... theoretical statements) with the novel. This “formalism,” no doubt related to Roger Fry's art criticism, takes fictional shape in the character of Mrs. Ramsay. In fact, it is by bringing life to a standstill, enclosing it in crystalline “moments of being” (Woolf 1976), that Mrs. Ramsay struggles against...

...’’ but serially, as Mr. Ramsay’s progress from A to Z does. So also Impressionism’s visible patches of color must be related by an invisible abstract continuity. The Moment and the Short Story We cared only for the now which is the same thing as the eternal. Virginia Woolf, Roger Fry: A Biography...

... in the real world produces the appearance of the narrative of the fictional world, but is this any more metaleptic than the scene late in To the Lighthouse where Mr. Ramsay is seen reading the final pages of his book just as we readers are turning the final pages of ours? We must turn our page to learn...

... us unset- 2. For discussion, see Banfield 2006 (10). 3. For an overview of the small but significant body of scholarship on Woolf and twentieth- century philosophy, see Quigley 2015 (190 91) and Ryan 2012. For debate about the origin of Ramsay s name, see Banfield 2006 (188). 4. G. E. M. Anscombe...

..., Hume [and] Berekely’’ (Woolf 1981 [1927]: 45) acquire a linguistic and thematic concreteness and vividness, a depth and dimensionality which they could never possess without the words, ruminations, observations, thoughts, and deeds of a Mrs. Ramsay, a Mr. Ramsay, and a Charles Tansley, who...

... from the perspective of Lily Bris- coe, who is trying to understand her confused feelings toward William Bankes and Mr. Ramsay: All of this danced up and down, like a company of gnats, each separate but all marvellously controlled in an invisible elastic net — danced up and down in Lily’s...

.... Dalloway and Charles, James, and Cam Ramsay focalize distinct features of nature in the third part of To the Lighthouse Repetitive multifocalization multiple focalization’’ in Genette finally, appears when identical objects are focal- ized by different focalizers. Robert Browning’s The Ring...

... attack on method in Julia Kristeva’s La révolution du langage poétique (1974) as well as its opposition to Henri Meschonnic’s theses as defended in Critique du rythme (1982). 1986 La fleur inverse: Essai sur l’art formel des troubadours (Paris: Ramsay). This formal analysis and close...

... At his machine gun in the stern of Hiyo, Chief Petty Officer Mitsu- kuni Oshita heard the cry ‘‘Torpedo coming He began to count. At  he knew the torpedo had missed, and relaxed. An explosion jarred Hiyo. Oshita had counted too fast. (Toland She [Mrs. Ramsay] saw his [Mr...

... who sought it out at universities. Nonetheless, a number of writers working in the early twentieth century did confront logic in its new, math- ematical guise.25 Virginia Woolf, who attended Russell s public lectures and was attuned to modern trends in philosophy, famously made Mr. Ramsay 25. Through...

... as well as in Guibert’s autofictional literary texts. The main focus of the analysis lies in the impact of the literary interview on the surrounding literary debate. Brasey, Edouard 1987 L’effet Pivot (Paris: Ramsay). Masschelein et al. † The Literary Interview: An Annotated Bibliography...

... forthcoming). .  “Will Hamlet act, Tom Jones hang, Raskolnikov confess, Emma Bovary ruin herself, Isabel Archer learn her lesson, Joe Christmas find peace, Dowell gain self-knowledge, the Ramsays visit the lighthouse, Charles Smithson track down the French lieutenant’s woman? Will love prevail...