...Eyal Segal Copyright © 2019 by Porter Institute for Poetics and Semiotics 2019 Kelleter Frank , ed., Media of Serial Narrative . Columbus : Ohio State University Press , 2017 . viii + 301 pp. ...

...Bohumil Fořt New Books at a Glance Radom ´r D. Kokes , Sve ty na pokrac ova´n Rozbor moz nost ´ seria´love´ho vypra´ve n ´ (Worlds to Be Continued: Analyzing Possibilities of Serial Narrativity). Prague: Akro- polis, 2016. 236 pp. Intermediality and interdisciplinarity are undoubtedly among...

... newspapers and magazines, the article shows that news stories usually favor the informative function, but when an event cannot be fully told, information enters a process of serialization, leading to the emergence of a “natural” plot. This leads to the conclusion that artificial emplotment is an imitation...

... serially online from March 2012 to July 2013, opening the project up for circulation and comments, thereby staging a procedural interactivity that may foretell one future of academic publishing beyond the specific topic under investigation here. Certainly, a book that is (among other things) about...

.... Van de Ven investigates the myriad relations between Mark Z. Danielewski and George R. R. Martin's books and “quality TV” serials, including Breaking Bad and Game of Thrones . Van de Ven notes that both media share an affinity with serialization—a playful variegation of “the familiar...

...Jayme Stayer explication with practical application, they may be considered model studies for this type of investigation of serial fiction. In sum,Worlds to be Continued is a monograph at the cutting edge of current narratological research. Adjusting concepts borrowed from classical narra- tology...

..., Television,” contains two studies of adapted serial- ized works. Martin Zeller-Jacques tackles the problem of “condensing the vast serialized narratives of superhero comics into a two-hour movie.” Since most popular superheroes appear in a variety of media — comic books, films, TV, radio, toys, video...

... and award-winning films. Part 3, “Genre: Film, Television,” contains two studies of adapted serial- ized works. Martin Zeller-Jacques tackles the problem of “condensing the vast serialized narratives of superhero comics into a two-hour movie.” Since most popular superheroes appear in a variety...

..., Television,” contains two studies of adapted serial- ized works. Martin Zeller-Jacques tackles the problem of “condensing the vast serialized narratives of superhero comics into a two-hour movie.” Since most popular superheroes appear in a variety of media — comic books, films, TV, radio, toys, video...

... and award-winning films. Part 3, “Genre: Film, Television,” contains two studies of adapted serial- ized works. Martin Zeller-Jacques tackles the problem of “condensing the vast serialized narratives of superhero comics into a two-hour movie.” Since most popular superheroes appear in a variety...

..., Television,” contains two studies of adapted serial- ized works. Martin Zeller-Jacques tackles the problem of “condensing the vast serialized narratives of superhero comics into a two-hour movie.” Since most popular superheroes appear in a variety of media — comic books, films, TV, radio, toys, video...

... closely at two of Roberson’s book-length serial poems, both of which deliberately concretize the poetic text in ways that disrupt con- ventional, linear reading practices, I argue that these poems examine and develop two related...

... on serialization and encouraged generic “specialization.” In “Fiction, Theatre, and Early Cinema” Nicholas Daly discusses the close, symbiotic relationship that developed in the nineteenth and twentieth centuries between popular literary texts and visual narrative, initially through the theater and then via...

... on serialization and encouraged generic “specialization.” In “Fiction, Theatre, and Early Cinema” Nicholas Daly discusses the close, symbiotic relationship that developed in the nineteenth and twentieth centuries between popular literary texts and visual narrative, initially through the theater and then via...

... to most readers only through circulating libraries. The second is the substantial rise in the number and social importance of periodicals, which intensified the reliance on serialization and encouraged generic “specialization.” In “Fiction, Theatre, and Early Cinema” Nicholas Daly discusses the close...

... to most readers only through circulating libraries. The second is the substantial rise in the number and social importance of periodicals, which intensified the reliance on serialization and encouraged generic “specialization.” In “Fiction, Theatre, and Early Cinema” Nicholas Daly discusses the close...

... (and considerably more expensive) “triple-deckers” that were available to most readers only through circulating libraries. The second is the substantial rise in the number and social importance of periodicals, which intensified the reliance on serialization and encouraged generic “specialization.” In “Fiction...

... to most readers only through circulating libraries. The second is the substantial rise in the number and social importance of periodicals, which intensified the reliance on serialization and encouraged generic “specialization.” In “Fiction, Theatre, and Early Cinema” Nicholas Daly discusses the close...

... film format, the chapter film or serial film, so that films were not released as longer fea- ture films but were released week after week in the short, one-reel for- mat centered around the same character having a new adventure in each installment (chapter film) or around the same...

... that displays, among other things, a relatively sophisticated use of backstory and cultural allusions). Another article that might be mentioned in this context is Mittell’s on TV serials. The distinctive mediumal characteristic that he deals with here is the large amount of information that accumulates...