... embodied experiences of the world. Cognitive narratology needs to break with the structuralist legacy still evident in the terminology of frames, scripts, and preference rules and to embrace the paradigm shift proposed by various pragmatically oriented, phenomenological theories of narrative that have...

... resources of social scripts, and the affinities between poetic expression and autopoietic growth. © 2015 by Porter Institute for Poetics and Semiotics 2015 References Albright Daniel 2007 Musicking Shakespeare: A Conflict of Theaters ( Rochester, NY : University of Rochester Press...

... and conceptual, but also formal and operational, similarity between the coded procedures of cooking and writing. A recipe is a procedure, a script for an infinity of possible meals, and a literary procedure is a recipe for writing. It is not surprising, then, that Oulipian writers have utilized the recipe form...

.... Bluets and The White Book show their authors as deeply involved in imagining alternative acts of literary representation that exceed the scripts and protocols that are usually activated and called up through the story-ing of the self. As Nelson and Kang explore the story-critical affordances...

...) and Isabel Ermida's (2008) less intentionalist (“script-based”) views on narrative humor. © 2011 by Porter Institute for Poetics and Semiotics 2011 References Allais Alphonse 1989 Han Rybeck; ou, Le coup de l'étrier , in Oeuvres anthumes ( Paris : R. Laffont ). Allen Woody...

... (GTVH) ,” The Translator: Studies in Intercultural Communication 8 : 173 – 94 . 2008 “ A Primer for the Linguistics of Humor ,” in Raskin 2008 : 101 – 56 . Attardo Salvatore Raskin Victor 1991 “ Script Theory Revis(it)ed: Joke Similarity and Joke Representation Model ,” Humor...

... (and, ideally, appreciate) its perlocutionary aim (i.e., to account for the individuals’ humor competence, along the lines of Chom- sky 1965: 3). Raskin offers a linguistically based theory centered on the notion of ‘‘scripts This construct, incorporated into linguistics from the field of Artificial...

..., it is the colonial relationship that forms an important underpinning for the bilingual aspects of literary innovation, add- ing another dimension to modern experimentation with language and script in Japan. On one level, the challenge involves the insertion of Korean lan- guage material into Japanese language frames...

... are based on a detailed analysis of two films, The Naked Gun and AFish Called Wanda . Their relevance for humor in other genres, contexts, and uses remains to be verified. © 2002 by the Porter Institute for Poetics and Semiotics 2002 Abelson, Robert P. 1981 “Psychological Status of the Script...

... theorists, including Ber­ trand Gervais, seems (quite appropriately) to underlie much of what Baroni says about event sequences, from the most local level to the compound sequences that embed other sequences that some narratives include. Ana- lyzing “scripts,” Baroni points out that the amount...

... studies, the author underscores the importance of the preexisting, socially transmitted cultural scripts that inform our narrative understanding of our environment and ourselves. As interpretations of interpretations, nar- ratives such as our own life stories, politicians stories about the state...

.... But let us listen to him now regarding this job: I tackled it in exactly the same way as I have written other novelizations in the past. I read the script through to get some sense of what the eventual film might be like, thought about it for a bit, mentally decided which scenes...

... a writing, visual, and displaying tool, a PHP (scripting language) parser that takes inspiration from the Occam s razor paradigm. Other writers can also use it as a composition tool, since it allows for the treatment, modeling, and parsing of any given website. The user can control, manipulate, and mask...

... and Social Psychological Approaches (Berlin: Walter de Gruyter). Halperin, John, ed. 1974 The Theory of the Novel: New Essays (New York: Oxford University Press). Herman, David 1997 “Scripts, Sequences, and Stories: Elements of a Postclassical Narratology,” PMLA 112 : 1046 -59. 1999...

... , no. 3 : 371 – 82 . Allington Daniel . 2005 “ Re-reading the Script: A Discursive Appraisal of the Use of the ‘Schema’ in Cognitive Poetics ,” Working with English: Medieval and Modern Language, Literature, and Drama 2 : 1 – 9 . Andersen Hans Christian . 1949 [1847...

... in Oral Traditions: The Cognitive Psychology of Epic, Ballads, and Counting-out Rhymes (New York: Oxford University Press). Schank, Roger C. 1995 Tell Me a Story:Narrative and Intelligence (Evanston, IL: Northwestern University Press). Schank, Roger C., and Robert P. Abelson 1977 Scripts...

... through speech has a counterpart in Yiddish as script, more specifically as manuscript. The plots of several contemporary works of fiction responding to the Holo- caust have a missing manuscript at their core, a manuscript whose history is entangled with the war. In Aryeh Lev Stollman’s...

... as a space in which to “listen in” cannot be underestimated. The effect of listening in to Brewsie and Willie is created by Stein's relatively closed-circuit script whereby, apart from several brief moments in which the “Narrator as Miss Stein” speaks to her listeners directly, listeners are made privy...

... terms and employ them for the analysis of literary examples. Chapter 1 focuses on embodied metaphors, chapter 2 on scripts (stereotypical sequences of events), and chapter 3 on blending. Trites illustrates how the concept of adolescent growth is shaped by metaphors used by both literary critics...

... constructed. Of the book’s six chapters, the first three explain key cognitivist terms and employ them for the analysis of literary examples. Chapter 1 focuses on embodied metaphors, chapter 2 on scripts (stereotypical sequences of events), and chapter 3 on blending. Trites illustrates how the concept...