Search Results for rise of the novel

...Monika Fludernik Catherine Gallagher’s arguments for a rise of fictionality in the eighteenth century, reinventing the rise of the novel as a rise in fictionality, provides a starting point for the article. It will compare Gallagher’s thesis to other proposals about the rise of fictionality...

... with a historical overview of the rise of bio-ideologies. It ends with an analysis of The Island of Doctor Moreau, pointing out parallels between the novel and contemporary representations of Mengele. The New Man 6104 Poetics Today...

..., haunted, and alienated protagonist the novels adopt from this tradition corresponds to the figure of the trauma survivor as codified in contemporary culture. The rise of trauma as a popular an event in the novel’s narrative present (say, baptism) triggers a sudden memory of Strange’s traumatic past...

... This article examines narrative engagement with strange weather and rising waters in Richard Ford's Let Me Be Frank with You (2014). It applies three terms from climate policy— adaptation , retreat , and mitigation —as heuristic concepts with which to approach the formal responses in the novel...

... of the disaster, they are also registered as especially vulnerable to the effects of rising temperatures and extreme weather. While the tendency toward blame and care are not logically incompatible, this tension has resulted in a cultural narrative that fuels a deep sense of unfairness across generations...

... Catherine Gallagher fictionality rise of the novel audience character rhetorical theory References Aravamudan Srinivas 2012 Enlightenment Orientalism: Resisting the Rise of the Novel ( Chicago : University of Chicago Press ). Banfield Ann 1982 Unspeakable Sentences...

... – 72 ( Princeton, NJ : Princeton University Press ). Aravamudan Srinivas 2012 Enlightenment Orientalism: Resisting the Rise of the Novel ( Chicago : University of Chicago Press ). Basalla George 1988 The Evolution of Technology ( Cambridge : Cambridge University Press...

... of the Novel , edited by Logan Peter Melville , vol. 2 , 633 – 38 ( Chichester, UK : Wiley-Blackwell ). Warning Rainer 1982 “ Irony and the ‘Order of Discourse’ in Flaubert ,” New Literary History 13 : 253 – 86 . Watt Ian 2001 [1957] The Rise of the Novel ( Berkeley...

... ). Gallagher Catherine 2006 “ The Rise of Fictionality .” In The Novel , edited by Moretti Franco , vol. 1 , 336 – 63 ( Princeton, NJ : Princeton University Press ). Green Dennis H. 2002 The Beginnings of Medieval Romance: Fact and Fiction, 1150–1220 ( Cambridge : Cambridge...

...] Revolution and the Word: The Rise of the Novel in America ( New York : Oxford University Press ). Davis Lennard J. 1996 [1983] Factual Fictions ( Philadelphia : University of Pennsylvania Press ). Doody Margaret Anne 1996 The True Story of the Novel ( London : Fontana...

... and ever-increasing amounts of information are “vying for our eyes and brains” (1). The book is not only a reflection on our frantic times but also a contemplation on the rise of the popularity of these novels and explores the connections between these two developments. The introduction clarifies...

... discuss the American novel during the Cold War period (1945 – 70), and Martha Cutter examines its most recent history, from 1970 to the present. A theme connecting the two latter essays is postmodernism. Becker and Martin discuss its rise in the 1960s, while Cutter discusses its development during...

... new meanings as they enter into dialogue with one another in the controlled heteroglossia of the novel as a form, reflecting Veselovsky’s model of dvoeverie giving rise to interpenetration and hybridization. Sedimentation is the second crucial concept in the development of Vese- lovsky’s...

... a considerable rise in repetitions and in the use of “fillers,” such as indefinite expressions. A common denominator, in Lancashire’s view, of all the novels discussed in this chapter is that they dramatize issues related to the creative process through an author figure within the represented world. In Joyce...

... a considerable rise in repetitions and in the use of “fillers,” such as indefinite expressions. A common denominator, in Lancashire’s view, of all the novels discussed in this chapter is that they dramatize issues related to the creative process through an author figure within the represented world. In Joyce...

... a considerable rise in repetitions and in the use of “fillers,” such as indefinite expressions. A common denominator, in Lancashire’s view, of all the novels discussed in this chapter is that they dramatize issues related to the creative process through an author figure within the represented world. In Joyce...

... a considerable rise in repetitions and in the use of “fillers,” such as indefinite expressions. A common denominator, in Lancashire’s view, of all the novels discussed in this chapter is that they dramatize issues related to the creative process through an author figure within the represented world. In Joyce...

... a considerable rise in repetitions and in the use of “fillers,” such as indefinite expressions. A common denominator, in Lancashire’s view, of all the novels discussed in this chapter is that they dramatize issues related to the creative process through an author figure within the represented world. In Joyce...

... a considerable rise in repetitions and in the use of “fillers,” such as indefinite expressions. A common denominator, in Lancashire’s view, of all the novels discussed in this chapter is that they dramatize issues related to the creative process through an author figure within the represented world. In Joyce...

... of dying, of your time being stolen, of a revolution. Time+Life gives rise to eternity and IMMORTALITY (the cabinet of ministers in the novel is tellingly called “the Eternites”) but also to temporal perversions (which the novel encodes in images of weaponized time and ridiculed human-animal hybrids...