... ‘‘modern order’’ (e.g., ibid.: 67, 74). The lion act is meant to ‘‘encapsulate the predicaments of the modern order, the relations between Culture and Nature, and their transcendence’’ (ibid.: 67). Thus, from the margins (the low), Sid’s lion act playfully disrupts modern cosmological categories...

... Lions Act The ‘‘wild animals’’ in Cottle’s were trained and presented by the then 6828 POETICS TODAY / 24:1 / sheet 70 of 151 sixty-six-year-old trainer, Sidney Howes. Sid and his wife Tess had come to Cottle’s from Robert Brothers’ Circus (another...

... of the theo- retical biases which I view as underlying Little’s evocative descriptions. Little starts with a critique of my analysis of the circus (re)presentation of nature and culture and its transcendence in Sid’s lion act (606–7), focusing Poetics Today 27:3 (Fall 2006) doi 10.1215/03335372-2006...

... and Bolkosky 1998b) So that all of this does not sound too self-abnegating, listen also to this inter- change among Erna, Ruth, and Sid regarding Erna’s memory of how she felt after her first interview with Sid and what she did about it: Erna: Well, well, I, I hugged him and kissed him on the end...

... Alison . 2003 . “ Immersion, Engagement, and Presence: A Method for Analyzing 3-D Video Games .” In The Video Game Theory Reader , edited by Wolf Mark J. P. Perron Bernard , 67 – 86 . New York : Routledge . Meier Sid . 1991 . Civilization . DOS . Hunt Valley, MD...

... 1997 `` Art, Narrative, and Emotion ,'' in Emotion and the Arts , edited by Hjort Mette Laver Sue , 190 – 211 ( New York : Oxford University Press ). Carter Sid Pasqualini Marcia Smith 2004 `` Stronger autonomic response accompanies better learning: A test of Damasio's...

... attention to the narrative features of the romance, especially its foregrounded fictionality, for instance, in the deployment of extensive representations of consciousness (e.g., in Sid- ney’s Arcadia — see Fludernik 1996; Dannenberg 2008) or regarding the artful anachronies in the Genettean sense which...

... chronicling this history. When P. Adams Sitney (1974: vii– viii, ix) came to write his breakthrough Visionary Film (1974), he read the work of the particular filmmakers who were his focus—Maya Deren, Sid- ney Peterson, Kenneth Anger, Gregory Markopoulos, Stan Brakhage—as constituting a modern extension...

.... Indeed, Akhtar’s blandly matter-of-fact description, on the same page, of a murder that took place many years earlier in Lahore reinforces the idea that the illocutionary act of slandering Muhammad is invariably the per- locutionary act of causing a Muslim to assassinate the slanderer: like Sid...

... — as clearly illustrated in The Killing, The Asphalt Jungle, Topkapi, and Ocean’s Eleven (2001), among others. Still, Bordwell (2008c: 105) argues that Sid Field’s famous three-act structure, dividing plots into 1:2:1 proportions, can, in fact, be reconciled with Thompson’s fourfold model (with a significant...