Search Results for stendhal

... Yamboliev Irena 2013 “ Style at the Scale of the Sentence ,” Stanford Literary Lab , no. 5 , http://litlab.stanford.edu/LiteraryLabPamphlet5.pdf ( accessed January 18, 2014 ). Alter Robert 1986 A Lion for Love: A Critical Biography of Stendhal ( Cambridge, MA : Harvard University...

... L'écriture de la jalousie (Grenoble: Ellug Université Stendhal). Pavel, Thomas G. 1986 Fictional Worlds (Cambridge, MA: Harvard University Press). Pluchard-Simon, Bernard 1975 Proust: L'amour comme vérité humaine et romanesque (Paris: Larousse Université). Proust, Marcel 1971 Contre...

... itself can now be usefully applied to more classical realist texts, such as those by Stendhal. But has not mainstream postmodernist theoretical discourse 6828 POETICS TODAY / 24:1 / sheet 143 of 151 been doing precisely this over the last thirty years...

... narratives (under the aegis of Jean-Jacques Rousseau, Stendhal, and Freud) has already led to the analysis of Georges Perec’s ‘‘W ou le souvenir d’enfance’’ (in La mémoire et l’oblique and Nathalie Sarraute’s Enfance,towhich are here added Mary McCarthy’s Memories of a Catholic Girlhood and Guy...

... to fictionalize alternative cosmologies to those of Scott, Dickens, and company, the literary Realists devised narra- tives in which modern society is a lost cause, its marginal figures being the very least likely to scale the heights of integrity, while ironists (Stendhal and Thackeray foremost among them...

... and Abuse of Speech-Act Theory in Criticism,” Poetics Today 20 : 93 -119. Petrey, Sandy 1988 Realism and Revolution:Balzac, Stendhal, Zola, and the Performances of History (Ithaca,NY: Cornell University Press). 1991 Speech Acts and Literary Theory (New York: Routledge). Searle, John...

...- served.7 But nothing guarantees that by his actions the young Frenchman who admires Napoléon will succeed in emulating his model. To go back to fiction, Julien Sorel, the main character in Stendhal’s The Red and the Black, translates his admiration for Napoléon into a passion for social advancement...

..., Nossack developed his reportorial style from Stendhal (also a witness to military devastation in Napoleon’s Italian campaigns), whose diaries had taught him to “express himself as plainly as possible, without the usual literary adjectives, without flowery images, more like a writer of letters...

... Forms: Explorations in Historical Poetics , edited by Kliger Ilya Maslov Boris , 39 – 64 ( New York : Fordham University Press ). Lukács Georg 1950 Studies in European Realism: A Sociological Survey of the Writings of Balzac, Stendhal, Zola, Tolstoy, Gorki, and Others...

..., and semantic content. They range from “documents” (pictures of bills, tickets, maps, written pages) to pictures of paintings or engrav- ings or of photographs according to the periods evoked. For instance, the photographs of Stendhal’s sketches appear in Vertigo (Sebald 2002a); in The Emigrants...

... . Nabokov Vladimir . 1980 . Lectures on Literature , edited by Bowers Fredson . San Diego, CA : Harvest Book . Paris Bernard J. 1974 . A Psychological Approach to Fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoyevsky, and Conrad . Bloomington : Indiana University...

... — order, duration, and frequency — are named before any examples are given (ibid.: 35). The first examples Genette men- tions are from Alain Robbe-Grillet and Homer, followed by Honore´ de Balzac, Stendhal, and Proust’s novel Jean Santeuil (ibid.: 37). Only then is “Sodome et Gomorrhe,” one part...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...

... Bell), Johann Wolfgang von Goe- the (by Martin Swales), Walter Scott (by Susan Manning), Stendhal (by Ann Jefferson), Mary Shelley (by David Punter), Honore´ de Balzac (by Michael Tilby), Charles Dickens (by John Bowen), George Eliot (by John Rignall), Gustave Flaubert (by Timothy Unwin), Fyodor...