... analyze these writers’ interventions in the field of aesthetics, considering networks of aesthetic exchange as well as identity politics, and argue that the functions of ekphrasis in narratives written by the transcultural writers discussed here are of a cultural-critical and sociopolitical nature...

... in its reach and implications, a situation we generally take for granted. By identifying our contemporary sense of the transcultural with the cul- tural transmission of Joyce’s peculiar strain of modernism, Lawrence’s col- lection shows Joyce to be a key figure for writers for whom the transcul- tural...

... which addresses the question of truth. The exception is Melusina, which says simply that “the writers of history have written that this is a true story” (“skriffuer Historiens Scribente, at det skal vere en sandrue Historie”) ( Jacobsen et al. 1915 – 36, 7:138). 19. “Disligeste wore hans forældre...

... this, as I must, I too bend to the rhetorical necessity that marks the field as something beyond the limits of singular description. The evidence of such referential fracture in the signifier ‘‘South African literature’’ is visible in day-to-day literary practice. Anthologists and writers of general...

...,” Triquarterly 38 : 54 -62. 1984 Galáxias (São Paulo: Editora ex Libris). 2005 “ The Ex-centric's Viewpoint: Tradition, Transcreation, Transculturation ,” in Jackson 2005: 3 -13. Deleuze, Gilles, and Félix Guattari 1986 [1975] Kafka: Toward a Minor Literature , translated by Dana Polan...

..., and on the other hand, they subordinate the journey to the force of shared stereotypes. Far from condemning clichés, Werly points out that writers who want to offer certain stylistic qualities cannot give them up. Moreover, a text entirely made up...

..., and on the other hand, they subordinate the journey to the force of shared stereotypes. Far from condemning clichés, Werly points out that writers who want to offer certain stylistic qualities cannot give them up. Moreover, a text entirely made up...

..., and on the other hand, they subordinate the journey to the force of shared stereotypes. Far from condemning clichés, Werly points out that writers who want to offer certain stylistic qualities cannot give them up. Moreover, a text entirely made up...

..., and on the other hand, they subordinate the journey to the force of shared stereotypes. Far from condemning clichés, Werly points out that writers who want to offer certain stylistic qualities cannot give them up. Moreover, a text entirely made up...

... at earlier (Wolfgang Rösler, Walter Haug, William Nelson) and later (Nicholas Paige) points in time. The article provides a survey of recent work on fiction(ality) and then discusses the proposals by Gallagher, Paige, and Françoise Lavocat with an emphasis on the transhistorical and transcultural definition...

... , no. 1 : no pg . Fludernik Monika 2003 “ The Diachronization of Narratology ”, Narrative 11 , no. 3 : 331 – 48 . Gallagher Catherine 1994 Nobody’s Story: The Vanishing Acts of Women Writers in the Marketplace, 1670–1820 ( Berkeley : University of California Press...

... out that writers who want to offer certain stylistic qualities cannot give them up. Moreover, a text entirely made up of striking new images would blur its meaning and create a ‘‘semantic labyrinth’’ in which the reader would get lost...

... the comparative studies of mimetic theory, this article argues against the accepted opinion. By examining various ontological and epistemological aspects of mimesis in the Chinese tradition in relation to the West, this article reestablishes imitation as a transcultural human instinct and mimetic theory in art...

... of universal validity’’ that elevates presumably transcultural ‘‘essen- tials of character’’ over ‘‘accidentals of race I do not, however, take up here the question of what significance might be read into postcolonial writers’ adoption of the homogenizing convention (after all, such writers do...

... narratives are more likely to embrace even more fervently opinions they already possess, particularly when it comes to structural political issues (Polletta and Redman 2020 ). In today's storytelling boom, fiction writers do not hold a place of honor as conveyors of meaning but are forced to compete...

... testimony in describing the works of Kuortti has a methodological basis. Testimony foregrounds the actions of the writer (and the reader, for that matter) as the grounds in relation to which the nature of a work is determined. What is more, testimony as an act is not only aimed at telling the truth...

... a testament to the power of memory and continuity in the face of brutality and dehumanization.1 Evoking shared transcultural associations of food and cooking with home and domesticity, the recipe writers also, paradoxically, enable us to imagine hunger and food deprivation through the moving...

... and Shackel 2008. Writers on popular evolutionary psychology, such as the experimental psychologist and linguist Steven Pinker (1999, 2002), the biolo- gist Robert Trivers (1971, 1985), and the zoologist-­biologist Richard Dawkins (1989 [1976 suggest that humans, like other organisms, evolved to act...