...Nathaniel A. Windon nathanielwindon@gmail.com Melanie V. Dawson , Edith Wharton and the Modern Privileges of Age . Gainesville : University of Florida Press , 2020 , 364 pp. Copyright © 2023 by Porter Institute for Poetics and Semiotics 2023 Melanie V. Dawson's Edith...

... : Ashgate ). Wharton Edith , 1905 The House of Mirth ( New York : Charles Scribner’s Sons ). Winterson Jeanette , 1995 Art Objects: Essays on Ecstasy and Effrontery ( London : Jonathan Cape ). Yacobi Tamar , 1999 , “ The Ekphrastic Figure of Speech .” In Text...

... for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s Invisible Man (1952), Vladimir Nabokov’s...

... of the novels James Phelan has chosen for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s...

... for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s Invisible Man (1952), Vladimir Nabokov’s...

... for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s Invisible Man (1952), Vladimir Nabokov’s...

... of the novels James Phelan has chosen for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s...

... of the novels James Phelan has chosen for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s...

... chosen for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s Invisible Man (1952), Vladimir...

... chosen for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s Invisible Man (1952), Vladimir...

... chosen for analysis: Edith Wharton’s Age of Innocence (1920), F. Scott Fitzgerald’s Great Gatsby (1925), Ernest Hemingway’s Farewell to Arms (1929), William Faulkner’s Sound and the Fury (1929), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Ralph Ellison’s Invisible Man (1952), Vladimir...

... of non-character-narrated texts in this category, to name just a few, are Jane Austen's Pride and Prejudice , Ambrose Bierce's “Occurrence at Owl Creek Bridge,” Edith Wharton's Age of Innocence , Virginia Woolf's Mrs Dalloway , and Ian McEwan's Saturday . Examples of character-narrated texts...

... of Edith Wharton’s House of Mirth and supporting texts, Ver- meule explores the paradox that “literary narratives have been very snob- bish about gossip” (150), even though writers of narrative rely intensely on gossip, in one form or another, as a driving force. Some of Vermeule’s chapters...

... as objects without a mind—and with its possible literary uses (especially in comedy and satire). Another interesting topic is the role of gossip in literary works. In a discussion of Edith Wharton’s House of Mirth and supporting texts, Ver- meule explores the paradox...

... as objects without a mind—and with its possible literary uses (especially in comedy and satire). Another interesting topic is the role of gossip in literary works. In a discussion of Edith Wharton’s House of Mirth and supporting texts, Ver- meule explores the paradox...

... in at once, before it caught me! This species of hallucination lasted seven or eight years, & I was a ‘‘young lady’’ with long skirts & my hair up before my heart ceased to beat with fear if I had to stand for half a minute on a door-step! (From a collection of Edith Wharton’s autobiographical...

... Hitchcock’s) and by promoting compe- tition for an auteur persona among the authors involved (e.g., Martin Scor- sese and Edith Wharton in The Age of Innocence [1993], Jane Campion and Henry James in The Portrait of a Lady [1996 Simone Murray investigates how business norms and decisions affect aesthetic...

... the strategic use of (mostly unfaithful) adaptations (like Hitchcock’s) and by promoting compe- tition for an auteur persona among the authors involved (e.g., Martin Scor- sese and Edith Wharton in The Age of Innocence [1993], Jane Campion and Henry James in The Portrait of a Lady [1996 Simone Murray...

... Hitchcock’s) and by promoting compe- tition for an auteur persona among the authors involved (e.g., Martin Scor- sese and Edith Wharton in The Age of Innocence [1993], Jane Campion and Henry James in The Portrait of a Lady [1996 Simone Murray investigates how business norms and decisions affect aesthetic...

... the strategic use of (mostly unfaithful) adaptations (like Hitchcock’s) and by promoting compe- tition for an auteur persona among the authors involved (e.g., Martin Scor- sese and Edith Wharton in The Age of Innocence [1993], Jane Campion and Henry James in The Portrait of a Lady [1996 Simone Murray...