Linda Y. C. Lim claims, allies Western feminists with local labor activists to boycott Asian economies that supposedly depress prices and eliminate jobs with their “cheap imports.”21 But this antidevelop- positions 7:2 Fall 1999...

... (2001): 155, italics mine. 51 Edward W. Said, interview by W. J. T. Mitchell, “The Panic of the Visual: A Conversation with Edward W. Said,” boundary 2 25 (1998): 26. 52 Stuart C. Aiten and Leo E. Zonn, Place, Power, Situation...

... controls the way identities exist. See Anna Deavere Smith, Fires in the Mirror, dir. George C. Wolfe (PBS/American Playhouse, 1993). For an analysis of voice and movement in modern Japanese theater, see Ayako Kano, “Visuality and gender in modern...

... of either contempo- r a r i n e ss , C h i n ese n e ss , o r e x pe r i e n ce -con t e m po ra ry C h i n e se w o m e n ’s experience here refers to the historically and geographically specific context out of which women’s lives produce...

.... Indeed many of the subjects of nationalism and mu 1tic u 1t u ra 1ism are prod uc ed t h rough trans n a t i o n a 1 cons u m p t i o n p r a c- tices. An examination of such practices reveals that America as symbol of consumption...

... and who later defies the reactionary forces in Shanghai by performing a dramatic adaptation of Lu Xun’s “New Year Sacrifice.” For an early review of the “asexual” revolutionary woman in post- 1949 Chinese fiction, see C. T. Hsia, “Residual...

...” (New York: Routledge, 1993); also Rosalind C. Morris, “All Made Up: Performance Theory and the New Anthropology of Sex and Gender,” Annual Review of Anthropology 24 (1995): 567–592. However, I find the most inspirational recent works to be those bringing...

... would you describe yourself as an artist? (b) How would you char- acterize the cutting features of your works? (c) Have you acquired a firm hold of your own artistic treatise and principles of practice? What is your own theory of art? (d) Please tell stories and recall moments when you were suddenly...

...; and Dorothy KO, Teachers of the Inner Chambers: Women and Culture in Seven- teenth-Century China (Stanford, Calif.: Stanford University Press, 1994). 45 “How to Read The FIfth Boot( of Genius,” John C. Y. Wang, trans., in Rolston, How to Read...

...,” trans. Mark Harbison, in The Showa Anthology, vol. 2, ed. Van C. Gessel and Tomone Matsumoto (New York: Kodansha International, 1985), 414. I I Nakagami’s untimely death at age 46 from kidney cancer has hastened a process of canon...