... of Affection . Edinburgh : Edinburgh University Press . Djonov Emilia Leeuwen Theo van . 2011 . “ The Semiotics of Texture: From Tactile to Visual .” Visual Communication 10 , no. 4 : 541 – 64 . Donaldson Lucy Fife . 2014 . Texture in Film . Basingstoke, UK : Palgrave...

... was precisely to combine historicization with minute attention to details of verbal texture. By emphasizing their shared philological patrimony, the article argues for a reconciliation between the morphological method and Historical Poetics. The approach to literary forms it puts forward, which detects...

... are character- ized by Doležel as ‘‘extensionalthat is, concerned primarily with the simple existence and enumeration of narrative entities. He contrasts this to intensional narrative worlds, of which we become aware through the ‘‘tex- ture’’ of the story texture is our term for the ‘wording’ of the text...

... realization of echo as an autonomous musical texture. Sympathy-based scientific explanations functioned as a bridge between magic and sci- ence, as Simon Schaffer argues. The vibration of musical strings was believed to cor- respond to the phenomenon of refraction of light or of memory and the soul because...

...Oleg Sobchuk Semenenko Aleksei ., The Texture of Culture: An Introduction to Yuri Lotman’s Semiotic Theory . New York : Palgrave Macmillan , 2012 . xvi + 177 pp. © 2014 by Porter Institute for Poetics and Semiotics 2014 References Jakobson Roman 1960 “ Closing...

... (Susan Zeelander, Closure in Biblical Narrative) 389 Sobchuk, Oleg Yuri Lotman’s Semiotic Theory for Beginners (Aleksei Semenenko, The Texture of Culture: An Introduction to Yuri Lotman’s Semiotic Theory) 611 ...

... affordances of literary forms that rely on textured fragmentation, the forming devices of enumeration and list-making, and a poetics of essayistic incompleteness. It is through the texts’ constant hints at their own incompleteness that readers are inspired to always consider a story's made-ness...

... Hughes (2015: 289), has “so affected popular culture” that “his images have become part of the very grain and texture of American experience.” While earlier American artists painted the frontier, in Hopper, Hughes (ibid.: 289 – 90) claims, “the old frontier has moved inward and now [lies] within...

.... Composers using musical figures to represent nonmusical objects and concepts employ a great variety of mimetic, descriptive, suggestive, allu- sive, and symbolic means. Single components (motifs or musical formulas) along with their syntactic organization, vertical texture, horizontal struc- ture, tonal...

... the enriched texture of a poem is a performative act which creates that which it enunciates: Zettelmann † Apostrophe, Speaker Projection, and Lyric World Building 193 To apostrophize is to will a state of affairs, to attempt to bring it into being by asking inanimate objects to bend themselves...

..., sociolinguistics, and applied linguistics, including Texture: A Cognitive Aesthetics of Reading (2009), Cognitive Poetics (2020), and The Language of Surrealism (2017). He coedited The Cambridge Handbook of Stylistics (2014), The Language and Literature Reader (2008), and Contemporary Stylistics (2007). ...

... for only taking time with pieces that grab my attention and generally find I am rewarded by a careful study of them. Seldom am I engaged by the manifest content but rather by something about the composition, the arrangement of color, or the texture and its application. My attention is drawn...

... to say about language as logos (discourse), these two treatises also address language as lexis, verbal-stylistic texture. If Aristotle lacks an overarching category of “text,” he is nonetheless much concerned with “qualities of textuality” (22) — Poetics Today 38:4 (December 2017) DOI 10.1215...

... of the arbitrary linguistic referential sign and the paradig- matic pattern of nonreferential speech sounds. The syntagmatic arbitrary linguistic referential pattern is in the focus of attention, whereas the non- referential pattern is relegated to the background as a pleasurable texture of euphonic sound...

... and textures of the external world. Indeed, it has been claimed that Woolf’s realism — contra the ideology of modernism that casts her as the arch anti- realist — consists in an equal sensitivity to inner subjectivity and the external, empirical world: “Woolf’s sense of the political necessity to be true...

... Salient .” Argumentation 29 , no. 2 : 197 – 215 . Liu Yu O’Halloran Kay L. 2009 . “ Intersemiotic Texture: Analyzing Cohesive Devices between Language and Images .” Social Semiotics 19 , no. 4 : 367 – 88 . Magliano Joseph P. Dijkstra Katinka Zwaan Rolf A. 1996...

... needed for grasping a teacup to the lowering of one’s legs into a cold swimming pool. Carried along with the motor processes in the how mode of visual perception are associated sensory qualities—the smooth texture of the teacup handle you grasp and the frigidity of the water into which you plunge...

...). The opening of each chapter often promises a clear and concise thesis only to diffuse into the jazzy texture of his prose. History explodes on the pages of this book as it rearranges the relationships between Emily Dickinson and Harriet Jacobs in their upper rooms, Wilhelm Furt- wa¨ngler s and Arturo...

... to their cumulative effects. The notion of total defeat, a culmination of multiple influences, is, for instance, condensed into the soggy texture and taste of the aforementioned Rokotnitz † Goosebumps, Shivers, Visualization, and Embodied Resonance 283 tomato sandwiches, eliciting an affectively charged...

... by this claim and still wonder about what it leaves unsaid. Surely it matters to the distinctive texture of Hawarden s work that the material on which it performs its striking formalizations is a pair of attractive young women who resemble one another and who appear in mys- teriously charged physical proximity...