... comments on the subject?Finally, how can we understand the meaning of his claim that “ethics and aesthetics are one”? This article responds to the above questions by presenting an account of Wittgenstein's ethical aesthetics and aesthetic ethics, elucidating both through the prism of his notion of style...

...Dorrit Cohn © 2005 by the Porter Institute for Poetics and Semiotics 2005 Early Discussions of Free Indirect Style Translated by Dorrit Cohn Germanic Languages and Literatures and Comparative Literature, Harvard Translator’s Preface Readersofmodernviewsonfreeindirectstyle...

... 2005 Poetics Today Style Guide Poetics Today first adheres to the rules in this style guide. For issues not covered in the style guide, refer to The Chicago Manual of Style, 15th ed. (CMS15). ABBREVIATIONS Corporate, municipal, national, and supranational abbreviations, as well...

... in the Sixteenth Century ,” in Walther 2007: 145 -212. Yacobi, Tamar 1995 “Pictorial Models and Narrative Ekphrasis,” Poetics Today 16 : 599 -649. 2000 “Interart Narrative: (Un)Reliability and Ekphrasis,” Poetics Today 21 : 711 -49. Reading in Style: Visual Text from a New Angle Sabine...

...Daniel Hartley This article outlines a systematic theory of style that aims to combine “social formalism” with narratology. Beginning with a reading of a little-known essay by Raymond Williams on the history of English novelistic prose, the article argues that Williams’s insights into the social...

...Dominique Maingueneau 2000 New Books at a Glance 465 Jean-Michel Adam, Le style dans la langue: Une reconception de la stylistique. Lau- 6104 Poetics Today / 21:2 / sheet 201 of 214 sanne...

...Kevin Potter Poetics, Form, and Marxism s Concern with Style Kevin Potter University of Vienna Daniel Hartley, The Politics of Style: Towards a Marxist Poetics. Leiden: Brill, 2016. vii 1 274 pp. Every now and again, political upheavals and economic instability lead a few thinkers to seriously...

...)are extremely informative about the features that characterize individual styles. I also question whether equating parody with “irony” or“difference” (themselves such problematic terms) helps much in our understanding of it. Finally, I propose that stylistics should not limit itself unduly to the study of forms...

...Mark J. Bruhn This study positions Percy Bysshe Shelley as an important though ultimately unwilling contributor to the development of mixed-style mimesis and thus to the evolution of Western drama from neoclassicism to realism. To capture the historical dimensions and final irony of this thesis, I...

...Richard Waswo © 2011 by Porter Institute for Poetics and Semiotics 2011 Bolens Guillemette , Le Style des gestes: Corporéité et kinésie dans le récit littéraire . Lausanne : Editions BHMS , 2008 . xiii + 152 pp. New Books at a Glance Guillemette Bolens, Le Style des...

...Eyal Segal Leech Geoffrey , Language in Literature: Style and Foregrounding . Harlow, Essex, UK : Longman , 2008 . xii + 222 pp . © 2011 by Porter Institute for Poetics and Semiotics 2011 New Books at a Glance Geoffrey Leech,Language in Literature: Style...

...Jade Elizabeth French Abstract Focusing on examples of Djuna Barnes's late published poetry—“Quarry” (1969), “Rite of Spring” (1982), and Creatures in an Alphabet (1982)—this article considers the contradictory ways these poems engage with theories of late style. Barnes's late output offers...

... competence urges us to reach the final referents as fast as possible. Poetic language draws attention to itself, that is, to the hierarchy of signifiers. In manneristic styles there is a greater awareness of the separateness of signifiers than in nonmanneristic styles; hence their witty or disorienting...

... of novel theory including free indirect discourse and narrative closure. My aim is not, though, to ratify Austen’s style through the claims of cognitive science. I look to her presentation of thought-attribution as a way to reassess her use of free indirect discourse and to reevaluate her depiction...

...Józef Bremer Abstract This article argues that it is helpful to discuss the logico-philosophical contents of Wittgenstein's Tractatus Logico-Philosophicus in terms that confront the poetic and literary qualities of its form and style. To begin with, it analyzes Wittgenstein's short remarks about...

... in recent decades. Suspicious reading, it proposes, is not only an intellectual exercise in demystification, but also a critical style and scholarly sensibility that offers specific pleasures. These pleasures include the aesthetic and ethical satisfactions of fashioning detective-fiction-style plots...

... different objects of identification and from different kinds of cognitive and emotional effects. Three major results are presented and discussed. One outcome was the difference in autobiographical style between the two earliest periods of life(childhood and adolescence) and the last, most recent period...

...Louis Groarke In five stages, this essay works out an account of the aphorism as a philosophical genre. First, I outline a preliminary, general strategy for elucidating the aphorism as an expression of “aphoristic consciousness.” Then I discuss Blaise Pascal's aphoristic style, concentrating...