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vico

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Journal Article
Poetics Today (2011) 32 (4): 717–752.
Published: 01 December 2011
... emotions caused by sense impressions. This methodology lies at the heart of Giambattista Vico’s Principi di scienza nuova (1725–44), which attempts to account for the way we live and participate in cultural, social, and civic communities. Vico’s theory challenges certain Western philosophical...
Journal Article
Poetics Today (2002) 23 (2): 195–220.
Published: 01 June 2002
.... Corngold, Stanley 1998 Complex Pleasure (Stanford, CA: Stanford University Press). Danesi, Marcel 1994 “Vico and Cognitive Science,” in The Imaginative Basis of Thought and Culture:Contemporary Perspectives on Giambattista Vico , edited by Marcel Danesi and Frank Nuesser, 47 -70 (Toronto...
Journal Article
Poetics Today (2007) 28 (1): 143–164.
Published: 01 March 2007
... (Oxford: Blackwell). Battistini, Andrea 1986 “Vico, Joyce, e il romanzo dell'etimologia,” Lingua e stile 21 ( 1 ): 137 -48. Borg, Ruben 2005 “Two Ps in a Pod: On Time in Finnegans Wake,” Journal of Modern Literature 29 ( 1 ): 76 -93. Burkdall, Thomas L. 2001 Joycean Frames: Film...
Journal Article
Poetics Today (2023) 44 (4): 631–646.
Published: 01 December 2023
... of speaking). Rhetorical hybrids evolve as complex rhetorical acts in unprecedented social situations. The origins of the concept of ingenium (or, ingenuity ) go back to humanist Giambattista Vico, whose treatise The New Science (La scienza nuova) offered philosophy the concept to oppose the Cartesian...
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Journal Article
Poetics Today (2017) 38 (1): 15–33.
Published: 01 February 2017
...: A Psychological Inquiry.” In Person Perception and Interpersonal Behavior , edited by Tagiuri Renato Petrullo Luigi , 28 – 42 ( Stanford, CA : Stanford University Press ). Bergin Thomas G. Fisch Max 1984 [1948] The New Science of Giambattista Vico ( Ithaca, NY : Cornell...
Journal Article
Poetics Today (2017) 38 (4): 776–778.
Published: 01 December 2017
... part of the book to the concept of myth. (As a modern notion, the word myth was apparently coined by the Neapolitan philosopher Giam- battista Vico and the German philologist Christian Gottlob Heyne, who lived in different places at different times.) It has been defined variously over the centuries...
Journal Article
Poetics Today (2017) 38 (4): 773–776.
Published: 01 December 2017
..., the word myth was apparently coined by the Neapolitan philosopher Giam- battista Vico and the German philologist Christian Gottlob Heyne, who lived in different places at different times.) It has been defined variously over the centuries and remains equivocal nowadays. Calame’s contention is that myths...
Journal Article
Poetics Today (2002) 23 (2): 251–289.
Published: 01 June 2002
... France). Vico, Giambattista 1968 [1744] The New Science of Giambattista Vico , translated by T. G. Bergin and M. H. Fisch (Ithaca, NY: Cornell University Press). Waley, Arthur, trans. 1987 [1937] The Book of Songs [Shijing] (New York: Grove Weidenfeld). Watson, James L. 1988...
Journal Article
Poetics Today (2022) 43 (4): 611–637.
Published: 01 December 2022
... is shaped by its historical embeddedness. Indeed, Auerbach held that the primacy of historical context for the proper assessment of cultural products was the central insight that had shaped philology since Giambattista Vico (Auerbach [1936] 2018 ; 1949 ). Both philology and world literature are thus...
Journal Article
Poetics Today (2005) 26 (1): 1–37.
Published: 01 March 2005
... prior to it. Pope thus but timidly foreshadowed how Romantics from Vico, Herder, and Rousseau to the Schlegels, Wordsworth, and Coleridge tried to natu- ralize verse. For Dryden, painters promised to show poets how to over- come the unnatural artifice of their artful devices. The forms and colors...
Journal Article
Poetics Today (2000) 21 (2): 267–292.
Published: 01 June 2000
... of the Wilderness: Popular Fiction and the Palestinian-Israeli Conflict .” Ph.D. diss., University of Amsterdam. Van Delft, Louis 1993 Littérature et anthropologie: Caractère et nature humaine à l'âge classique (Paris: Presses universitaires de France). Vico, Giambattista 1994 [1725] Principi di...
Journal Article
Poetics Today (2017) 38 (2): 235–253.
Published: 01 June 2017
... modes of thinking alone. Those modes of cognition (as a whole series of thinkers have argued since Giambattista Vico) are a modern invention. Most of the time, the mind doesn’t in fact think like a computer, or like a mathematician, or even like a philosopher (as Montaigne, for one, was well aware...
Journal Article
Poetics Today (2011) 32 (3): 403–460.
Published: 01 September 2011
..., which are not, in phenomenological fact, separable from thought and mental representation but always part and parcel of them. Retracing a comparatively neglected strand of aesthetic theory that runs from Giambattista Vico to Benedetto Croce, Freeman argues that scientific methods and models...
Journal Article
Poetics Today (2022) 43 (3): 549–581.
Published: 01 September 2022
... educated groups within modern society, such as peasants, children, or women. From Giambattista Vico's early philosophy of myth up to structural anthropology, mythopoetic imagination has generally been understood as a prescientific form of rationality (Meletinskiĭ 1998 ), a way for the “savage mind” (Lévi...
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Journal Article
Poetics Today (2003) 24 (4): 641–671.
Published: 01 December 2003
... the modifications of the mind of him who meditates it. Giambattista Vico ‘‘Between Thing and Theory’’ takes up perennial problems of critical thought and interpretation, particularly as they pertain to the relation...
Journal Article
Poetics Today (2017) 38 (3): 485–518.
Published: 01 September 2017
.... Here is how Auerbach (2014: 6) describes Giambattista Vico’s achievement: “Together with the concept of style, historicism was being created; it is, as I believe, the ‘Copernican discovery’ in the field of historical studies.” It is notable that Bakhtin avoids anywhere in his work an extensive...
Journal Article
Poetics Today (2015) 36 (3): 233–303.
Published: 01 September 2015
.... Thus William Butler Yeats (2003: 46) claims that “Milton set the story of Samson into the form of a Greek play because he knew that Samson was, in the English imagination, what Herakles was in the imagination of Greece.” Every people needs its Hercules, as the comparativ- ist Giambattista Vico...