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superfluity

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Journal Article
Poetics Today (2019) 40 (1): 81–103.
Published: 01 March 2019
... incompatibility and incongruence. Between two powerful superfluities – of language and of the real – this article situates the poetic text in the space made by a pincer movement. First it discusses linguistic excess – the realization that there is nothing outside text, that reality is always linguistically...
Journal Article
Poetics Today (2001) 22 (3): 704–705.
Published: 01 September 2001
... Scott) have made the Gothic ‘‘superfluous The sixth chapter, ‘‘Ghosts of the Gothic deals with the question of the Gothic aftermath, describing its various offshoots. According to Richter, the Gothic is no longer considered a genre but a ‘‘mode that is, a source of characteristic narrative elements...
Journal Article
Poetics Today (2008) 29 (1): 31–48.
Published: 01 March 2008
.... 1989 “Criteria for Word-and-Image Relations,” Poetics Today 10: 31–53. Lavaud, Laurent 1999 L’image (Paris: Flammarion). Louvel, Liliane 2002 Texte/image: Images à lire textes à voir (Rennes: Presses Universitaires de Rennes). 2004 “Le tiers pictural un superflu nécessaire,” in Le superflu...
Journal Article
Poetics Today (2003) 24 (2): 161–183.
Published: 01 June 2003
Journal Article
Poetics Today (2016) 37 (3): 369–385.
Published: 01 September 2016
... of his offspring, his immortality which beyond mere continuation is man’s so-called transcendental — although also very practi- cal — obligation vis-a`-vis life, preventing him from feeling truncated, superfluous, and, in the final analysis, impotent. He is not thinking of the frightening...
Journal Article
Poetics Today (2003) 24 (3): 413–421.
Published: 01 September 2003
... Kindt and Mu¨ ller • Narratology and Interpretation 419 any case superfluous, since Darby’s reflections on the conceptual basis of a contextualist narratology depend on invoking two notions of the ‘‘implied author’’ which are mutually exclusive. Obviously, and trivially, the ‘‘implied author’’ of a...
Journal Article
Poetics Today (2002) 23 (2): 195–220.
Published: 01 June 2002
... not only to oral forms and traditions but to the basic cognitive processes that char- acterize much of quotidian cognitive life’’ Here, the bold generaliza- tion of the term cognitive renders the category of the literary—and indeed the phenomenon of literature—largely superfluous. Taking the...
Journal Article
Poetics Today (2016) 37 (2): 295–308.
Published: 01 June 2016
... the utopian idea, whose preservation by Leninism is rendered superfluous by its instantiation. Indeed, as Theodor Adorno (1973) suggests, self-preservation itself would be rendered moot by utopia.3 If few people believe in Leninism’s guardianship, it is in part because a utopian imaginary now...
Journal Article
Poetics Today (2002) 23 (1): 123–139.
Published: 01 March 2002
... commonplace, a further query into why Barbauld decided to adapt it for her book seems superfluous. Yet as Oliver Morton points out, the project of cognitive science today bears out William James’s observation that ‘‘it takes mind debauched by learning to carry the process of making the natural seem...
Journal Article
Poetics Today (2015) 36 (1-2): 127–129.
Published: 01 June 2015
... inspiration) to post- structuralism. As part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous...
Journal Article
Poetics Today (2015) 36 (1-2): 130–133.
Published: 01 June 2015
... part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...
Journal Article
Poetics Today (2015) 36 (1-2): 133–136.
Published: 01 June 2015
... part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...
Journal Article
Poetics Today (2015) 36 (1-2): 136–138.
Published: 01 June 2015
... part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...
Journal Article
Poetics Today (2015) 36 (1-2): 139–141.
Published: 01 June 2015
... part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...
Journal Article
Poetics Today (2015) 36 (1-2): 141–143.
Published: 01 June 2015
... an artificial and superfluous entity to allow the discus- sion of intentions and designs without involving the actual author. Similarly, New Books at a Glance 131 Herman dismisses the need to appeal to an “implied reader” instead of actual readers, whose...
Journal Article
Poetics Today (2015) 36 (1-2): 143–146.
Published: 01 June 2015
... part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...
Journal Article
Poetics Today (2015) 36 (1-2): 146–148.
Published: 01 June 2015
... part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...
Journal Article
Poetics Today (2007) 28 (4): 573–606.
Published: 01 December 2007
... Beatrice. John Freccero points out that Dante’s reunion with his authentic source of inspiration makes superfluous the company of Virgil, the “master and author” (lo mio maestro e ’l mio autore [1964a: 1.85]) who acted thus far as his otherworldly guide. This superfluity is signaled by the last...
Journal Article
Poetics Today (2017) 38 (4): 667–693.
Published: 01 December 2017
Journal Article
Poetics Today (2004) 25 (3): 465–495.
Published: 01 September 2004