Search Results for temporal arts

... such fundamental concepts as complication, resolution, and illustration. Since Gotthold Ephraim Lessing (1766) distinguished the temporal arts like poetry, where signs are consecutive, from the spatial arts like painting, where signs are juxtaposed, the latter have been considered to be limited when it comes...

... context. Narrative, Shklovsky's own forte, would appear the paradigm case, as the most inclusive genre and the most akin to art's and life's temporal movement. I accordingly revisit “making strange,” with its branches and afterlives, from the viewpoint of narrative theory and history—especially...

... is the claim that the rigid distinction between the spatial and the temporal arts has become an anachronism. A cognitivist stance insisting on so-called ‘‘experiential repertoires’’ can, for instance, historicize and destabilize Gotthold...

... is the claim that the rigid distinction between the spatial and the temporal arts has become an anachronism. A cognitivist stance insisting on so-called ‘‘experiential repertoires’’ can, for instance, historicize and destabilize Gotthold...

... is the claim that the rigid distinction between the spatial and the temporal arts has become an anachronism. A cognitivist stance insisting on so-called ‘‘experiential repertoires’’ can, for instance, historicize and destabilize Gotthold...

... Art Comes from and Why ( Seattle : University of Washington Press ). 1999 `` Antecedents of the Temporal Arts in Early Mother-Infant Interaction ,'' in The Origins of Music , edited by Wallin Nils L. Merker Björn Brown Steven , 389 – 410 ( Cambridge, MA : MIT Press ). 2000...

... ultimately run into all kinds of obstacles, they nevertheless help illuminate the obstinate temporality of any act of reading, the fact that reading—similar to the reception of other temporal art forms such as music or video installation art—does not take place outside of the realm of time. Whether we fail...

... that are intertwined in our percep- tion, my argument is informed by two theoretical ideas adapted from Stern- berg’s work on spatio-temporal dynamics. First, in his studies of narrative and its theory of the art of description and of biblical poetics Sternberg emphasizes the asymmetry between the medium...

...Steven Willemsen Abstract Narrative time loops can challenge key dimensions of story comprehension, including causality, chronology, agency, and continuity. But how can such temporally puzzling experiences contribute to narrative engagement? This essay argues that many contemporary loop narratives...

... . 2019 . Danse Macabre: Temporalities of Law in the Visual Arts . Cambridge : Cambridge University Press . Perreau-Saussine Amanda , and Murphy James , eds. 2009 . The Nature of Customary Law: Legal, Historical, and Philosophical Perspectives . Cambridge : Cambridge University...

...Jonathan Sachs What sort of temporality does a prediction about the future suggest? What does it mean specifically to predict decline and to imagine the absence of a future? How does the meaning of the present change in the face of anxieties about decline and an uncertain or absent future...

..., is the temporality of interpretation—a succession of interpretative acts that constantly change over time as the historical circumstances of interpreta- tion and the interpreters themselves change. Put another way, the work of art remains...

... : Fine Line Features ). Williams Raymond . 1978 Marxism and Literature ( Oxford : Oxford University Press ). The Wire . 2002–8 Created by Simon David ( HBO ). Jameson’s Affective Turn: Bodily States, Temporality, and Aesthetics after Modernity Michael Larson...

... of art] (Tübingen: Max Niemeyer). 1968 Vom Erkennen des literarischen Kunstwerks (Tübingen: Max Niemeyer). Merleau-Ponty, Maurice 1962 The Phenomenology of Perception , translated by Colin Smith (London:Routledge & Kegan Paul). 1963 The Primacy of Perception , edited by James M...

...: Evolution, Cognition, and Fiction. Cambridge, MA: Harvard University Press, 2009. xiii + 540 pp. In this ambitious and wide-­ranging book, Brian Boyd presents an account of the origins of art and storytelling from an evolutionary perspective. Art in general and fictional storytelling in particular...

..., MA: Harvard University Press, 2009. xiii + 540 pp. In this ambitious and wide-­ranging book, Brian Boyd presents an account of the origins of art and storytelling from an evolutionary perspective. Art in general and fictional storytelling in particular are considered as evolu- tionary...

... phenomena from grammatical tense and mood to sound symbolism, ultimately demonstrating the resonances between the thematic trajectory of the novel and the neurophysiological mechanism of temporal synchronization: the unconscious capacity to “catch” the subjective experience of time from other people...

... seiner Technischen Reproduzierbarkeit [Erste Fassung] .” In Vol. I.2 of Gesammelte Schriften , edited by Rolf Tiedemann und Hermann Schweppenhäuser , 435 – 69 . Frankfurt : Suhrkamp . Benjamin Walter . 2008 . “The Work of Art in the Age of Its Technological Reproducibility,” second...

... parts into totalized structure while itself standing as an emblem for some idealized, totalized experience—ideal experience as totalized. Art in this monumental sense recalls the unity and immutability of ideal Platonic realms, which point, as Nietzsche decried, beyond this world of temporal...

...- ering aspects of postmodern art and culture. Meanwhile, chapter 6, ‘‘Read- ing Time’’ (107–31), compares and contrasts theories of reader response with ‘‘hesitant’’ forms of temporality in the postmodern fictions of Kathy Acker, who ‘‘narrates the coming-into-being of objects, thus suggesting...